Hi all, As experienced as I am with Finale, I’ve never tried this — 12/8 on some staves and 4/4 on others with the dotted quarter and quarter being equal. I’m writing some things for classical string players and classical guitarists, and getting anticipations played correctly requires triple subdivisions of the quarter note. People used to jazz notation interpret eight notes in context, but I can’t expect even really good musicians without that experience to know when the eighths are more or less equal and when they’re swung, so I end up writing music cluttered with triplets. Being able to switch between 12/8 and 4/4 would result in a cleaner look.
Have any of you done this? Is it practical? Thanks, Chuck Chuck Israels cisra...@comcast.net (360) 201-3434 6935 SW 45th Ave. Portland OR 97219 <chuckisraelsjazz.com> _______________________________________________ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu
