>X-Sender: [EMAIL PROTECTED] (Unverified) >Date: Mon, 2 Jul 2001 21:05:18 -0400 >To: [EMAIL PROTECTED] >From: [EMAIL PROTECTED] >Subject: FLUXRECORDS LAUNCHES 226-DAY AUDIO MARATHON >X-Loop-Detect: 1 > >======================================================================= >FOR IMMEDIATE RELEASE http://fluxrecords.com >Press Contact: Frank Rothkamm (323) 512-2709 [EMAIL PROTECTED] >======================================================================= > > >________________________________ >Dateline: Monday, July 2nd, 2001 > > >+++++++++++++++++++++++++++++++++++++++++++ >FLUXRECORDS LAUNCHES 226-DAY AUDIO MARATHON >+++++++++++++++++++++++++++++++++++++++++++ > >After nine months of continuous work, Flux Records is pleased to announce >the international web launch of FLUXRECORDS.COM Rothkamm 1982-2002. This >digital label, dedicated to the solo and collaborative audio works of Frank >Rothkamm, will release one track a day for 226 days selected by an >algorithmic DJ. > >-> 1) The complete public audio works of Rothkamm will be released as a >conceptual continuum to all subscribers. Subscription is free via the >FLUXRECORDS.COM site. > >-> 2) FLUXRECORDS.COM is launched as a web application. It combines mp3, >napster and relational database technologies to give anonymous and free >access to the complete public audio works of Frank Rothkamm. Searchable data >can be downloaded or streamed in realtime. > >-> 3) Minimum requirements: Any 4.x browser and 56k modem. DSL internet >access or better are recommended for HiFi streams. > >Flux Records was founded in 1993 in New York City with a mission to produce >and release the limited edition CDs, vinyl albums and books created by Frank >Rothkamm, the originator of SUPERMODERNISM, and by the elite stable of >artists he selected. The label moved to the internet in 1994, to the web in >1996 and has been in exclusive digital production and distribution since >1998. In 2000 it moved on to become a dedicated server, operating various >domains from Hollywood, CA. > >"Starting in 1992 I reworked tracks that were never released or were left >unfinished and toyed with the idea of making some kind of super structure of >audio works created over a twenty-year period. As time went on I began to >see all my tracks as making up one conceptual continuum. This formulated the >aesthetic of SUPERMODERNISM. As my work unfolded with one style following >another, I was very careful to avoid redundancy. The disparate parts are now >coming together to form an aesthetic whole," says Rothkamm. > >And indeed, as many artists are forced to build their own spaces to >present something unusual, Rothkamm had to build a supermodern digital >infrastructure to present FLUXRECORDS.COM on a full-blown 226-day scale. > >For more information and to search the complete flux records database, >please go to http://www.fluxrecords.com > >=======================================================================
