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Today's Topics:
1. Texts on appropriation, collage and ethics/fair use
(Adam R. Levine)
2. Re: Texts on appropriation, collage and ethics/fair use
(Francisco Torres)
3. Re: Texts on appropriation, collage and ethics/fair use
(Christian Gosvig Olesen)
4. Re: Texts on appropriation, collage and ethics/fair use
([email protected])
5. Re: Texts on appropriation, collage and ethics/fair use
(Watter, Seth)
6. Re: Texts on appropriation, collage and ethics/fair use
(William Wees, Dr.)
7. Re: Texts on appropriation, collage and ethics/fair use
(David Tetzlaff)
8. New Super 8 200D Reversal Stock!!! (Ken Paul Rosenthal)
9. Re: New Super 8 200D Reversal Stock!!! (Roger Wilson)
10. Re: Texts on appropriation, collage and ethics/fair use
(Fred Truniger)
----------------------------------------------------------------------
Message: 1
Date: Fri, 24 May 2013 09:50:34 -0700
From: "Adam R. Levine" <[email protected]>
To: Experimental Film Discussion List <[email protected]>
Subject: [Frameworks] Texts on appropriation, collage and ethics/fair
use
Message-ID:
<cab-oep12tbwvwtwkkaxraf3awhp6bruhk9v8ntcuburopbh...@mail.gmail.com>
Content-Type: text/plain; charset="iso-8859-1"
Hello,
I'm looking for any books or short texts that might offer a survey
of the
history and practice of the appropriation and collage in the field of
moving images. In addition, if there is any such work that also
address
questions of copyright, ethics and fair use, that would be great.
Thanks,
Adam
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Message: 2
Date: Fri, 24 May 2013 14:00:25 -0300
From: Francisco Torres <[email protected]>
To: Experimental Film Discussion List <[email protected]>
Subject: Re: [Frameworks] Texts on appropriation, collage and
ethics/fair use
Message-ID:
<caen6uckf7bl42yaeocuuslhuhwbgrsuufluodlrlw+cw5pe...@mail.gmail.com>
Content-Type: text/plain; charset="iso-8859-1"
this one is pretty good.
http://www.amazon.com/Cutting-Across-Media-Appropriation-
Interventionist/dp/0822348225
Cutting Across Media: Appropriation Art, Interventionist Collage, and
Copyright Law
On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <[email protected]>
wrote:
Hello,
I'm looking for any books or short texts that might offer a survey
of the
history and practice of the appropriation and collage in the field of
moving images. In addition, if there is any such work that also
address
questions of copyright, ethics and fair use, that would be great.
Thanks,
Adam
_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
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Message: 3
Date: Fri, 24 May 2013 19:05:03 +0200
From: Christian Gosvig Olesen <[email protected]>
To: Experimental Film Discussion List <[email protected]>
Subject: Re: [Frameworks] Texts on appropriation, collage and
ethics/fair use
Message-ID:
<cacmtcvqtvzdyd9hqxgv5v1_gd96nr+01z95p5cnapgwusyf...@mail.gmail.com>
Content-Type: text/plain; charset="iso-8859-1"
This one is in french but is one of the most helpful I have come
across:
http://lucdall.free.fr/workshops/IAV07/documents/found-
footage_n_brenez.pdf
2013/5/24 Francisco Torres <[email protected]>
this one is pretty good.
http://www.amazon.com/Cutting-Across-Media-Appropriation-
Interventionist/dp/0822348225
Cutting Across Media: Appropriation Art, Interventionist Collage, and
Copyright Law
On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <[email protected]>
wrote:
Hello,
I'm looking for any books or short texts that might offer a
survey of the
history and practice of the appropriation and collage in the
field of
moving images. In addition, if there is any such work that also
address
questions of copyright, ethics and fair use, that would be great.
