Dear Maxine and colleagues, 

It seems to me that the assumption of an origin takes a heavy load on this 
theory. We know that order can emerge from chaos. Any order will also disappear 
in the longer run. 

Why would one wish to make such assumptions? Meta-physical? 

Best,
Loet
________________________________________
Loet Leydesdorff 
Professor, University of Amsterdam
Amsterdam School of Communication Research (ASCoR)
l...@leydesdorff.net ; http://www.leydesdorff.net/ 
Honorary Professor, SPRU, University of Sussex; 
Guest Professor Zhejiang Univ., Hangzhou; Visiting Professor, ISTIC, Beijing;
Visiting Professor, Birkbeck, University of London; 
http://scholar.google.com/citations?user=ych9gNYAAAAJ&hl=en

From: Fis [mailto:fis-boun...@listas.unizar.es] On Behalf Of Pedro C. Marijuan
Sent: Friday, February 19, 2016 2:13 PM
To: 'fis'
Subject: [Fis] _ Re: Maxine’s presentation

Dear Maxine and Colleagues,

Concerning your presentation I have a couple of questions. About dance, first, 
let me inquire about another important aspect it may have, perhaps a "vital" 
one . In a number of species, dance is related to the mutual pre-exploration 
between potential reproductive partners. The individual fitness of the 
candidate(s) are evaluated quite strategically along the movements of dance, at 
least in the essential adaptive traits. Cultural layers of human societies may 
have created further "meanings" to dance (artistic, gimnastic, educative, 
therapeutic, etc.) but at the very roots of this human phenomenon the 
exploration between genders continues to be of the essence, I think. Those 
qualities you mention of tensional, linear, aerial, and projectional are in 
themselves excellent ways to observe the whole person: not only in the motoric 
dimension, but also concerning some related intellectual-emotional 
capabilities. The "gestalts" Alex mentions are colored very differently 
depending on the social/cultural contexts in which the same dance may take 
place. It is quite interesting that the folk inter-gender dance is performed in 
"safe" public spaces, and that it often conveys a feminine advantage (better 
synchronization of movements, more interest for fashionable pieces), etc. etc. 
Although perhaps it does not apply to most of present day "disco dance". Along 
your points, I was reminded that many years ago, someone in fis list wrote 
about the informational implications of "Tango" (originally a dance between 
castaway males in Argentina's immigrant squalors) ... it is a pity I can 
remember very little about that. 

And the second comment concerns the paleoanthropological tools. The analogy 
between the two major forms of tools and the two major tooth forms is very well 
developed.I quite agree, and also would like to ad a relationship with human 
gut-microbiome. We needed "artificial" teeth because with our terrific brain 
growth, the overall metabolic needs escalated almost 20%. However, at the same 
time the gut size (& contained microbiome) was reduced 50% in comparison with 
any Anthropoidea of our size. This is an impossible budget to maintain, unless 
the development of collective intelligence applied to our feeding and created 
completely original ways. These new ways were made possible by language, group 
identities, tools and artifact creation... but it was the new feeding style 
what pushed along this adaptive loop. We have called the new ways as "cooking", 
but actually it was a pre- or external digestion, achieved with those 
artifactual "molars and incisives", plus boiling, roasting, etc. And also by 
incorporating "external microbiomes"--fermentation-- for our service: bread, 
wine, beer, cheese, etc. The essential new foods of civilization. Cooking made 
us humans... how a "social brain" was created, and how our phenomenology became 
captive of group collective thinking might be a topic deserving further 
analysis.

Thanking in advance for the tolerance! 

Best--Pedro  

---------------------------------------------------------------------------------------------------------------------------------------------------------
Phenomenology and Evolutionary Biology

(1): Phenomenology
As written in the Preface to the 2nd edition (1979) of The Phenomenology of 
Dance, “Certainly words carry no patented meanings, but the term 
‘phenomenology’ does seem stretched beyond its limits when it is used to denote 
either mere reportorial renderings of perceptive behaviors or actions, or any 
descriptive rendering at all of perceptible behaviors or actions. At the least, 
‘phenomenology’ should be recognized as a very specific mode of epistemological 
inquiry, a method of eidetic analysis invariably associated with the name 
Edmund Husserl, the founder of phenomenology; and at the most ‘phenomenology’ 
should be recognized as a philosophically-spawned terms, that is, a term having 
a rich philosophical history and significance.” 

