Dear Friends, I am trying to print a 16mm black and white film onto colour stock because there is no black and white print stock available in India, nor is there a lab that would process it. I recently did a test that had a strong magenta tint.
Is it even possible to get a black and white image? I am beginning to wonder whether HD projection may just be the only route. Thanks in advance for any advice. Warmly, Shumona On Wed, Nov 23, 2011 at 2:00 AM, tammy kinsey <tammy.kin...@gmail.com>wrote: > > ----- Sent from my Virgin Mobile. > > > > ---------- Forwarded message ---------- > From: frameworks-requ...@jonasmekasfilms.com > To: frameworks@jonasmekasfilms.com > Date: Mon, 21 Nov 2011 12:00:45 -0600 > Subject: FrameWorks Digest, Vol 18, Issue 28 > Send FrameWorks mailing list submissions to > frameworks@jonasmekasfilms.com > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > frameworks-requ...@jonasmekasfilms.com > > You can reach the person managing the list at > frameworks-ow...@jonasmekasfilms.com > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > > > Today's Topics: > > 1. Re: Travelogues (ev petrol) > 2. CFP/Films ASIAN CINEMA STUDIES SOCIETY CONFERENCE (Gina Marchetti) > 3. Re: Value systems (Jonathan Thomas) > 4. Artprojx Cinema: Art Video, Art Basel Miami Beach, Nov 30 - > Dec 4 2011 - invite (David Gryn) > 5. Re: Value systems (Gawthrop, Rob) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Sun, 20 Nov 2011 17:31:47 -0800 (PST) > From: ev petrol <epetr...@yahoo.com> > Subject: Re: [Frameworks] Travelogues > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Message-ID: > <1321839107.7669.yahoomail...@web160306.mail.bf1.yahoo.com> > Content-Type: text/plain; charset="iso-8859-1" > > Hello Adam > this one was shot from the balcony & roof of the hotel i was staying in (i > was in nouakchott for a week); edit approved by the local film-makers > though (wanted to make sure i wasn't misrepresenting ...) > http://www.moiratierney.net/nouakchott.htm (very basic info) > what are you compiling the films for? > cheers Moira > > www.moiratierney.net > www.soluscollective.org > > > ________________________________ > From: Adam R. Levine <ada...@gmail.com> > To: Experimental Film Discussion List <FrameWorks@jonasmekasfilms.com> > Sent: Thursday, November 10, 2011 12:41 PM > Subject: [Frameworks] Travelogues > > > Hello you, > > I am trying to pull together a list of experimental films that either fall > directly under the category of "travelogue" or bear witness to travel and > distance from a point of origin on the part of the filmmaker. These would > not be so much ethnographic works which are part of a sustained cultural > exchange, but films made as a result of the filmmaker "passing through" and > acknowledging the looming spectre/problem/pleasure of "the tourist film". > Warren Sonbert, perhaps John Smith's "The Hotel Diaries"? I'm sure there > are others...but can you name them? > > Thanks/Grazie/Kiitos! > > ARL > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20111120/98aeda83/attachment-0001.html > > ------------------------------ > > Message: 2 > Date: Mon, 21 Nov 2011 18:30:55 +0800 > From: Gina Marchetti <gina.marche...@gmail.com> > Subject: [Frameworks] CFP/Films ASIAN CINEMA STUDIES SOCIETY > CONFERENCE > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Message-ID: > <CAE1Gd0VPHV=ahefv-l4gurf8lzw6+kizmpshq8dxb_0h3cr...@mail.gmail.com > > > Content-Type: text/plain; charset="iso-8859-1" > > *ASIAN CINEMA STUDIES SOCIETY CONFERENCE * > > *MARCH 18-20, 2012* > > *THE UNIVERSITY OF HONG KONG* > > > > This meeting of the Asian Cinema Studies Society welcomes paper, poster, > workshop and panel proposals covering all aspects of Asian film and media. > > > > Please send proposals of 200-300 words as RTF or WORD attachments to Dr. > Natalie Wong at n...@hku.hk. For all proposals, be certain to include > the > title, author(s) name(s), institutional affiliation, mailing address, and > email contacts, as well as a brief biography of each contributor. For > panel, workshop, and group submissions, be certain to provide a brief > description (100 words) of the contribution of each participant. Sessions > will be 1 ½ hours in duration, and time limits will be strictly enforced. > > > > *CALL FOR PAPERS DEADLINE: December 31, 2011* > > > > Notifications of acceptance will be sent out by the end of January 2012. > > > > We regret that we cannot offer any funds for travel or accommodation. > However, > there will be NO registration fee for those presenting papers, serving as > panel chairs, or participating in workshops, poster sessions, or in any > other official capacity. Registered guests are welcome to attend as well; > however, some conference events/meals may only be available for those > presenting papers or serving in other official capacities. > > > > Program committee members: John A. Lent (Chair of ACSS), Tan See-Kam > (Macau), Natalie Wong (HKU), Staci Ford (HKU), Mirana Szeto (HKU), Winnie > Yee (HKU), Ang Sze-wei (HKU), Gina Marchetti (HKU). > > > > > > Proposal submissions & inquiries: Dr. Natalie Wong at n...