Just in case the purveyors of the $100 film festival are reading...I agree that their film festival is great, and they are super generous to the filmmakers they select. They actually pay honoraria, which is 1 in 1,000,000 these days. I hope they keep it up.
-charles On Sun, Mar 24, 2013 at 10:36 AM, John Woods <jawood...@yahoo.ca> wrote: > Hi Doug, > > I often think the same thing though I am lucky to be know several local > analog filmmakers that I call friends. While there is a large community of > people working with film, its very scattered and it might take a direct > approach to meet like minded people in this age. > > I was in Calgary a few weeks ago for the $100 Film Festival. I'd screened > there a few years ago and had a new film in this years festival. They only > screen Super 8 and 16mm prints and I was curious as what 3 nights of film > prints in the 21st century would be like. > > The festival organizers were terrific people and the programming was very > strong. I was made to feel very welcome and I do think I will try to attend > again. And best of all the crowds were huge (200-300 I'd guess) and quite > lively. Animated films, gag films, abstract experimenting, several > narratives. It was a very diverse show and quite entertaining. > > I also got to meet several local and out of town filmmakers, Paul Clipson > gave an amazing talk and presented his Super 8 prints personally. It was > amazing to be able to grab a beer with a few people you met the day before > and talk film stocks and share ideas. There was a healthy contingent of > filmmakers from the Canadian Prairies up on the screen. Obviously most > people are working digitally but their traditional film scene has the > benefit of an annual event to plan films for and gather. And it seems most > people that I met there who are working on film are in there 20s and 30s > and there are few of the old guard who just never stopped working with 16mm. > > I had a great time and I think I will try to attend again in the future. > My advice is to look out for events like this and plan a trip. > > John Woods > > > > > ------------------------------ > *From:* "Doug Chaffin("Douglas Graves")" <dgtols...@yahoo.com> > *To:* FrameWorks <frameworks@jonasmekasfilms.com> > *Sent:* Saturday, March 16, 2013 12:32:54 PM > *Subject:* [Frameworks] Anyone else like me out there? > > As an isolated 16mm abstract moviemaker I'm very interested to know if > there's anyone else like me around today? > > Specifically, is there anyone who works on photo-chemical celluloid > motion picture film and makes any kind of formal aesthetic work that > is either purely cinematic, abstract, or just generally lyrical and poetic, > visually speaking? > > I'm 30 and I spent 3 years and 10,000 dollars making a really ambitious > and stylized abstract 16mm movie called "PALMS", it's a serious piece of > work that I think is worthy of following in the tradition of what I feel > are the truly great non-narrative cinematic artists such as Will Hindle, > Ed Emshwiller, James Whitney, Pat O'Neill, Jordan Belson, Scott Bartlett, > Bruce Baillie, Maya Deren, Slavko Vorkapich, and Dziga Vertov, among others. > > Are other people out there, particularly people younger than 50 and > currently active, who are also passionate and excited by the work of all > these great cinematic artists and are committed to working on celluloid? > The last 3 years have been a struggle for me to make another movie and to > get my 1st one even seen by anyone. and i also just haven't been able to > find people who share my love of cinematic technique and will share it in > any way, such as emailing or talking to each other about great shots and > montages and optical techniques or sound design techniques in the brilliant > movies by these artists. > > That kind of community and sharing is i feel necessary, even if only > between a few people, and it's sad when we're so alone in our struggling > and hard work. The only current 16mm moviemakers I know that are similar to > me in any way are Timoleon Wilkins and Mark Toscano and they are > unfortunately inaccessible for various reasons. I can't see their > work or stay in touch with them as friends or even associates. > > Especially nowadays with all these faster, easier, and cheaper ways of > communicating around the whole world such as the internet and cell phones, > it's amazing how it seems like most people are if anything more reluctant > and difficult about staying in touch and enjoying community and fellowship. > > I know that maybe there are some really great cinematic-celluloid artists > working today out there who just make their work for themselves and don't > really show it and don't desire to know other cinema enthusiasts. In a way > I can understand wanting to be like that and maybe nowadays it's the only > way to be. I might get like that too but right now I would welcome the > interest and association of serious people whom love what I love and, as my > mentor the great Bruce Baillie would say, want to be human to each other > about it. > ** > ** > *Doug Graves* > * > * > *4636 Talbot Drive* > *Boulder, CO 80303 * > * * > *702-580-4293* > *PURE CINEMA CELLULOID* > > *http://www.purecinemacelluloid.webstarts.com/*<http://www.purecinemacelluloid.webstarts.com/> > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
_______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks