gallery representation is the key On Mar 5, 2012, at 11:41 PM, John Woods wrote:
> >Balsom rightly points out that in the museum world there is a double > >standard “whereby experimental film-makers are treated with less respect > >than ‘artists working in film’ – such as Tacita >Dean, Stan Douglas or > >Matthew Buckingham – whose work is never subject to such transpositions.” > >She goes on to say that “recent exhibition practices have demonstrated the > >persistent > > And what was it that put the work of these people into their vaunted status > in the museum world? Gallery representation? Art school cred? Press > manipulation (publicity stunts, etc.)? Is that what a filmmaker needs to do > to be taken seriously? I guess that seems to mostly work for Hollywood. > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks
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