wait a minute! you mean festival submissions are rigged! NO WAY!!!!!!!!!!!!!!!!!
On Wed, Oct 23, 2013 at 12:55 PM, Bryan Konefsky <bkonef...@gmail.com>wrote: > Hey kiddo - sorry for the delay - yup, send the older work AND if the new > one is completed with enough of a window (before our program goes to press > in late Feb) we could switch them out (assuming our esteemed judges find > your work "worthy" :). > > good to hear from ya!!!! > b > > > On Sun, Oct 13, 2013 at 11:08 PM, Caryn Cline <carynycl...@gmail.com>wrote: > >> Dear Bryan, >> >> Since I'm teaching full time, I have not yet been able to complete the >> film I was hoping to send to the festival this year, so I'm sending an >> older work that utilizes a similar technique (botanicollage and "live >> action" footage melded together) and has never been screened for the >> public. I would love to be able to show it to EIC's dedicated, discerning >> audience. I hope that is OK with you. The other piece might be ready by >> the time the festival happens, but it isn't ready now. >> >> I look forward to seeing you all in April. >> >> Best wishes, >> >> CC >> >> >> On Fri, Oct 11, 2013 at 10:27 AM, Bryan Konefsky <bkonef...@gmail.com>wrote: >> >>> Hello everyone! Experiments in Cinema is beginning to wind down our >>> current call for submissions - Only about 3 weeks left to send us your >>> experimental-cinematic-brilliance! Our deadline for submissions is >>> November 1. >>> >>> Experiments in Cinema will take place April 14-20, 2014 in Albuquerque, >>> New Mexico (yes, where Breaking Bad was shot). >>> >>> Please go to www.experimentsincinema.com for complete submission >>> information. >>> >>> Also, don't forget that the holiday season is coming soon and our >>> fundraising DVD collections make perfect gifts :) - see our website for >>> ordering information. >>> >>> Happiness is a warm projector, >>> Bryan Konefsky >>> Professional product tester >>> director, Experiments in Cinema >>> president, Basement Films >>> >>> Great art has always gone to the masses, to their hopes and dreams, for >>> that spark that kindled their souls. The rest, "the many, all too many" as >>> Nietzsche called mediocrity, have been mere commodities that can be bought >>> with money, cheap glory, or social position. >>> - Emma Goldman >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> Caryn Cline >> co-producer, *Acts of Witness* >> www.actsofwitness.com >> vimeo.com/carynyc >> >> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > Bryan Konefsky > Professional product tester > > Great art has always gone to the masses, to their hopes and dreams, for > that spark that kindled their souls. The rest, "the many, all too many" as > Nietzsche called mediocrity, have been mere commodities that can be bought > with money, cheap glory, or social position. > - Emma Goldman > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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