Good morning all.
Here is a few that might qualify (sorry for any repeats):
"Crash" (1996 - David Cronenberg)"Christine" (1983 - John Carpenter)"Gone in 
Sixty Seconds" (1974 - H. B. Halicki)"Gone in Sixty Seconds" (2000 - Remake - 
Dominic Sena)"Trucks" (1997 - TV Movie - Chris Thomson)"Ferris Bueller's Day 
Off" (1986 - John Hughes)"Grease" (1978 - Randal Kleiser)"Viper" (1993-1994 and 
1996-1999 - TV Series - Creators: Danny Bilson,and Paul De Meo)"Knight Rider" 
(1982-1986 - TV Series - Creator: Glen A. Larson)
Virtually any James Bond film
These might qualify, but they border more on car chase/action films/road films:
"Ronin" (1998 - Jon Frankenheimer)"Bullitt" (1968 - Peter Yates)"The Italian 
Job" (1969 - Peter Collinson)"Death Race 2000" (1975 - Paul Bartel)"Two-Lane 
Blacktop" (1971 - Monte Hellman)"Duel" (1971 - Steven Spielberg) "Mad Max 2: 
The Road Warrior" (1981 - George Miller)
Any of the "Fast and the Furious" films.
All supplementary info was confirmed with IMDB so it should be accurate. As for 
reading, there is one title I can confirm is solid from what I have read of it:
The Automobile in American History and Culture: A Reference Guide (Michael 
Berger)
You can find it here: 
http://www.amazon.com/Automobile-American-History-Culture-Reference/dp/0313245584/ref=sr_1_1?s=books&ie=UTF8&qid=1355595109&sr=1-1&keywords=michael+l.+berger
Brian, an interesting segment of of your overview might be to explore the 
objectification of women in cinema when compared with nearly every car 
commercial ever made. 
There is an interesting episode of AMC's "Mad Men" in which there is a pitch 
for the Jaguar advertising campaign that explores the birth of this concept in 
television commercial advertising. The scene actually jumps back and forth 
between the pitch and one of the main characters "Joan" played masterfully by 
Christina Hendricks. She actually has agreed to get her firm the advertising 
contract by sleeping with a Jaguar executive. The scene is quite tragic because 
the partners in her firm have actually considered letting her go through with 
it. The only one who actually comes to tell her not to, comes too late. A small 
moment, but it covers quite a bit with regards to the automobile, sex, sexism, 
and greed.
You can find it here:http://www.youtube.com/watch?v=2yWzlUGQWWM
Hope this helps!
Have a great holiday.Rory BrosiusDate: Sat, 15 Dec 2012 08:47:04 -0700
From: bkonef...@gmail.com
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] new critical studies film course in car culture

Thanks everyone for your input... still hoping to get a few more film ideas AND 
suggestions on readings.
best,
bryan konefsky

On Fri, Dec 14, 2012 at 2:49 PM, David Dvorchak <da...@as220.org> wrote:

Laurel and Hardy is "Two Tars"

On Fri, Dec 14, 2012 at 4:47 PM, Chuck Kleinhans <chuck...@northwestern.edu> 
wrote:


The about to open, On The Road, and an almost endless stream of road movies in 
Hollywood.



There's a famous Laurel and Hardy film (whose name I forget at the moment) 
which includes tearing a car apart in a dispute.



Not about film, per se, but in the 1920s the expansion of relatively 
inexpensive autos created a certain moral panic around cars as mobile bedrooms 
for young people who could escape being chaperoned.



Chuck Kleinhans













On Dec 14, 2012, at 11:57 AM, Bryan Konefsky wrote:



>

> Hello Frameworkers - I am in the early moments of developing a critical 
> studies course that looks at different ways the automobile has been imagined 
> in cinema.  To this end I'd love to hear from ya'll with titles of films that 
> you think might be useful to explore/expand this idea and readings that might 
> also dovetail themes that might be explored.



>

> Do know that my pal Antoni Pinent recently turned me on to a great text 
> titled Car Fetish.

>

> OK, let's hear what ya got!

> best,







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Bryan Konefsky
director, Experiments in Cinema
presidente, Basement Films
lecturer, Dept of Cinematic Arts UNM
visiting lecturer, UCSC
board of advisors, Ann Arbor Film Festival



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