Thanks,
Adam
_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
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Message: 4
Date: Fri, 24 May 2013 20:58:34 +0200
From: [email protected]
To: Experimental Film Discussion List <[email protected]>
Subject: Re: [Frameworks] Texts on appropriation, collage and
ethics/fair use
Message-ID: <[email protected]>
Content-Type: text/plain; charset="utf-8"; Format="flowed"
This book on Abigail Child:
http://www.metispresses.ch/ps_child_anglais.html
Best,
A.
On vendredi 24/05/2013 at 18:51:52, Adam R. Levine a écrit:
Hello,
I'm looking for any books or short texts that might offer a survey of
the history and practice of the appropriation and collage in the
field
of moving images. In addition, if there is any such work that also
address questions of copyright, ethics and fair use, that would be
great.
Thanks,
Adam_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
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Message: 5
Date: Fri, 24 May 2013 16:21:38 -0400
From: "Watter, Seth" <[email protected]>
To: Experimental Film Discussion List <[email protected]>
Subject: Re: [Frameworks] Texts on appropriation, collage and
ethics/fair use
Message-ID:
<caabi6sp+y1ymmmdj8fwg6pqagdj4ntssr1eumfp+decvifh...@mail.gmail.com>
Content-Type: text/plain; charset="iso-8859-1"
'films beget films' by jay leyda is a classic, and might be the
earliest
study of 'found footage' in film history.
seth
On Fri, May 24, 2013 at 12:50 PM, Adam R. Levine <[email protected]>
wrote:
Hello,
I'm looking for any books or short texts that might offer a survey
of the
history and practice of the appropriation and collage in the field of
moving images. In addition, if there is any such work that also
address
questions of copyright, ethics and fair use, that would be great.
Thanks,
Adam
_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
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Message: 6
Date: Fri, 24 May 2013 20:22:18 +0000
From: "William Wees, Dr." <[email protected]>
To: Experimental Film Discussion List <[email protected]>
Subject: Re: [Frameworks] Texts on appropriation, collage and
ethics/fair use
Message-ID:
<3eb76accc84c7b4da862a9dbbf9d9e6908a52...@exmbx2010-8.campus.mcgill.ca
>
Content-Type: text/plain; charset="utf-8"
Recycled Images: The Art and Politics of Found-Footage Films by
William C. Wees, distributed by Anthology Film Archives.
--Bill Wees
From: FrameWorks [mailto:[email protected]] On
Behalf Of Adam R. Levine
Sent: May 24, 2013 12:51 PM
To: Experimental Film Discussion List
Subject: [Frameworks] Texts on appropriation, collage and ethics/
fair use
Hello,
I'm looking for any books or short texts that might offer a survey
of the history and practice of the appropriation and collage in the
field of moving images. In addition, if there is any such work that
also address questions of copyright, ethics and fair use, that
would be great.
Thanks,
Adam
-------------- next part --------------
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Message: 7
Date: Fri, 24 May 2013 13:48:32 -0700
From: David Tetzlaff <[email protected]>
To: Experimental Film Discussion List <[email protected]>
Subject: Re: [Frameworks] Texts on appropriation, collage and
ethics/fair use
Message-ID: <[email protected]>
Content-Type: text/plain; charset=us-ascii
Not nec. film specific, but there's tons of stuff on appropriation,
collage, copyright and fair use. Much of it is related to audio
collage as both an avant garde practice and pop culture 'mashups'.
The discussions are generally applicable to found footage films,
though.
An essential text is Craig Baldwin's film "Sonic Outlaws".
For the whole question of Fair Use of images, moving or otherwise,
you'll also want to check the essential materials available on the
website of the Center for Social Media at American University.
Filmmakers working in collage and appropriation seem not to discuss
the issues surrounding their work as much as artists in other media
do. You might look into the websites, publications, videos etc.
produced by Negativland RTMark, Stay Free magazine, Public Works
etc. Also the various writings on 'Neoism'.
The afore-cited "Cutting Across Media" should offer a list of
contributors whose other works are worth looking into, and be a
good starting place for a bibliography.
(Again, none of this is really film specific, though...)
------------------------------
Message: 8
Date: Fri, 24 May 2013 14:44:14 -0700
From: Ken Paul Rosenthal <[email protected]>
To: Frameworks Postings <[email protected]>
Subject: [Frameworks] New Super 8 200D Reversal Stock!!!