A phenomenological analysis of movement given in The Phenomenology of Dance 
follows the rigorous methodology set forth by Husserl. The methodology is 
integral to understandings of phenomenology as well as to its practice. Husserl 
distinguished two modes of the methodology. One mode is termed “static,” the 
other is termed “genetic.” The aim in static phenomenology is to uncover the 
essential character of the phenomenon in question or under investigation. The 
aim in genetic phenomenology is to uncover the source and development of 
meanings and values we hold. 

The abbreviated phenomenological analysis of movement set forth below follows a 
static phenomenology. The abbreviated phenomenological analysis of the origin 
of tool-making follows a genetic phenomenology. The first analysis elucidates 
the inherently dynamic character of movement, and in ways quite contrary to the 
idea that movement is a force in time and in space and quite contrary as well 
to the dictionary definition of movement as a “change of position.” The second 
analysis answers questions that paleoanthropologists, archaeologists, and 
anthropologists leave unanswered. The analyses present basic aspects of 
animation that anchor the relationship between phenomenology and the life 
sciences. In particular, the point of departure for both phenomenology and the 
life sciences is animate being not just in the sense of living creatures, but 
in the sense of moving creatures, creatures who, in and through movement, are 
sustaining their lives, mating and reproducing, and so on. In short, movement 
is fundamental to animation, a decidedly significant entrée to understanding 
basic aspects anchoring a relationship between phenomenology and the life 
sciences. Following these analyses is a final section on the descriptive 
foundations of both phenomenology and evolutionary biology and on their common 
concern with origins... 

(cont., see attached file) 

(4) Descriptive Foundations
While it is common to speak laudingly of the keenness and scope of Darwin's 
observations, it is not commonly  recognized, certainly not explicitly, that 
his observations, as written, describe his experiences. His written 
observations are in fact equivalent to his experiences in the sense that they 
detail what he saw, felt, heard, smelled, and even tasted. Though focal 
attention is consistently--one might even say, exclusively--riveted on  his  
theory  of natural selection, Darwin's descriptive writings are of fundamental 
significance, for it is these descriptive writings  that ground  his theory, 
that are its foundation. More broadly, evolutionary understandings and 
explanations of Nature are in the end tethered to an experientially-derived 
descriptive literature. Reading this literature, we learn a good  deal about 
nonhuman animals. We learn  that  they are perceptive,  thoughtful, and  
affectively moved  by creatures and  things in their environment, and  we learn 
further that their perceptive, affective, and thoughtful ways are intimately 
related  to our own. In short, Darwin's descriptive accounts of the natural 
living world reveal something about the lives of others and in turn something 
about our own lives.

I highlight the descriptive foundations of evolutionary theory in part because 
these descriptive foundations have fallen by the wayside, particularly in the 
highly visible present-day writings on evolution by neuroscientists and 
cognitive scientists. “Darwinian bodies” are not automatons. Neither are they 
robots lumbering  about  on behalf  of selfish genes nor are they head-end 
neurological mechanisms, as per cognitivists of all stripe who collapse bodies 
into brains. I highlight the descriptive foundations of evolutionary theory 
equally to call attention to experience, specifically to the fact that 
descriptive foundations are grounded in experience. Descriptive foundations do 
not come by way of reducing the living world to genes, collapsing it into 
brains, or modeling it along the lines of a computer. Descriptive foundations 
are laid by way of direct experience of the living world. Only by hewing to 
experiences of that world have we the possibility of arriving at veridical 
descriptive accounts of nature and in turn, at explanations of nature.

I follow up these aspects of Darwinian evolutionary biology to show their 
confluence with phenomenology. Phenomenology, like Darwinian evolutionary 
biology, is methodologically essential to understandings of human nature; like 
Darwinian evolutionary biology, it too is tethered to experience and is 
basically a descriptive project; and again, like Darwinian evolutionary 
biology, it too is concerned with origins. What we think of and separate 
academically as disparate fields of knowledge are undergirded by descriptive 
foundations. The descriptive challenge lies in languaging experience and being 
true to the truths of experience, a challenge common to both fields of study.
----------------------------------------------------------------------------------------------------------------------------------------------------

 





 
-- 
-------------------------------------------------
Pedro C. Marijuán
Grupo de Bioinformación / Bioinformation Group
Instituto Aragonés de Ciencias de la Salud
Centro de Investigación Biomédica de Aragón (CIBA)
Avda. San Juan Bosco, 13, planta X
50009 Zaragoza, Spain
Tfno. +34 976 71 3526 (& 6818)
pcmarijuan.i...@aragon.es
http://sites.google.com/site/pedrocmarijuan/
-------------------------------------------------


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