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*This Week [June 20 - 28, 2026] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* **** Enter upcoming calls for entry here <https://us.list-manage.com/t1TC_1HiEt1?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> **** ___________________________________________________________________________________ *sorted by submission deadline* 06.24.2026 Fugue State <https://us.list-manage.com/1BgM8F2vt4A?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> (Late Deadline) 06.26.2026 Antimatter [media art] <https://us.list-manage.com/16SRSPYLiJU?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 07.06.2026 Slamdance Film Festival <https://us.list-manage.com/_xQPdWxgn7T?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> (Early Deadline) 07.15.2026 Grand Canyon Artist in Residence Program <https://us.list-manage.com/QWmv6nwOPom?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 07.15.2026 UCROSS Foundation Residency Program <https://us.list-manage.com/GTnL5kl0CJQ?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 07.31.2026 Images Festival <https://us.list-manage.com/4lrNy81LG39?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 07.31.2026 Alchemy Film and Moving Image Festival <https://us.list-manage.com/4CoOjsCKesI?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> (Early Deadline) 08.14.2026 Coney Island Film Festival <https://us.list-manage.com/Ivrdf7OpG9e?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> (Early Deadline) 08.15.2026 Science New Wave <https://us.list-manage.com/7RjbYhDsZ9k?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> (Late Deadline) 08.15.2026 Revolutions per Minute Festival <https://us.list-manage.com/Pid5ncCg5nS?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> (Extended Deadline) 08.16.2026 Altered Images – Experimental Film and Music Fest <https://us.list-manage.com/PkI3SWJwNPB?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 08.31.2026 International Film Festival Rotterdam <https://us.list-manage.com/eGi96byr6V0?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> (Regular Deadline) 03.15.2027 Fracto Experimental Film Encounter <https://us.list-manage.com/QUiEJg2v8jL?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> *EVENTS* **** Enter your event announcements here <https://us.list-manage.com/6M25KimDtkY?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> **** ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - Overexposed: Art, Technology, And The Body <https://us.list-manage.com/AqV4AfNiknY?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [March 14-Jan 3, Astoria, NY] - (No) Recess <https://us.list-manage.com/OrtvHzIVAFP?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [May 14 - June 20, New York, NY] - Allen Ginsberg Centennial <https://us.list-manage.com/2j5e9JoTfZj?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 6-30, New York, NY] - Holos Gramma (Whole Picture) Exhibit & Performance w/Eric Leiser <https://us.list-manage.com/FSMY21mDwXr?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 13-20, Vancouver, BC, Canada] - Curse of The Seven Jackals <https://us.list-manage.com/314GNYEkuWg?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 19-25, New York, NY] - Brakhage On Brakhage <https://us.list-manage.com/91sL7Sb4RRJ?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 20-21, New York, NY] - Chris Jolly Short Film Program <https://us.list-manage.com/3Zw1pcbaLUi?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 20-21, New York, NY - Gravitational Lensing: Program 16: Queer Joy, Friendship & Community <https://us.list-manage.com/4_iN5w9588v?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 20, Oakland, CA] - Revelations of Divine Love w/Caroline Golum In Person <https://us.list-manage.com/9cs2dnf6ZH7?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 21, Oakland, CA] - Whispers of The Solstice Fireflies <https://us.list-manage.com/fUSOjVL4M0x?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 21, Portland, OR] - The Cat Lands On All Fours - Some Moving Image Works By Kerry Laitala <https://us.list-manage.com/4RwNu450M5W?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 21, Montreal, QC, Canada] - EC: Stan Brakhage Songs 1-14 <https://us.list-manage.com/pL7vrBUgqEW?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 23, New York, NY] - E <https://us.list-manage.com/apnMqNqbHxv?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe>C: Stan Brakhage Songs 27-29 <https://us.list-manage.com/yfH0cyKhSyu?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 23, New York, NY] - Mare's Nest <https://us.list-manage.com/10nWkzQ1ecW?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 24-30, New York, NY] - Think Before You Think: A Portrait of Rick Raxlen by Alex Mackenzie <https://us.list-manage.com/xMH29nUYQEZ?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 24, Toronto, ON, Canada] - Jordan Belson: Knowledge Beyond Words <https://us.list-manage.com/IYHvHxyJsuU?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 25 + July 9, Los Angeles, CA] - Certain Women: Kajillionaire + Altanta <https://us.list-manage.com/WaA19gpewLj?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 25, Orinda, CA] - Kinship Formation Devices: Selected Films From Stephen Wardell <https://us.list-manage.com/n6bOv3n4_yC?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 25, Portland, ME] - EC: The Text of Light <https://us.list-manage.com/14hHkecqI8W?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 27, New York, NY] - EC: The Art of Vision <https://us.list-manage.com/lUgEvSYOm0b?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [June 28, New York, NY] - The Long Conversation <https://us.list-manage.com/JxQ5phNXYJl?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [ongoing, online] - 6x6 Project: Artists' Moving Image Works <https://us.list-manage.com/zWN42hFgdSg?