Thanks Raymond!
that's my dilemma, I didn't keep track of which rolls had the daylight footage
(didn't think of the push option till after I'd shot them all) & a good few of
them are mixed daylight / nighttime ,,,
moiratierney.net vimeo.com/moiratierney
On Monday, September 27, 2021, 10:04:53 PM GMT+1, Raymond Beluga Studio
<aktivf...@gmail.com> wrote:
Hello Moira,
If you suspect the low-light footage is underexposed, I would definitely push
the film as Pip suggests, EXCEPT for those (mixed) rolls with daylight footage,
for in that case you would be pushing that footage as well, which would turn
out overexposed.
Cheers,r.
On Mon, 27 Sept 2021 at 14:01, <frameworks-requ...@film-gallery.org> wrote:
Send Frameworks mailing list submissions to
frameworks@film-gallery.org
To subscribe or unsubscribe via the World Wide Web, visit
http://film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
or, via email, send a message with subject or body 'help' to
frameworks-requ...@film-gallery.org
You can reach the person managing the list at
frameworks-ow...@film-gallery.org
When replying, please edit your Subject line so it is more specific
than "Re: Contents of Frameworks digest..."
Today's Topics:
1. Phytography book (Karel Doing)
2. tri-x (super 8) - to push or not to push? (ev petrol)
3. Re: tri-x (super 8) - to push or not to push? (FrameWorks Admin)
---------- Forwarded message ----------
From: Karel Doing <m...@kareldoing.net>
To: frameworks@film-gallery.org
Cc:
Bcc:
Date: Mon, 27 Sep 2021 12:43:00 +0000
Subject: [Frameworks] Phytography book
This is an update for all of you who are interested in phytography, a method
that taps into the ability of plants to render their own image on photographic
emulsion. This method was developed by Karel Doing and has inspired many
filmmakers and photographers to work with this simple, yet versatile and
multipurpose technique. The book will unite 11 experimental filmmakers and
photographers who have worked intensively with phytography. The book will be
handmade at the London Centre for Book Arts and will be printed in a limited
edition of 100 copies. You can pre-order the book and support the project by
choosing one of the perks such as online workshops, original phytographic
prints and more. Books are selling fast, get your copy today!
For more information please follow the
link:https://www.indiegogo.com/projects/phytography-book#/
---------- Forwarded message ----------
From: ev petrol <epetr...@yahoo.com>
To: Experimental Film Discussion List <frameworks@film-gallery.org>
Cc:
Bcc:
Date: Mon, 27 Sep 2021 14:24:55 +0000 (UTC)
Subject: [Frameworks] tri-x (super 8) - to push or not to push?
Hey folks,
I just shot a gig on Tri-X Super 8 - very low light, my meter needle was
hovering between f 1.4 & being in the red. A friend with a lightmeter checked
the levels for me & it seems like I might have been just about ok, but I'm
concerned about the image being underexposed.
Some of the rolls also have daylight footage on them, of the musicians
soundchecking - the meter needle was in or around f 5.6 for those shots.
I'm wondering whether I should ask the lab to push one stop - any thoughts?
We're going to do a 2K scan of the developed footage, for digital edit.
cheers Moira
moiratierney.net
vimeo.com/moiratierney
---------- Forwarded message ----------
From: FrameWorks Admin <framewo...@re-voir.com>
To: Experimental Film Discussion List <frameworks@film-gallery.org>
Cc:
Bcc:
Date: Mon, 27 Sep 2021 23:49:09 +0900
Subject: Re: [Frameworks] tri-x (super 8) - to push or not to push?
Hey Moira,Since you are editing in digital, why not develop it as a negative?
In that case it should be 400ASA instead of 200, so you gain a stop. - Pip
On Sep 27, 2021, at 11:24 PM, ev petrol <epetr...@yahoo.com> wrote:
Hey folks,
I just shot a gig on Tri-X Super 8 - very low light, my meter needle was
hovering between f 1.4 & being in the red. A friend with a lightmeter checked
the levels for me & it seems like I might have been just about ok, but I'm
concerned about the image being underexposed.
Some of the rolls also have daylight footage on them, of the musicians
soundchecking - the meter needle was in or around f 5.6 for those shots.
I'm wondering whether I should ask the lab to push one stop - any thoughts?
We're going to do a 2K scan of the developed footage, for digital edit.
--
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
--
ruben guzman
raymond beluga studio
www.raymondbelugastudio.com
https://vimeo.com/user10836118
--
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
--
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
