Hey man, I'm on a plane with Kelly right now and just found out you two haven't connected yet. Sorry I think there was some mix up about who was going to contact who. Anyway it's cleared up and he's still good to master your track in November. He's a professional drummer too and can fill in for you there. Ill sort out a meeting for all of us soon so we can get this figured out. Again sorry for the delay Owen. We'll get you there eventually.
Nick > On Sep 25, 2015, at 9:56 PM, op <o...@thenowcorporation.com> wrote: > > hear, hear. > owen > >> On Sep 26, 2015, at 12:04 AM, drawclose.com <snowbloods.para...@gmail.com> >> wrote: >> >> It's funny, I've learned the most in terms of creative skills and art making >> from ppl whose passion has a curmudgeonly streak, one earned from hard >> experience with the work. That's why I like this listserv. >> >> Corollary - If my first concern is my own comfort, why did I become an >> artist? >> >> Jessica >> >> ***** >> http://www.drawclose.com >> >>> On Sep 25, 2015, at 8:30 PM, k. a.r. <a_r...@hotmail.com> wrote: >>> >>> '...I've been on this listserv for less than two hours, and I'm already >>> receiving emails comprised of snarky infighting and character >>> assassination.Honestly, it's my fault. I was warned. I've heard from many >>> sources, i.e. young experimental filmmakers, that this listserv was a space >>> of negativity, where people were shamed and attacked over the most >>> innocuous things...... >>> You should all maybe give this some thought.' >>> >>> hahaha oh wow. >>> I've been on this list since 96 or 97; in fact I got my first personal >>> email specifically to join it. >>> >>> Jona, if you think this is bad, you have NO. IDEA. lol >>> >>> Frameworks is quite tame these days, there have been some MASSIVE >>> disagreements, that went on and on for ever. >>> And many written by some quite verbose people. Lots and lots and LOTS of >>> words to make their point. >>> >>> It's too bad that your whole experience lasted 2 hours, because it makes me >>> wonder about the attention span of youth. >>> Is it really that much of an instant gratification generation that you get >>> in, judge, and get out so quickly? >>> That is really interesting to me. Some things take more time. A lot more >>> time. >>> I wonder what this world is changing into, and what the future will be >>> like, with such an impatient generation. >>> Curious. >>> >>> Also, if you choose to focus on only the negative, that is what you get. >>> There are lots of posts, and honestly, I don't even notice that much >>> negativity these days..... >>> >>> Sooooo....you get what you look for, I guess. >>> I truly appreciate this list as a place to go to for giving and taking of >>> information, and it's a great community. >>> The film world would be a lesser place without it. >>> >>> MHO >>> >>> Kristie Reinders, B.F.A. >>> Director of Cinematography, Electric Visions >>> Curator and Head Projectionist, Electric Mural Project >>> The Mission, San Francisco, CA >>> >>> 'A first class technician should work best under pressure.' >>> - - - Issac Asimov >>> >>> Date: Fri, 25 Sep 2015 00:27:55 -0600 >>> From: jonagerl...@gmail.com >>> To: frameworks@jonasmekasfilms.com >>> Subject: Re: [Frameworks] NEW DIRECTOR NEEDED for Millennium Film Workshop >>> >>> Wow. I've been on this listserv for less than two hours, and I'm already >>> receiving emails comprised of snarky infighting and character assassination. >>> >>> Honestly, it's my fault. I was warned. I've heard from many sources, i.e. >>> young experimental filmmakers, that this listserv was a space of >>> negativity, where people were shamed and attacked over the most innocuous >>> things. >>> >>> Still, as a new filmmaker who draws inspiration from the traditions of >>> experimental and independent film, I figured I'd sign up. I figured it >>> couldn't be that bad, that I could surely draw inspiration from artists >>> with a lifetime of experience, and that it could enrich my practice and >>> inspire me. >>> >>> But, well, no. They were right, I was wrong. >>> >>> And I'm not trying to clog my inbox with old grudges and hostility. >>> >>> The writer Ben Marcus said: "Anyone who believes that you can make art from >>> language is part of a small, nearly-vanishing community, and we should all >>> form a wedge and march on the enemy." >>> >>> I think the basic sentiment applies to experimental film as well. >>> >>> You should all maybe give this some thought. >>> >>> Best, >>> >>> [unsubscribed] >>> >>> On Thu, Sep 24, 2015 at 11:16 PM, Sasha Janerus <sasha.jane...@gmail.com> >>> wrote: >>> Ah! Millennium Film Workshop! A vibrant arts organization! Though a while >>> back Kent Jones referred to it on a podcast as--and I quote--"a place that >>> no longer exists." It's like Brigadoon or something! >>> >>> As far as I know, MFW board elections are a couple years overdue. The >>> present board was elected as part of an effort to restore democratic member >>> control of MFW, which has always been mandated by the bylaws. So I'm not >>> sure they have the legal authority to hire anybody. It is they who need to >>> be replaced. >>> >>> As a side note: I've heard Peter Kingsbury got the thirty grand he was >>> after for doing fuck all. True? Regardless, applicants are advised that >>> there is doubtless very little left to grift. And, if I know Lili, she'll >>> want her cut of whatever's left in the cushions. >>> >>> On Thu, Sep 24, 2015 at 7:19 PM, Lili White <l...@liliwhite.com> wrote: >>> Hello experimental Film World! Millennium Film Workshop >>> http://millenniumfilm.org/ >>> is looking for a NEW EXECUTIVE DIRECTOR to take us into our 50th Year. >>> PLEASE SPREAD THE WORD AROUND! >>> We welcome queries from any competent person who would be responsible for >>> the successful leadership and management of the organization according to >>> its incorporating purpose, and the strategic direction set by its Board of >>> Directors and Members. This involves the planning and management of >>> MILLENNIUM's organizational, programming services, its finances, human >>> resources, and community relations. We ask that the candidate have a degree >>> in a related field and prefer some management experience in an arts, non >>> profit, or educational organization and that they have a knowledge and >>> understanding of Experimental cinema history and practice. >>> MFW statement of purpose (1967) - "To offer the non-commercial film artist >>> -of whatever experience, or proven degree of proficiency, and without >>> interference in either film-subject or style -the use without cost, or at >>> minimal cost, of the tools of filmmaking, instruction in filmmaking, and a >>> means of contacting others of like creative interest." >>> >>> PLEASE CONTACT the MFW BOARD's secretary, Lili White, for further >>> information: l...@millenniumfilm.org >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> >>> _______________________________________________ FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks
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