Anthony Balch's The Cut Ups which has a flicker effect and Towers Open Fire 
which features footage of Gysin & Sommerville's Dreammachine.
Of course the Dreamachine itself is all about flicker effects.

Jack



Sent from my iPhone

On 26/04/2012, at 6:25 AM, Will Erokan <willieben...@gmail.com> wrote:

> In my opinion, Gaspar Noe's Enter The Void, is one of the elegant examples of 
> Flicker employed in an overground film.
> 
> On Wed, Apr 25, 2012 at 1:17 PM, Andy Ditzler <a...@andyditzler.com> wrote:
> If I remember correctly, Andrew Noren's Imaginary Light (1995) has a regular 
> flicker pattern for a substantial part of its length (approximately thirty 
> minutes). 
> 
> Consider Andy Warhol's early silent films - the required projection speed, 16 
> or 18 fps, introduces a slight flicker (very subtle in comparison to what we 
> would consider "flicker film"). Warhol's "strobe cuts" in later films such as 
> Nude Restaurant (1968) and Lonesome Cowboys (1969) are a different kind of 
> flicker effect. 
> 
> I like the Newsreel Collective logo which appeared at the beginning of their 
> films, accompanied by the sound of a machine gun - flicker in the service of 
> the revolution. 
> 
> Brian Frye's Lachrymae (2000) is a nice counterpart to "flicker" films - as I 
> believe Fred has pointed out elsewhere, the onscreen fireflies are an 
> evocation of film projection. 
> 
> Andy Ditzler
> Atlanta, GA
> www.filmlove.org
> 
> 
> On Tue, Apr 24, 2012 at 12:13 PM, LJ Frezza <ljfre...@gmail.com> wrote:
> Hello again gentlepeople,
> I'm looking to put together a survey of pioneering flicker films, as
> well as contemporary works, all preferrably on celluloid, and I was
> wondering if you guys were interested in throwing a few suggestions my
> way. I have a few ideas of my own, of course, but I always like to see
> what Frameworks thinks about these sorts of things
> -LJ
> 
> --
> ljfre...@gmail.com / 904.762.8300
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