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> [ongoing, online] *STARTING BEFORE SATURDAY, JUNE 20, 2026* *March 14 - January 3* Venue type: *Live, physical event* Museum of the Moving Image <https://us.list-manage.com/ZVuRqFyn8n0?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> times vary, see website, 36-01 35 Ave, Astoria, NY 11106 *Overexposed: Art, Technology, and the Body* The advent of cinema in the late 19th century allowed artists and scientists to record motion for the first time. Developed concurrently, X-ray technology extended vision beneath the skin, allowing people to view the body’s interior. Together, these tools produced spectacular new images that shaped modern conceptions of the body. Overexposed: Art, Technology, and the Body brings together research-based and educational films with contemporary artworks by 16 American and international artists to examine the historical, medical, and sociopolitical implications of seeing inside the body. The works on view were created between 1891 and 2025. *** Works included by Panteha Abareshi, Peggy Ahwesh, Zuza Banasińska, Lucien Castaing-Taylor and Verena Paravel, Theo Cuthand and Ruth Cuthand, Anna Kipervaser, Liz Magic Laser, Barbara Hammer, Ana Mendieta, Donald Rodney, Courtney Stephens, Agnes Questionmark, and Leslie Thornton and Ron Vawter. *** The show is organized into three overlapping sections. “Technology and Power” explores how film and X-ray technologies shaped Western claims to scientific objectivity. “Limits of the Gaze” features artists who engage with archives and found footage, and investigate their own bodies to expose and challenge the normative assumptions embedded in medical images. “Care and Control” examines how imaging tools have transformed practices of care. Overexposed invites visitors to reflect on how visualizing the inside of the body shapes medical knowledge and human experience. Organized by Sonia Epstein, Curator of Science & Technology Lead support for Overexposed was provided by the Alfred P. Sloan Foundation and the Andy Warhol Foundation for the Visual Arts. Additional generous support was provided by Romy Cohen, The Gladys Krieble Delmas Foundation, Elaine Goldman, May & Samuel Rudin Family Foundation, and Doug Pugh. ___________________________________________________________________ *May 14 - June 20* Venue type: *Live, physical event* Microscope Gallery <https://us.list-manage.com/NfRbSw_5_Mr?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> times vary, see link above, 527 W. 29th Street, New York, NY 10001 *(No) Recess* Microscope is excited to present “(No) Recess,” a group exhibition opening Thursday May 14 featuring mostly new and recent paintings, sculptures, single and multi-channel video, installation, photography, and drawings by a selection of emerging to established artists including those from our roster with works by Peggy Ahwesh, Ina Archer, Lili Chin, S Emsaki, Copper Frances Giloth, Narcisa Hirsch, Chihiro Ito, Hey-Yeun Jang, Marni Kotak, Jahi Kijo Lendor, Jeanne Liotta, Rachel Phillips, Yao Qingmei, Kevin Reuning, Lamar Robillard, Joel Schlemowitz, and Matt Town. The exhibition title “(No) Recess” is partially inspired by the gallery’s experience during the past month of a sudden move and the resulting break in our programming, due to the loss of our gallery space, and our return last week to a new, temporary location in the building next door. It also refers to the themes of time, transition, disruption, and the fragility of our lives and experiences that frequently emerge from the highly varied works. As a group, the works in “(No) Recess)” point to the contradictions between one’s intentions for their lives and enjoyment on this planet and the realities of it when confronted with authority, power, and control. What is free time, who gets free time, and for whom is free time for are among the questions raised in the show. Multi-channel 3D animations and video installations, paintings, and E-ink works were made on the job; deal with labor and work conditions; or refer to incidents of gun violence or historical protests. The scenes and settings of these work extend from BP gas stations in Bushwick, Brooklyn to oil fields of Colonial Iran; from rural Walmart stores in the American mid-west to the gardens of China’s Tiananmen Square; as well as from the back shelves of art auction houses in Manhattan to luxurious environments depicted in the advertisements of golf and leisure magazines. Several paintings, videos, and illuminated installations take their inspiration and content from activities often consider to be time-wasters. However, the doodling, playing puzzle games (e.g. Sudoku), diary-keeping, and other activities reveal lives and situations that are far from stress-free and set within the contexts of mental health crises, constant breaking news and other issues of our current times. Other works in painting, drawing, and installation feature imagery from or alluding to sports or arts and literature. The imprints of the soles of Nike Air Force 1s; a portrait of costumed singer in a “Soundie,” (a 1940s version of music videos); and the face of Angela Davis on a stained, found T-shirt draw attention to the perceived values and appreciations of these activities, especially in relationship to socio-economic class, gender, and race, while often subverting or reclaiming negative or stereotypical imagery. Themes of the show subtly surface through the processes and materials used in the making of the works. A ceramic wall sculpture, resembling natural elements, takes shape by joining delicately molded sections of previously unfinished works. The outline of a missing gun is almost completely contained within a case made of aqua-colored silicone rubber. A delicate colored lumen photogram of ferns is imprinted onto a scrap of raw steel. An installation revolves around an old door, outdated technologies, and is augmented with drawings of components that are missing. Lastly, a realistically rendered sculpture of a slide projector created with cardboard and paint considers the technological means humanity has developed for the recording and preserving of our experiences. And, a single-channel videos offers a philosophical interrogation of time itself and its collapse — in which we see life, from birth to death, flash before us in an instant — and challenges us to consider the possibility no pause or recess ever exists. ___________________________________________________________________ *June 6 - 30* Venue type: *Live, physical event* Anthology Film Archives <https://us.list-manage.com/1178ga5O5TA?