For all the clients I have done operatic scores, it’s always been according to the voices, not their roles. Sopranos, Altos, Tenors, Basses. If there happens to be a chorus involved, ala SATB, I have always grouped them separately, together, under the role voices.
HTH *************************** J D Thomas ThomaStudios > On Apr 24, 2019, at 6:05 AM, Robert Patterson <rob...@robertgpatterson.com> > wrote: > > Hello list, > > I am interested to know if there is any particular convention around the > score order for vocal parts in an opera. Is it strictly by voice type, or > is there a preference given to principle vs. secondary parts? Or some other > convention I haven't thought of? > > Thank you for any insights you may have. > _______________________________________________ > Finale mailing list > Finale@shsu.edu > https://lists.shsu.edu/mailman/listinfo/finale > > To unsubscribe from finale send a message to: > finale-unsubscr...@shsu.edu > _______________________________________________ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu
