I have had a number of optical tracks created over the years and have never had the lab (Skylight Studios in Toronto) make this request. Is it a 16mm mono track or 35mm?
Roger D. WilsonFilm Scientist613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. From: jaredphutchin...@gmail.com Date: Fri, 25 Apr 2014 14:35:21 -0500 To: frameworks@jonasmekasfilms.com Subject: [Frameworks] Optical Sound - filter Hello, all,I am almost ready to send out for an optical track for my first sync-sound print. I gave a call to the lab which photographs for optical tracks and I was told that my sound needed to be treated with an academy pre-emphasis filter. I was wondering if this (possibly expensive?) stage is necessary for my film sound. The soundtrack to my short is pretty primitive-sounding and not reliant on great fidelity. Thanks!Jared _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
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