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> times vary, see below, 32 Second Avenue, New York, NY *ALLEN GINSBERG CENTENNIAL* This summer, Anthology joins forces with the Allen Ginsberg Estate to mark the centennial of the legendary writer, Beat luminary, counter-cultural giant, poet-ambassador to the culture at large, and longtime presiding figure of the East Village. Throughout June, we’ll be presenting screenings of a wide variety of films that Ginsberg participated in directly, as actor, narrator, presiding spirit, or inspiration, or that have chronicled his life and work. The series includesseminal Beat or underground films such as *PULL MY DAISY* (Robert Frank & Alfred Leslie,1959), *GUNS OF THE TREES* (Jonas Mekas, 1962), and *WHOLLY COMMUNION* (Peter Whitehead, 1965); rarely-screened gems like *EMOUNA* (Pamela Mayo, 1973) and *AH! SUNFLOWER* (Iain Sinclair & Robert Klinkert, 1967); and a host of documentaries that either center on Ginsberg in particular or chronicle various dimensions of 20th century American poetry in general (and which inevitably feature memorable appearances by Ginsberg). The series will also feature introductions and discussions with poets, filmmakers, and artists who worked with or alongside Ginsberg. Special thanks to Peter Hale (Allen Ginsberg Estate); Costanzo Allione; Jerry Aronson; Iain Sinclair; Colin Still; Steven Taylor; Anne Waldman; Lori Bandazian (Netflix); Rebecca Cleman, Karl McCool, and Jooyoung Park (EAI); Anjelica James (WNET); Marc Mauceri (First Run Features); Benn Northover; Liz Phillips (Hoover Institution Archives at Stanford University); and Elena Rossi-Snook (New York Public Library). Upcoming Screenings: PULL MY DAISY + EMOUNA + ALLAN ’N’ ALLEN’S COMPLAINT + ALLEN & AI <https://us.list-manage.com/icToJnqJX_R?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 6 at 5:30 PM June 20 at 8:45 PM WHOLLY COMMUNION + AH! SUNFLOWER <https://us.list-manage.com/6pw4Rp9Djc6?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 6 at 8:00 PM June 11 at 6:45 PM Jonas Mekas GUNS OF THE TREES <https://us.list-manage.com/SSnRA4SX64h?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 7 at 5:45 PM June 11 at 8:45 PM FIRING LINE + U.S.A. POETRY (NO. 2) <https://us.list-manage.com/188YPGCqZ70?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 7 at 8:00 PM June 20 at 6:30 PM Costanzo Allione FRIED SHOES, COOKED DIAMONDS <https://us.list-manage.com/KzYBGDCaEvn?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 8 at 6:45 PM June 27 at 8:45 PM Jerry Aronson THE LIFE AND TIMES OF ALLEN GINSBERG <https://us.list-manage.com/b_t8KPwDpaS?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 8 at 8:30 PM June 21 at 6:30 PM HOUSEHOLD AFFAIRS + NO MORE TO SAY <https://us.list-manage.com/4rtfurfhega?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 9 at 6:15 PM June 26 at 8:45 PM Gyula Gazdag A POET ON THE LOWER EAST SIDE: A DOCU-DIARY ON ALLEN GINSBERG <https://us.list-manage.com/EQ0IjTIBmPh?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 9 at 8:45 PM June 27 at 6:15 PM Rob Epstein & Jeffrey Friedman HOWL <https://us.list-manage.com/H8eAP8Mkhli?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 10 at 7:00 PM June 21 at 8:45 PM Jonas Mekas SCENES FROM ALLEN’S LAST THREE DAYS ON EARTH AS A SPIRIT <https://us.list-manage.com/kMdePC2ULM2?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 10 at 9:15 PM June 26 at 6:45 PM Martin Scorsese ROLLING THUNDER REVUE: A BOB DYLAN STORY <https://us.list-manage.com/15XTU2GJj9f?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> June 30 at 7:00 PM ___________________________________________________________________ *June 13 - 20* Venue type: *Live, physical event* XINEMA <https://us.list-manage.com/pXDFEBKMwUC?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> Opening June 13 @ 7-10PM PST (Performance at 9pm PST) In/Outside XINEMA’s Darkroom, 5050 Wales Street, Vancouver, BC, Canada *Holos Gramma (Whole Picture) — Holography Exhibition and Expanded Shadow Puppet Performance with Eric Leiser* Please join us on Saturday, June 13, 7-10pm for the opening of *Holos Gramma (Whole Picture)*, an exhibition of new holographic works by visiting artist Eric Leiser, taking place in XINEMA’s Darkroom. This exhibition is accompanied by an expanded cinematic shadow puppet performance by Eric Leiser and XINEMA member Niloufar Samadi, outside XINEMA’s Fieldhouse at 9pm. Tickets: https://www.eventbrite.com/e/holos-gramma-whole-picture-exhibition-and-performance-tickets-1990370516795 Tickets are $15 suggested donation, NOTAFLOF (no one turned away for lack of funds). Outside of the opening hours, the exhibition will be open by appointment from June 14-20. Please email [email protected] to schedule a viewing. Holos Gramma—a phrase coined by holography pioneer Dennis Gabor translating to “the whole picture”—considers how holography captures the immense amount of information contained within perceived reality. Through a site-specific installation, Eric Leiser will present new holographic assemblage works composed of both physical and captured hand-sculpted ceramics that mimic found and