@hku.hk > > > > Visit our website at http://www.hku.hk/complit/acssc/ > > > > > > *About the Asian Cinema Studies Society (ACSS):* > > Inaugurated in 1984, ACSS has been dedicated to fostering research in Asian > film and related media. It publishes *Asian Cinema* twice yearly, and > features all types of Asian film, including full-length movies, > documentaries, animation, and experimental. Nine ACSS conferences have > been held since 1988, including five in the United States and one each in > Australia, Canada, South Korea and China. Many of the papers presented at > ACSS conferences have been published in Asian Cinema and other journals and > books. > > > > For more information on ACSS and for membership details, visit its website > at http://astro.temple.edu/~jlent/asiancinema/acss.html > > > > *About the Centre for the Study of Globalization and Culture:* > > The Center for the Study of Globalization and Cultures (CSGC), set up in > 1999, is an interdisciplinary center based in the Department of Comparative > Literature. The focus of its work is on issues of culture and globalization > with special reference to Asia, China and Hong Kong. Major research themes > include: the cultures of capitalism; global flows of culture, media and > technology; cities and globalization; new communities, publics, and > identities; and post-colonialism and neo-liberalism. > > > > For more information on CSGC, visit its website at > http://www0.hku.hk/complit/csgc/ > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20111121/a2da0a83/attachment-0001.html > > ------------------------------ > > Message: 3 > Date: Mon, 21 Nov 2011 15:14:15 +0000 (GMT) > From: Jonathan Thomas <cinemametafis...@yahoo.co.uk> > Subject: Re: [Frameworks] Value systems > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Message-ID: > <1321888455.58527.yahoomailclas...@web29207.mail.ird.yahoo.com> > Content-Type: text/plain; charset="iso-8859-1" > > I don't see value as a dated concept, although commodity value is > irrelevant. For me, a work has value when it provokes thought, when it > creates a space to contemplate / meditate on (in the Heideggerian sense) > the world (as experienced, mediated, related, etc.). Although personally I > find formalist, materialist work very appealing, this is contained within > an idea of art as thinking tool over art as object.I do agree, like most > people probably, that large galleries and museums do play safe, but haven't > they always? I always aim for artist-run spaces that engender a much more > widely critical and contextual discourse. 20th century theories of art are > not yet dated and irrelevant, to me at least. There was a lot of it, and we > are still wading through it all, trying to untangle it and assess its > relevance. There has to remain a strand of early 21st century art and > theory that constitutes a critical pause for breath. > > --- On Sun, 20/11/11, Bernard Roddy <rodd...@yahoo.com> wrote: > > From: Bernard Roddy <rodd...@yahoo.com> > Subject: [Frameworks] Value systems > To: "frameworks@jonasmekasfilms.com" <frameworks@jonasmekasfilms.com> > Date: Sunday, 20 November, 2011, 14:06 > > > Value as a reference today strikes me as dated. It draws on a period when > art as commodity was an interesting question. > Restrictions on freedom of expression are back. It's time to examine the > renewal of conservativism in media art. > To propose a term for critical study: professional responsibility. Not > the debate between modernist and post-modernist experimental film. Not the > relevance of "avant-garde." > > Performance art's history is really to the point. We see a transformation > of performance art's provocations into not only gallery-safe work but a > kind of artistic administrator's ideal. > Apologies for the obscurity. > Bernie > -----Inline Attachment Follows----- > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20111121/01bcfc2e/attachment-0001.html > > ------------------------------ > > Message: 4 > Date: Mon, 21 Nov 2011 15:50:58 -0000 > From: "David Gryn" <da...@artprojx.com> > Subject: [Frameworks] Artprojx Cinema: Art Video, Art Basel Miami > Beach, Nov 30 - Dec 4 2011 - invite > To: "Experimental Film Discussion List" > <frameworks@jonasmekasfilms.com> > Message-ID: <98FBC8DE21854418A275F8375C83CBBE@userPC> > Content-Type: text/plain; charset="iso-8859-1" > > Dear Frameworkers - if anyone is in Miami - you are welcome to join us - > these Art Video screenings are Free to all. Best wishes David > > > > Artprojx Cinema: Art Video, Art Basel Miami Beach, Nov 30 - Dec 4 2011. > David Gryn director of London's Artprojx has organised and curated Art > Video, featuring film and video works by today's most exciting > international artists, submitted by the galleries of Art Basel Miami Beach. > Specially organized and commissioned, for the 10th Edition of the Fair, Art > Video will be screened for the first time in the SoundScape Park, on the > 7,000-square-foot outdoor projection wall of the Frank Gehry designed New > World Center, as well as within five viewing pods inside the Miami Beach > Convention Center. Artists selected include: Cory Arcangel, Yael Bartana, > Pierre Bismuth, Slater Bradley, Brice Dellsperger, Tracey Emin, Kota Ezawa, > Dara Friedman, Theaster Gates, Katy Grannan, Neil Hamon, Alex Hubbard, > Christian Jankowski, Cristina Lucas, Ryan McGinley, Marilyn Minter, Laurel > Nakadate, Rashaad Newsome, Hans Op de Beeck, Martha Rosler, Matt Saunders, > Lorna Simpson, Penny Siopis, Clemens von Wedemeyer. See the full programme > at http://www.artbaselmiamibeach.com > > > -- > > David Gryn / Artprojx > artpr...