Message-ID: <[email protected]>
Content-Type: text/plain; charset="iso-8859-1"
NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm:
http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-
again-pro8mm-introduces-new-color-reversal-film-stock/
Ken
www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthf
ilmtrilogy.com
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Message: 9
Date: Fri, 24 May 2013 22:23:03 +0000
From: Roger Wilson <[email protected]>
To: Experimental Film Discussion List <[email protected]>
Subject: Re: [Frameworks] New Super 8 200D Reversal Stock!!!
Message-ID: <[email protected]>
Content-Type: text/plain; charset="iso-8859-1"
Awesome News Ken!
Roger D. Wilson613 324 - [email protected]://
www.rogerdwilson.ca
Without failure you can never achieve success. I have based my
process and my career as an experimental film artist on this
statement; and I welcome it as it pushes me forward as an artist to
try something different, something new.
From: [email protected]
To: [email protected]
Date: Fri, 24 May 2013 14:44:14 -0700
Subject: [Frameworks] New Super 8 200D Reversal Stock!!!
NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm:
http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-
again-pro8mm-introduces-new-color-reversal-film-stock/
Ken
www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthf
ilmtrilogy.com
_______________________________________________
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Message: 10
Date: Sat, 25 May 2013 09:25:15 +0200
From: Fred Truniger <[email protected]>
To: Experimental Film Discussion List <[email protected]>
Subject: Re: [Frameworks] Texts on appropriation, collage and
ethics/fair use
Message-ID: <[email protected]>
Content-Type: text/plain; charset="windows-1252"
hi all
this is an excerpt of a list I made a couple of years ago with
materials on ff-film. some of it is in german even for texts
originally written in english. you should be able to find these in
english, too.
hope it helps,
fred
Arthur, Paul: Lost and Found: American Avant-Garde Film in the
Eighties. In: Nelly Voorhuis: A Passage Illuminated. The American
Avant-Garde Film 1980-1990. Amsterdam 1991. S. 15-29.
Arthur, Paul: The Status of Found Footage. In: Spectator, 20.1,
Fall/Winter 2000. Los Angeles 2000. S. 57-69.
Baldwin, Craig: From Junk to Funk to Punk to Link. In: Anker,
Steve; Geritz, Kathy; Seid Steve (Hrsg.): Radical Light.
Alternative Film & Video in the San Francisco Bay Area, 1945-2000.
Berkeley 2010. S. 95-100.
Basilico, Stefano: Cut. Film as Found Object in Contemporary Video.
Milwaukee 2004.
Beauvais, Yann: Found Footage. Vom Wandel der Bilder. In: Blimp,
Heft 16. Graz 1991. S. 4-11.
Beauvais, Yann: Verloren und wiedergefunden. In: Cecilia Hausheer,
Christoph Settele: Found Footage Film. Luzern 1992. S. 8-25.
Blümlinger, Christa: Zwischen den Bildern/Lesen. In: Christa
Blümlinger; Constantin Wulff (Hrsg.): Schreiben Bilder Sprechen.
Texte zum essayistischen Film. Wien 1992.
Blümlinger, Christa: Kino aus zweiter Hand. Zur Ästhetik
materieller Aneignung im Film und in der Medienkunst. Berlin 2009.
Bovier, François (Hrsg.): Is This What You Were Born For?
Strategies of Appropriation and Audio-Visual Collage in the Films
of Abigail Child. Geneva 2011.
Cahill, James Leo: ...and Afterwards? Martin Arnold's Phantom
Cinema. In: Spectator, 27.3: Supplement 2007. Los Angeles 2007. S.
19-25.
Child, Abigail: This is Called Moving. A Critical Poetics of Film.
Tuscalosa, Alabama 2005.
Christine N. Brinckmann: Die poetische Verkettung der Bilder. In:
montage/av. 20/1/2011. Marburg 2012. S. 29-43.