imagined organic forms. Inspired by the intersections of natural and scientific imagery, these arrangements mirror the hierarchies of the infinite and interstitial space between real and virtual structures in holography. Each hologram is composed of a Slavich laser-sensitive holographic film plate painted with emulsion-staining chemistry, then encoded with the objects’ three-dimensional information with laser light at a microscopic level. To accompany the exhibition, there will be an improvised, collaborative expanded cinema performance presented outside XINEMA’s Fieldhouse at 9pm on opening night. The performance will combine live shadow puppetry, lit with looped 16mm projection and laser illuminated transmission holograms. Community-made shadow puppets, created in Leiser’s Shadow Puppetry workshop ( https://www.eventbrite.com/e/shadow-puppetry-workshop-with-eric-leiser-tickets-1990374688272) will be presented as part of the final performance. This presentation will activate the surrounding site through collective participation and ephemeral image-making—highlighting the intersections between holography, analogue cinema, sculpture, and performance; multiple facets of both Eric’s practice and broader unconventional cinematic forms. Due to the limitations of our space, this exhibition is unfortunately not wheelchair accessible. Accessible public bathrooms are open until 9pm; afterwards, indoor bathrooms will be available via a short ramp and 29” doorways. This is a mask recommended event. Masks can be provided free of charge. If you require further physical accommodation, please email [email protected]. NYC-based artist Eric Leiser will be present at the exhibition. ___________________________________________________________________ *June 19 - 25* Venue type: *Live, physical event* Anthology Film Archives <https://us.list-manage.com/IjbIKlZ3ybj?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> nightly @ 7:15pm ET + 9:15pm ET, 32 Second Avenue, New York, NY *CURSE OF THE SEVEN JACKALS* by Chris Jolly, 2000, 55 min, 16mm-to-DCP REVIVAL RUN – NEW ANTHOLOGY RESTORATION! Awarded “Best Feature” at both the New York and Chicago Underground Film Festivals, 2001. Rarely seen in NYC in the 25 years since its launch at the 2001 edition of the (dearly missed) New York Underground Film Festival, *CURSE OF THE SEVEN JACKALS* remains the sole feature by filmmaker Chris Jolly, a veteran projectionist of the repertory film scene. Shooting with practically no budget in Athens, Georgia, Jolly cast local non-actors, including the musician Kevin Barnes (Of Montreal) and artist Jill Carnes, in his singular minimalist southern low-fi sci-fi “epic”. The film’s (non)action is hauntingly punctuated with a soundtrack by Laura Carter (ElfPower), Eric Harris (The Olivia Tremor Control), Jeff Mangum (Neutral Milk Hotel), Heather McIntosh (Circulatory System) and Chris Jolly himself – a virtual “who’s who” of the Athens music scene of the 1990s/early 2000s. The one and only 16mm print has been housed in Anthology’s collection for years now, and we’re overjoyed to have finally completed a brand-new digital restoration. To celebrate this new restoration, and the 25th anniversary of the film’s NYC debut, we’ll be presenting it in a week-long revival run alongside a program of Jolly’s (even more unknown but equally remarkable) short films! “In this bizarrely minimalist film, synthetic blood test-subject Bernard (Kevin Barnes) waits in a suburban motel room between injections, trying to earn enough money to realize his dream of traveling to Egypt. Unfortunately, the synthetic blood in his veins may cause him to go insane.”–MUBI “*CURSE OF THE SEVEN JACKALS* is a film that seemed to come from out of nowhere. Mostly set in the hotel room that the crew inhabited during the two-week shoot, *CURSE* tells the story of Bernard, a synthetic blood test patient who dreams of traveling to Egypt, land of the Pharaohs. Helen, as played by the sublime non-actress Jill Carnes, is the hotel maid who takes Bernard out on the town for down-home karaoke and out-of-body bingo experiences. Like a semi-conscious sci-fi dream as directed by early Andy Warhol, filmmaker Chris Jolly’s seminal American underground feature was made with an antiquated Auricon camera that recorded the soundtrack directly on the film. As disarmingly funny as it is aesthetically challenging, *CURSE* stands tall as one of the last great 16mm underground features.” –Andrew Lampert *SATURDAY, JUNE 20, 2026* *June 20 - 21* Venue type: *Live, physical event* Anthology Film Archives <https://us.list-manage.com/TmVLwbWvf_I?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 4pm ET (both dates), 32 Second Avenue, New York, NY *BRAKHAGE ON BRAKHAGE* by Colin Still, 2025, 94 min, digital Filmmaker Colin Still – who has made numerous films over the years about artists, musicians, and especially poets (his films on Robert Creeley and Allen Ginsberg will be shown at Anthology in May and June, in those writers’ respective centennial film series) – met Stan Brakhage in 1996, during the filming of his Ginsberg documentary, *NO MORE TO SAY & NOTHING TO WEEP FOR*. The two quickly formed an affinity, and Brakhage – who was already in the midst of treatment for the cancer that would take his life seven years later – agreed to sit for an in-depth series of interviews (which extended to Still’s later trips to Colorado). The interviews resulted in more than ten hours of footage, but while some of this material was made public in an abbreviated form in the late-1990s, it’s only last year that Still fully completed the film, which has yet to be seen in the U.S. In its final form, it’s a truly invaluable document of Brakhage. Clearly recognizing a sympathetic chronicler, and most likely already sensing his impending mortality, Brakhage speaks freely, thoughtfully, and, as always, with extraordinary clarity, about everything from his childhood, cultural coming-of-age, and two marriages, to his (ongoing) development as a filmmaker and his attitudes towards his own mortality. Along the way he tells memorable and unfamiliar stories about encounters with a variety of artists, poets, and filmmakers, speaking sometimes from his home, sometimes from the local café where – clearly a fixture – he produced many of his hand-painted films while observing the life of the town around him. ___________________________________________________________________ *June 20 - 21* Venue type: *Live, physical event* Anthology Film Archives <https://us.list-manage.com/19pvzLyknE9?