@gmail.com > http://www.artprojx.com > http://davidgryn.wordpress.com > +447711127848 > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20111121/e86a0b01/attachment-0001.html > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: not available > Type: image/jpeg > Size: 6055 bytes > Desc: not available > Url : > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20111121/e86a0b01/attachment-0001.jpe > > ------------------------------ > > Message: 5 > Date: Mon, 21 Nov 2011 17:28:22 +0000 > From: "Gawthrop, Rob" <rob.gawth...@falmouth.ac.uk> > Subject: Re: [Frameworks] Value systems > To: Bernard Roddy <rodd...@yahoo.com>, Experimental Film Discussion > List <frameworks@jonasmekasfilms.com> > Message-ID: <caf03ab5.e3ed%rob.gawth...@falmouth.ac.uk> > Content-Type: text/plain; charset="windows-1252" > > The point I was making in my question followed on from Fred’s posting that > included: > > It seems to be entirely acceptable and unquestioned on this list to post > that some or all forms of video projection look like crap ... As a format > for presenting film, it is, of course, imperfect, as I myself argued almost > three decades ago, though that was in the days of VHS, a lot worse than > more recent formats. > > Assumptions about ‘quality’ need to be challenged. Issues around > ‘quality’ are based upon value systems which in themselves operate > ideologically. Can the politics be seperated from the aesthetics? This > seems entirely relevent as we watch evictions of the Occupations - and that > doesn’t mean I’m advocating literalism - just putting my original question > into context. > > Rob > > > On 20/11/2011 16:47, "Bernard Roddy" <rodd...@yahoo.com> wrote: > > Oh and . . this encounter with a provocative work tends to draw ALL > attention to it AS provocation, to the detriment of the work. That's the > real price of a restrictive environment. It' s not just a price paid in > terms of the interest new work generates. It's certainly not just a > question of having some kind of political "impact." The greatest price is > that of interpretation. You get really dumb fixations on work if there > isn't a serious investigation of what gets passed off as "provocation." > > Bernie > > > > > ________________________________ > From: Bernard Roddy <rodd...@yahoo.com> > To: "frameworks@jonasmekasfilms.com" <frameworks@jonasmekasfilms.com> > Sent: Sunday, November 20, 2011 8:06 AM > Subject: [Frameworks] Value systems > > > Value as a reference today strikes me as dated. It draws on a period when > art as commodity was an interesting question. > > Restrictions on freedom of expression are back. It's time to examine the > renewal of conservativism in media art. > > To propose a term for critical study: professional responsibility. Not > the debate between modernist and post-modernist experimental film. Not the > relevance of "avant-garde." > > Performance art's history is really to the point. We see a transformation > of performance art's provocations into not only gallery-safe work but a > kind of artistic administrator's ideal. > > Apologies for the obscurity. > > Bernie > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > > > ________________________________ > _______________________________________________ FrameWorks mailing list > FrameWorks@jonasmekasfilms.comhttps:// > mailman-mail5.webfaction.com/listinfo/frameworks > > ________________________________ > > This email is confidential and intended solely for the use of the intended > recipient only. If you have received this email in error, please inform us > immediately and then delete it. Unless it specifically states otherwise > this email does not form part of a contract. > > > > Any views or opinions presented are solely those of the author and do not > necessarily represent those of University College Falmouth. You should > carry out your own virus check before opening any attachment. University > College Falmouth accepts no liability for any loss or damage which may be > caused by software viruses > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20111121/31ee535d/attachment-0001.html > > ------------------------------ > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > End of FrameWorks Digest, Vol 18, Issue 28 > ****************************************** > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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