As an isolated 16mm abstract moviemaker I'm very interested to know if there's 
anyone else like me around today? 
 
 Specifically, is there anyone who works on photo-chemical celluloid motion 
picture film and makes any kind of formal aesthetic work that is either purely 
cinematic, abstract, or just generally lyrical and poetic, visually speaking?
 
I'm 30 and I spent 3 years and 10,000 dollars making a really ambitious and 
stylized abstract 16mm movie called "PALMS", it's a serious piece of work that 
I think is worthy of following in the tradition of what I feel are the truly 
great non-narrative cinematic artists such as Will Hindle, Ed Emshwiller, James 
Whitney, Pat O'Neill, Jordan Belson, Scott Bartlett, Bruce Baillie, Maya Deren, 
Slavko Vorkapich, and Dziga Vertov, among others.
 
Are other people out there, particularly people younger than 50 and currently 
active, who are also passionate and excited by the work of all these great 
cinematic artists and are committed to working on celluloid? The last 3 years 
have been a struggle for me to make another movie and to get my 1st one even 
seen by anyone. and i also just haven't been able to find people who share my 
love of cinematic technique and will share it in any way, such as emailing or 
talking to each other about great shots and montages and optical techniques or 
sound design techniques in the brilliant movies by these artists. 
 
That kind of community and sharing is i feel necessary, even if only between a 
few people, and it's sad when we're so alone in our struggling and hard work. 
The only current 16mm moviemakers I know that are similar to me in any way are 
Timoleon Wilkins and Mark Toscano and they are unfortunately inaccessible for 
various reasons. I can't see their work or stay in touch with them as friends 
or even associates.            

Especially nowadays with all these faster, easier, and cheaper ways of 
communicating around the whole world such as the internet and cell phones, it's 
amazing how it seems like most people are if anything more reluctant and 
difficult about staying in touch and enjoying community and fellowship.

I know that maybe there are some really great cinematic-celluloid artists 
working today out there who just make their work for themselves and don't 
really show it and don't desire to  know other cinema enthusiasts. In a way I 
can understand wanting to be like that and maybe nowadays it's the only way to 
be. I might get like that too but right now I would welcome the interest and 
association of serious people whom love what I love and, as my mentor the great 
Bruce Baillie would say, want to be human to each other about it.         
 
 
Doug Graves

4636 Talbot Drive
Boulder, CO 80303 
 
702-580-4293
PURE CINEMA CELLULOID
http://www.purecinemacelluloid.webstarts.com/
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