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 5:15pm ET both dates, 32 Second Avenue, New York, NY *CHRIS JOLLY SHORT FILM PROGRAM* This program surveys Chris Jolly’s short film work, including live-action films and videos made with friends and collaborators in Athens, Georgia; later experimental animations that use a wide variety of techniques (from cut-out, chalkboard, claymation, and string animation to painting, drawing, and video glitching); and a handful of films that create a kind of animation out of brickwalls, painted street signs, and souvenir photos. *BEAR* 1995, 40 sec, video, silent *MONTAGE (WINTER 1995)* 1995, 5 min, video *BRICKS* 1997, 4 min, video *THE LIFE AND TIMES OF CHRIS JOLLY* 1996, 3.5 min, Super-8mm-to-DCP *AMNESIA* 1998, 10 min, video *ONLY* 1996, 3 min, Super-8mm-to-DCP *NEW YORK CITY, N.Y.* 1997, 4 min, video *SEEMUSIC* 1997, 6 min, video *THUMB MUSIC* 1997, 1 min, video. Co-directed by Sara Kirkpatrick. *CIRCLES & EXERCISE* 1998, 1.5 min, 35mm *ABSTRACT PORNOGRAPHIC FILM* 2001, 12 min, 16mm-to-DCP *CHRIS JOLLY’S AVALANCHE OF ANIMATION* 2007, 4 min, video *MULTIPLEX* 2012, 3 min, 35mm ___________________________________________________________________ Venue type: *Live, physical event* Shapeshifters Cinema <https://us.list-manage.com/2i2DUGqfM2b?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 7pm PST, 567 5th St, Oakland, CA *Gravitational Lensing: Feminist Film Dialogues, Program 16: Queer Joy, Friendship & Community* Dovetailing off the history, legacy and celebrations of Pride month, Program 16: Queer Joy, Friendship & Community magnifies the spaces and relationships established, cultivated and celebrated by the LGBTQIA+ community. Screening: *Sisters!* (1973, 16mm film) by *Barbara Hammer*, *Swing, Swish, Sway* (2026, 16mm film + DV, shown on DV) by *TT Takemoto*, *A Spell for a Queer Home* (2023, DV) by *A. Madden*, *The Neighbour* (2021, DV) by *Cedoy* , *nakładamy się* (2022, 16mm film shown on DV) by *ewelina węgiel* and *How to Carry Water* (2023, DV) by *Sasha Wortzel* *SUNDAY, JUNE 21, 2026* Venue type: *Live, physical event* Shapeshifters Cinema <https://us.list-manage.com/9WOGu5yIqnL?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 2pm PST, 5 67 5th St, Oakland, CA *Revelations of Divine Love w/Caroline Golum in Person* An irreverent biopic vividly realized through fantastic psychedelia and handmade sets with an ever-topical feminist approach, *Revelations of Divine Love*, by Caroline Golum is inspired by and adapted from the memoir of 14th-century mystic and philosopher Julian of Norwich—an account of religious ecstasy, plague, and revolt considered to be the first English-language book to be authored by a woman. Running time: 73 minutes. In English and Latin with English subtitles. *Vital Signs* is a new film series organized by Bay Area filmmaker and curator Jonathan Kiefer to showcase new and recently-released, feature-length, contemporary, independent and artist-made films that have shown around the international film festival circuit but may or may not have been picked up by distributors and are otherwise hard to find. Films may feature obscure themes, unusual perspectives or eccentric material, but they have all been sifted through the *Vital Signs* filter so you can be sure they are all films worth leaving your home to see in community with like-minded art film/film art appreciators. Screenings will take place at Shapeshifters Cinema every first Sunday at 2pm unless otherwise noted. ___________________________________________________________________ Venue type: *Live, physical event* Oregon Department of Kick Ass <https://us.list-manage.com/GzWfOEa1pyu?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 4-6 PT, The Skyline, 8031 NW Skyline Blvd, Portland, OR *Whispers of the Solstice Fireflies* Join us on Summer Solstice for a night of 16mm film, music and video by Rankin Renwick, Crowey and Arch Cape. Rankin and Joey from Crowey have wanted to make something together since they both discovered each other's work. Crowey is releasing their new album, *Until We Meet Again*, a dreamy ride started during the pandemic, and worked on through times of great change. It celebrates the glory of release and the healing it can bring. Rankin Renwick is editing dumpstered 16mm film they were gifted through a phone call from Daniel Menche, who was working at a Portland Public School at the time, and called Rankin to alert them about all the films that were getting thrown out. They ended up taking all of the nature films. The 16mm film projected on this Solstice will be a collaboration with the cinematic nature of Crowey's album. Arch Cape is so happy to be playing a dreamy solstice show with the beautiful amazing Rankin Renwick and Crowey. Arch Cape will be showing two new video works, performed with accompanied improvised and composed music. The first video work is about memory, made while at the Sou'Wester Arts Week Residency. It is called *Time Is A Memory*, with video culled from the woods and ocean around the Sou'Wester, field recordings from sound walks around the land there, and recorded interviews with fellow artists about time and memory. The second piece is being made especially for the