I have been running a Heil PR 40 for almost a year and love it.  I set the
Transmit filter at 80 and 3080 to use the full 3000 cycles of SSB and then
adjust with the equalizer to fit my voice, usually in a curve that looks
somewhat like a smile.  As a backup mic, I have a MLX 990 (requires a power
source) I purchased online used for around $65.  9 out of 10 times it is
hard to tell the difference in which mic is running.   The Flex 5000
compensates for a lot of regular weaknesses in cheaper mics.  I have three
other Heil mics I have collected in the shack, the GM4, GM5, and the Gold
Elite.  When I put these on the Flex, I limit my ability.  If I want get a
sound like the DX Dream Machine of the HC-4 element in the GM4,  I adjust
the Flex settings and  use the PR-40.  Let me say first I love Heil mics,
and the HC-4 element worked great for me on my FT920 hauling in the DX
contacts.  The HC-4 element concentrates on the frequency from 500 Hz to
3,800 Hz with a 10 dB rise at 2,000 Hz.  If I set my Flex transmit filter at
500 Hz low and 3,500 Hz high and peak the equalizer at 2,000 Hz, I get a
sharp, almost shrill high pitch voice very similar to the HC 4.  I am sure
Bob can explain that it might be similar but something is left out, but for
me in a pile up it works great.  I pull up the set up screen, change the low
end to 350 or some higher number and give the call.   As soon as they give
me the call back, I punch in 80 to put the base back in and make a regular
sounding contact.  The MLX 990 will do the same, all because the power to
make it sound great comes from the Flex 5000. 

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