"excerpts from 'assemblages, environments & happenings"
alan kaprow
in
"happenings and other acts"
a compilation of texts edited by mariellen r. sandford
-routledge- 1995 first published
p. 239-240

chao

...pez

At 09:29 am -0600 2/11/00, cecil touchon wrote:
>That was very good Pez! What was the source?
>cecil
>
>"narvis & ...pez" wrote:
>
>> "in the near future, plans may be developed which take
>> their cue from games and atlhetics, where the regulations
>> provide for a variety of moves that make the outcome always uncertaint. a
>> score might be written, so general in its
>> instructions that it could be adapted to basic types
>> of terrain such as oceans, woods, cities, farms,; and to basic
>> kind of performers such as teenagers, old people, children,
>> matrons, and so on, including insects, animals and the weather. this could
>> be printed and mail-ordered for use by anyone who wanted it. greorge brecht
>> has been interested in such posibilities for some time now. his sparse
>> scores read like this:
>>
>>                 DIRECTION
>>                 Arrange to observe a sign
>>                 indicating direction of travel.
>>
>>                         ¬ travel in the indicated direction
>>
>>                         • travel in another direction
>>
>> "but so far they have been distributed to friends, who perform them at
>> their discretion and without ceremony, certainly they are aware of the
>> pholosophic allusions to zen buddhism, of the subtle wit and childlike
>> simplicity of the activites indicated. most of all, they are aware  of the
>> responsability it places on the performer to make something of the
>> situation or not. as we mentioned before in connection with another of
>> brecht's pieces, this implications its the most radical potential in all of
>> the work discussed in this book. beyond a small group  of initiates, there
>> are few who could derive pleasure from going ahead and doing them without
>> self-cosciousness. in the case of those happenings with more detailed
>> instructions or more expanded action, the artist must be present at every
>> moment , directing and participating , for the tradition is too young for
>> the complete stranger to know what to do with such plans if he got them."
>> (alan kaprow)
>>
>> At 10:16 am -0600 1/11/00, cecil touchon wrote:
>> Three Aqueous Events
>> ice
>> water
>> steam
>>
>> George Brecht 1961
>>
>> That the simplicity of it causes literally any action that includes
>>these three
>> states of water to be a variation on his work. That's kind of  like
>>staking off
>> wilderness, one stake in each of its four corners, and saying that
>>because you
>> have placed these four stakes anything that happens within them is
>>trespassing.
>> Hogwash!
>
>--
>.<.<.<.<.<.<.0.>.>.>.>.>.>
>Join the Collage Poetry group
>mailto:[EMAIL PROTECTED]
>a list for posting and reading poetry
>created in a constructive manor
>like a collage.
>.<.<.<.<.<.<.0.>.>.>.>.>.>



Reply via email to