solstice, collaged with videos and stop motion animation she has made over years, edited to celebrate the longest day of the year, this beautiful light and the long waxing and waning of it. Arch Cape is the solo musical/video project of visual artist and musician Rachel Blumberg. Using various forms of the drum kit, pitched and unpitched percussion, found sounds, keyboards, electronics, and sometimes voice, Arch Cape moves between improvised and composed ambient soundscapes and experimental songs. She often performs live to her stop motion animated and video collages. The Skyline used to be a Tavern, nestled up in the forest above The St John's Bridge, right across from Forest Park. But now it is a secret playhouse with nothing to buy, so BYOB. Doors Open at 3 for any hikers, bikers and fans that want to come early to picnic in the field and swing on the weeping birch swing on this longest day of the year, before the show at 4. If you so desire, you can hike there through Forest Park. It’s 3.0 miles from west side of St Johns Bridge up Ridge Trail to Leif Erickson to Waterline Trail. Also, be aware, it’s 850 feet in Elevation Gain. If you ride your bike or drive, The Skyline is at 8031 NW Skyline Blvd near NW Germantown Road. It is NOT Skyline Burger near NW Cornell Road. ___________________________________________________________________ Venue type: *Live, physical event* La Lumiere <https://us.list-manage.com/16YMrmod6lI?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 7pm ET, 7080, rue Alexandra. Montréal (QC) H2S 3J5 CANADA *The Cat Lands on All Fours - Some Moving Image Works by Kerry Laitala* The following moving image works will be shown: *Fire Fly EYE*, 16mm dual projection, expanded cinema work, 2018. *Knee Jerk*, (Film/Video Hybrid) Digital File, 6 minutes, 2018. *Chromatic Wheels*, 16mm, Expanded cinema, 11 minutes, 2017. *Out of the Ether*, 16mm, 9 minutes, 2004. *Figments in Film*, 16mm, 7 minutes, 2018. *Conjuror’s Box*, (Film/Video Hybrid, original on 35mm) Shown as a Digital file, 6 minutes, 2015. *The Cat Lands on All Fours*, 16mm, silent, expanded cinema, 5 minutes, 2026. *TUESDAY, JUNE 23, 2026* Venue type: *Live, physical event* Anthology Film Archives <https://us.list-manage.com/VIGPf7saxry?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 6:30pm ET, 32 Second Avenue, New York, NY *EC: Stan Brakhage SONGS 1-14* 1964-65, ca. 53 min, 8mm-to-16mm, silent “*SONG 1*: Portrait of a lady. *SONGS 2 & 3*: Fire and a mind’s movement in remembering. *SONG 4*: Three girls playing with a ball. Hand painted. *SONG 5*: A childbirth song. *SONG 6*: The painted veil via moth-death. *SONG 7*: San Francisco. *SONG 8*: Sea creatures. *SONG 9*: Wedding source and substance. *SONG 10*: Sitting around. *SONG 11*: Fires, windows, an insect, a lyre of rain scratches. *SONG 12*: Verticals and shadows caught in glass traps. *SONG 13*: A travel song of scenes and horizontals. *SONG 14*: Molds, paints and crystals.” –Stan Brakhage ___________________________________________________________________ Venue type: *Live, physical event* Anthology Film Archives <https://us.list-manage.com/zruLsruvymK?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 8:15pm ET, 32 Second Avenue, New York, NY *EC: Stan Brakhage SONGS 27-29* *MY MOUNTAIN: SONG 27* 1968, 25 min, 8mm-to-16mm *MY MOUNTAIN: SONG 27: PART 2: RIVERS 1969*, 33 min, 8mm-to-16mm *SONGS 28-29* 1966/86, 21 min, 8mm-to-16mm “*MY MOUNTAIN: SONG 27*: A study of Arapahoe Peak in all the seasons of two years’ photography…the clouds and weathers that shape its place in landscape – much of the photography a-frame-at-a-time. *SONG 27: PART 2: RIVERS*: A series of eight films intended to echo the themes of *MY MOUNTAIN: SONG 27*. *SONG 28*: Scenes as texture. *SONG 29*: A portrait of the artist’s mother.” –Stan Brakhage Total running time: ca. 85 min *WEDNESDAY, JUNE 24, 2026* *June 24 - 30* Venue type: *Live, physical event* Anthology Film Archives <https://us.list-manage.com/fg4bvpVobUm?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> times vary, see website, 32 Second Avenue, New York, NY *MARE’S NEST* by Ben Rivers, in English and Catalan with English subtitles., 2025, 98 min, Super-16mm-to-DCP. U.S. Premiere! A Grasshopper Film release. “A child emerges from a crashed car and picks up a turtle to whom no less than the origin of humanity is explained during an extended walk-and-talk set against a gorgeous sunset. This child is Moon, who wanders a post-apocalyptic world conspicuously devoid of adults, a mystery the movie never answers. The latest feature by Ben Rivers deepens the filmmaker’s longstanding thematic preoccupations (freedom and utopia, alternative existences and imagined futures), at times recalling earlier works like *SLOW ACTION* and *AH, LIBERTY!* even as it ventures into new realms of narrative exploration. Anchored by newcomer Moon Guo Barker’s magnetic performance, this enigmatic, ever-shifting road movie is also a showcase for Rivers’s awe-inspiring view of the natural world, inhabited by his charismatic young actors across a panoply of sequences – some amusing, some unnerving, and in the case of a stealth Don DeLillo adaptation, both.” –NEW YORK FILM FESTIVAL “Many scenes are wordless and gestural in nature, yet the artist’s long-held fascination with language returns, including a remarkable extended scene adapted from Don DeLillo’s one-act play ‘The Word for Snow’. Shot in a mix of color and black-and-white Super 16mm, with Rivers’s typically sterling eye, the images we see are supernal and consistently imbued with wonderment. An important contribution to work made with children – Rivers has noted Alanis Obomsawin and Gunvor Nelson as explicit influences – and a meaningful exploration of the ways in which stories can be formed and transmitted, *MARE’S NEST* is a film of plants and animals, of car graveyards and caves, of games and imagination, and, ultimately, a film of great beauty and mystery.” –Andréa Picard, TIFF “There is a fragility to [Rivers’s] films – shot on celluloid and hand-processed – that can make them like handling ancient relics, works that threaten to break down as you watch. But that perishability accounts for their extraordinary vitality. With its emphasis on people and places seemingly existing outside of History, Rivers’s cinema doesn’t just illuminate alternative lifestyles, but an alternative way of thinking about the medium and its ability to conjure something Moon and *MARE’S NEST* both radiate: an inordinate curiosity for the unknown.”