Though earlier than your time period, Oskar Fischinger's Ornament Sound experiments (c. 1932). On CVM's VOD channel on Vimeo: https://vimeo.com/ondemand/26951
More recently, possibly some of Devon Damonte's work, though it's not 60s or 70s. best regards, Cindy Keefer Center for Visual Music (CVM) www.centerforvisualmusic.org CVM email = cvmaccess at gmail.com > > > > > > > > > > > > > > -------- Forwarded message ---------- > From: Albert Alcoz <albertalc...@yahoo.es> > To: "frameworks@jonasmekasfilms.com" <frameworks@jonasmekasfilms.com> > Cc: > Date: Wed, 11 Feb 2015 08:46:09 +0000 (UTC) > Subject: [Frameworks] Optical sound – Structural film > Hello, > > Does anybody know structural or structural-materialist or minimal/abstract > films from the sixties or seventies where the sound of the film comes > directly from the graphic treatment on the optical sound area of the > celluloid? > > Kurt Kren drew a line with ink in his film *Trees of Autumn* (1960) and > Guy Sherwin shot pictures on the variable area of the soundtrack. Those > films were collected on the *Optical Sound Films *(1971-2007) DVD. > > I thought the soundtrack of *Roh Film* (1968) by Birgit & Wilhelm Hein > was done directly from the collage materials attached on the surface of the > emulsion but it is not. It was done afterwards, as an autonomous noise > piece by Christian Michelis. > > I'm thinking about films like *Dynamo Dresden* (1971) by Lis Rhodes or > *Soundtrack* (1969) by Barry Spinello, but they are more abstract > animation pieces following the visual music tradition than the structural > or systemic patterns. > > Any suggestion will be appreciated. > > Thank you very much, > > Albert Alcoz > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > > > > >
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