I introduced video flicker into the last few rolls of kodachrome I shot (after it was shot, of course) then ran it through a third party digital plugin which caused an aberration, and like many people dear to this list aberrations are intriguing to me. the result was footages with a pulse that I then incorporated into the movie:
vimeo.com/30412279 an example of what I am talking may be found at 2:10 also with some optically printed stuff, it has a nice effect where the framelines are melting which I think is pretty. and relevant because it's like the film's literally suffering erosion because of the digital effect. you can see this in much of the magenta-hued footage in the second half of the show, beginning around 4:18 mark and much of thereafter. --- On Thu, 12/8/11, Ji-hoon Felix Kim <jihoonfe...@gmail.com> wrote: From: Ji-hoon Felix Kim <jihoonfe...@gmail.com> Subject: [Frameworks] film/digtial hybrid To: "Experimental Film Discussion List" <frameworks@jonasmekasfilms.com> Date: Thursday, December 8, 2011, 6:10 AM Hi Frameworkers, As part of my research, I've been compiling a group of contemporary filmmakers who have employed hand-processing of film and digital visual effects in hybrid ways. The filmmakers I've caught up with thus far include Johanna Vaude, Stephanie Maxwell, Jurgen Reble (for Materia Obscura), Kerry Laitra. I'd like any of you to raise more similar filmmakers who come to your mind, so that I will bring more cases together to my list. Thank you in advance, -- Ji-hoon Kim Assistant Professor, Division of Broadcast & Cinema Studies Wee Kim Wee School of Communication and Information Nanyang Technological University Room 02-08, 31 Nanyang Link Singapore 637718 Office phone: (65) 6514-8351 Mobile: (65) 9720-8484 -----Inline Attachment Follows----- _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
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