–Leonardo Goi, THE FILM STAGE ___________________________________________________________________ Venue type: *Live, physical event* PIX Film Collective <https://us.list-manage.com/UYnmXwmQqcB?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 8pm ET, PIX Film Gallery, 1411 Dufferin St, Unit B, Toronto, ON M6H 4C7, Canada *THINK BEFORE YOU THINK: A PORTRAIT OF RICK RAXLEN by Alex MacKenzie* Documentary by Alex MacKenzie and short program of works by Rick Raxlen Co-presented with ADHOC. Supported by The Petman Foundation *THINK BEFORE YOU THINK: A PORTRAIT OF RICK RAXLEN (31 minutes, film/digital, 2020)* is a portrait of film poet, animator and artist Rick Raxlen. RICK RAXLEN Program: *Geometry of Beware* (1997) 7min, sound. *Deadpan* (2000) 6 min, sound. *Sea Horses and Flying Fish* (2003) 11 min, sound *Kanga vs Werewolf* (2006) 4 min. sound *THURSDAY, JUNE 25, 2026* *June 25 + July 9* Venue type: *Live, physical event* Lightstruck <https://us.list-manage.com/U7X7Q40bALO?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> both evenings @ 8pm PT, 2220 Arts + Archives, 2220 Beverly Blvd., Los Angeles, CA 90057 *Jordan Belson: Knowledge Beyond Words* On June 25 and July 9, Lightstruck is honored to present two evenings devoted to one of cinema’s unparalleled visionaries – Jordan Belson – an artist and filmmaker whose singular body of work has justifiably been the subject of devoted contemplation and ecstatic appreciation for over six decades. Belson’s films defy concrete description, which is part of their deep and personal appeal, hinting as they do at “a knowledge that is beyond words”, as Belson once told writer and curator Raymond Foye (to whom we are greatly indebted for being able to present these programs). While his earliest films embodied more familiar aspects of mid-century non-objective visual art, the early 1960s marked a radical shift into intensely mystical and elusive imagery – achieved largely through Belson’s own remarkable photographic techniques – to give miraculous form to the innermost regions of imagination and consciousness. --- Thursday, June 25, 2026 @ 8:00pm - Jordan Belson: Knowledge Beyond Words - Program I --- For our first program, Lightstruck is excited and honored to welcome independent curator and scholar Raymond Foye in person for an illustrated talk on Belson and his art, informed in part by their many conversations over the last five years of Belson’s somewhat secluded life. Belson was a highly developed artist who explored many methods and mediums of expression, from drawing and painting, to film, to video, to music, composing scores for many of his films. In addition to organizing exhibits of Belson’s paintings and drawings, Foye has been working with the Belson estate to preserve and restore his films photochemically as well as digitally. Following the presentation, we are thrilled to project an exhilarating selection of seven beautiful new 16mm prints, courtesy of the Belson estate and Raymond Foye. Following the introductory illustrated lecture, the films screening in this program are: *Caravan* (1952), *Allures* (1961), *Phenomena* (1965), *Samadhi* (1967), *World* (1970), *Meditation* (1971), and *Chakra* (1972). Huge thanks to Raymond Foye and the Jordan Belson estate for providing newly struck prints from Belson’s internegatives. Notes and program by Zena Grey and Mark Toscano. --- Thursday, July 9, 2026 @ 8:00pm - Jordan Belson: Knowledge Beyond Words - Program II --- Our second program devoted to the films of Jordan Belson spans his career up to the early 1970s, with a selection of ever-evolving and -expanding techniques of singularly mystical expression, most films screening on recently struck 16mm prints, courtesy of the Belson estate and Raymond Foye. Inspired by relationships to the worlds of Non-Objective art, jazz, meditation, and encounters with West Coast artist friends such as Harry Smith and James Whitney, Belson was consistently exploring and discovering new methods and mediums of visualization that engage with a level of consciousness which feels thrilling and otherworldly, yet somehow deeply familiar. In the late 1950s, through his planetarium “Vortex Concerts” in collaboration with sound artist Henry Jacobs, Belson amplified his vision with complex multimedia light shows which helped define the concept of “expanded cinema” and greatly influenced his filmmaking techniques. In the late 1960s, he began exploring the medium of video, synthesizing multilayered contemplations in such films as *Cosmos*. In 1974, Belson would team up with video artist, musician, and polymediast, Stephen Beck, to produce one of the ultimate visionary fusions of film and video in *Cycles*, which will conclude the evening in a glorious 16mm print. The films screening in this program are: *Bop Scotch* (1952), *Mandala* (1952), *Séance* (1959), *Re-Entry* (1964), *Momentum* (1968), *Cosmos* (1969), *Light* (1973), *Union* (1975, by Stephen Beck), and *Cycles* (1974, by Jordan Belson & Stephen Beck). Huge thanks to Raymond Foye and the Jordan Belson estate for providing newly struck prints from Belson’s internegatives. Additional thanks to Stephen Beck and Electronic Arts Intermix for providing Union. Notes and program by Zena Grey and Mark Toscano. ___________________________________________________________________ Venue type: *Live, physical event* Certain Women <https://us.list-manage.com/18yw3qZ5An3?