Danks, Adrian: The Global Art of Found Footage Cinema. In: Linda
Badley; R. Barton Palmer; Steven Jay Schneider (Hrsg.): Traditions
in World Cinema. Edinburgh 2006.
Halter, Ed: Recycle it. Internet: http://www.movingimagesource.us/
articles/recycle-it-20080710 (Internetzugriff am: 1.2.2012).
Hauptmann, Jodi: Joseph Cornell. Stargazing the Cinema. New Haven
1999.
Hausheer, Cecilia; Settele, Christoph: Found Footage Film. Luzern
1992.
Hoolboom, Mike; MacKenzie, Alex: Loop, Print, Fade and Flicker.
David Rimmer's Moving Images. Vancouver 2009.
Horwath, Alexander; Loebenstein, Michael (Hrsg.): Peter
Tscherkassky. Wien 2005.
James, David E.: Allegories of Cinema. American Film in the
Sixties. Princeton 1989.
Kirchmann, Kay: Bildermüll und Wiederverwertung. Eine
medientheoretische Perspektive auf Formen und Funktionen des
Bilderrecyclings im Found-Footage-Film. In: Thomas Koebner; Thomas
Meder (Hrsg.): Bildtheorie und Film. München 2006. S. 497-512.
Leyda, Jay: Films beget Films. In: London. London 1964.
O'Pray, Michael: From Dada to Junk. Bruce Conner And the Found-
Footage Film. In: Monthly Film Bulletin. London 1987. S. 315-316.
Peterson, James: Bruce Conner and the Compilation Narrative. In:
Wide Angle, Vol. 8, Nr. 3/4. Special Issue Narrative/Non-Narrative.
Ann Arbor 1986. S. 53-62.
Peterson, James: Making Sense of Found Footage. In: Cecilia
Hausheer, Christoph Settele: Found Footage Film. Luzern 1992. S.
54-75.
Peterson, James: Dreams of Chaos, Visions of Order. Understanding
the American Avant-Garde Cinema. Detroit 1994.
Sandusky, Sharon: Archäologie der Erlösung. Eine Einführung in den
Archivkunstfilm. In: Blimp, Heft 16. Graz 1991. S. 14-22.
Sitney, P Adams: The Cinematic Gaze of Joseph Cornell. In: McShine,
Kynaston (Hrsg.): Joseph Cornell. München 1990. S. 69-89.
Sitney, P. Adams: Visionary Film: The American Avant-Garde. Oxford
1979.
Sitney, P. Adams: Eyes Upside Down. Oxford 2008.
Sjöberg, Patrik: The World in Pieces: A Study of Compilation Films.
Stockholm 2001.
Skoller, Jeffrey: Shadows, Specters, Shards. Making History in
Avant-Garde Film. Minneapolis 2005.
Taylor, Henry McKean: Der Krieg eines Einzelnen. Eine fimische
Auseinandersetzung mit der Geschichte. Zürich 1995.
Ursula Blickle Stiftung et. al. (Hrsg.): Bruce Conner. Die 70er
Jahre. Nürnberg 2010.
Vertov, Dziga: Kinoki – Umsturz. In: Texte zur Theorie des Films
(Reclam). Stuttgart 1979. S. 24-38.
Wees, William C: Recycled Images. New York 1993.
Wees, William C.: Old Images, New Meanings: Reontextualizing
Archival Footage of Nazism and the Holocaust. In: Spectator, 20.1,
Fall/Winter 2000. Los Angeles 2000. S. 70-76.
Zryd, Michael: Found Footage-Film als diskursive Metageschichte.
Craig Baldwins TRIBULATION 99. In: montage/av. 11/1/2002. Berlin
2002. S. 113-134.
Am 24.05.2013 um 18:50 schrieb Adam R. Levine:
Hello,
I'm looking for any books or short texts that might offer a survey
of the history and practice of the appropriation and collage in
the field of moving images. In addition, if there is any such work
that also address questions of copyright, ethics and fair use,
that would be great.
Thanks,
Adam
_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
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Subject: Digest Footer
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End of FrameWorks Digest, Vol 36, Issue 28
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