John Kneller does great work and IIRC he mainly works with 8mm that he blows up
using his own equipment:
http://www.cfmdc.org/user/8323
I'll also promote the work of my friend C.J. Brabant, whose colourful 35mm
films originated from 8 and 16mm film and he then processed and printed after
hours at the Vancouver Technicolor where he worked. All his works are online,
my favourite is "In Earth"
http://www.cjbrabant.com/
On Friday, August 8, 2014 4:35:30 PM, Caryn Cline <carynycl...@gmail.com> wrote:
Dear Frameworkers,
As always, your collective minds are amazing. Thank you all for your
suggestions, lists, curricula, links and insights. I have my work cut out for
me to find and screen these films, but that is one of the things I like best.
What would I do without you?
CC
On Wed, Aug 6, 2014 at 9:06 AM, Caryn Cline <carynycl...@gmail.com> wrote:
Dear Frameworkers,
>
>
>If I were going to undertake a series of screenings showcasing optical printer
>techniques, what work would you recommend? What is the best work for
>understanding the cinematic potential in optical printing? Are there any
>texts that could be included? I'm asking for my own enlightenment and to take
>my own OP work to another level, but I might also try to put together a public
>screening at some point.
>
>
>Many thanks, as always, for your thoughts and advice.
>
>
>CC
>
>--
>
>Caryn Cline
>Experimental Filmmaker & Teacher
>vimeo.com/carynyc
>
>Co-producer & cinematographer, Acts of Witness
>www.actsofwitness.com
>
>
>
>
--
Caryn Cline
Experimental Filmmaker & Teacher
vimeo.com/carynyc
Co-producer & cinematographer, Acts of Witness
www.actsofwitness.com
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