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 7:30pm PT, Orinda Theatre, 2 Orinda Theater Square, Orinda, CA 94563 *Certain Women: Kajillionaire + Altanta* Certain Women is a film series at the Orinda Theater highlighting women directors, with shorts to precede each feature. Selected and Introduced by your local programmers/projectionists... Linda Izcali Scobie & Chloe Ginnever *KAJILLIONAIRE*, (2020) Directed by Miranda July >From acclaimed writer/director Miranda July comes a profoundly moving and wildly original comedy. Con-artists Theresa (Debra Winger) and Robert (Richard Jenkins) have spent 26 years training their only daughter, Old Dolio (Evan Rachel Wood), to swindle, scam, and steal at every opportunity. During a desperate, hastily conceived heist, they charm a stranger (Gina Rodriguez) into joining their next scam, only to have their entire world turned upside down. Preceded by: *ATLANTA*, (1996) Directed by Miranda July A 12-year-old Olympic swimmer and her mother (both played by July) speak to the public about going for the gold. “As the film progresses through subtle editing-in-reverse, July reveals the world around the televised facade. ... The 23-year-old performer convincingly plays both Dawn Schnavel and her mom, or rather, vanishes into them. What’s noticeable isn’t so much the ease with which July transforms herself into a pre-teen girl and an older woman but the similarities and differences between the daughter and the mother July becomes.” —Derk Richardson, “The Marvelous World of Miranda July,” San Francisco Bay Guardian (3 June 1998) ___________________________________________________________________ Venue type: *Live, physical event* Kinonik <https://us.list-manage.com/Zvgby0F3PDd?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 7pm EST, 121 Cassidy Point Drive, Portland, ME, USA *Kinship Formation Devices: Selected Films from Stephen Wardell* Stephen Wardell (Haydenville, MA) is a filmmaker and teaching artist who makes experimental narratives, documentary portraits, and handmade films. His films are queer, anti-capitalist, kinship formation devices. His documentary work chronicles family histories through the construction of collaborative utopian fantasies, and his handmade 16mm films use material interventions essayistically to express personal experiences of systems of power. From the Midwest, currently he lives in Massachusetts where he works as a visiting assistant professor at Amherst College. *SATURDAY, JUNE 27, 2026* Venue type: *Live, physical event* Anthology Film Archives <https://us.list-manage.com/1CRA1uU30qS?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 4:15pm ET, 32 Second Avenue, New York, NY *EC: THE TEXT OF LIGHT* by Stan Brakhage, 1974, 67 min, 16mm, silent Preserved by Anthology Film Archives. “All that is, is light.” –Johannes Scotus Erigena “[Brakhage shot] *THE TEXT OF LIGHT* in (through) a large crystal ashtray. This magnificent film – a slow montage of iridescent splays of light and shifting landscapes of sheer color, which acknowledges debts to Turner and American Romantic landscape painters as well as to James Davis, the pioneer film-maker of light projections – is the culmination of Brakhage’s exploration of anamorphosis.” –P. Adams Sitney, VISIONARY FILM *SUNDAY, JUNE 28, 2026* Venue type: *Live, physical event* Anthology Film Archives <https://us.list-manage.com/rmb5LdRO76T?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> 4:30pm ET, 32 Second Avenue, New York, NY *EC: THE ART OF VISION* by Stan Brakhage, 1961-65, 261 min, 16mm, silent “Includes the complete *DOG STAR MAN* and a full extension of the singularly visible themes of it. Inspired by that period of music in which the word ‘symphonia’ was created and by the thought that the term, as then, was created to name the overlap and enmeshing of suites, this film presents the visual symphony that *DOG STAR MAN* can be seen as and also all the suites of which it is composed. But as it is a film, and a work of music, the above suggests only one of the possible approaches to it. For instance, as ‘cinematographer,’ at source, means ‘writer of movement,’ certain poetic analogies might serve as well. The form is conditioned by the works of art which have inspired *DOG STAR MAN*, its growth of form by the physiology and experiences (including experiences of art) of the man who made it. Finally, it must be seen for what it is.” –Stan Brakhage *ONGOING* Venue type: *Virtual, online event* Riverwest Radio <https://us.list-manage.com/GZVZ6smX1iz?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> streaming 24/7 *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! ___________________________________________________________________ Venue type: *Virtual, online event* 6x6 Project <https://us.list-manage.com/FLkQOWt9jiI?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> streaming 24/7 *Artists' Moving Image Works* 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create an ever-growing network among peers. There are now more than four hundred artists’ film and moving image works available to view on the website. ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://us.list-manage.com/13BD9yeLLFm?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> . To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . ------------------------------ This Week in Avant Garde Cinema newsletter made possible with support from <https://us.list-manage.com/16bwUbVfumT?e=857b71a9cb&c2id=0d67e0aba7fa6a8c62b4e960fe7a49fe> *Copyright © 2020 Flicker, All rights reserved.* Longtime recipient of This Week in Avant Garde Cinema This Week in Avant Garde Cinema · everywhere
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