Frameworkers! I don't know who you are, but . . . It's like the letters my father writes that I never answer. They just keep coming, even as I throw them directly in the trash. What, then, is it to write someone, anyway?
But Peter Hutton work screened at Nightingale. And I wonder, well: What does this have to do with higher education? That wasn't the first thing, though. It was, is this still acceptable? It was funny, after the show - all totally silent - I had to think of André Kertész photographs. Is this even experimental? The girl in the seat in front of me rested her head on her boyfriend's shoulder. It was an experience resembling a service of some kind. The show was very well attended. I'm not just saying that. And understandably so, because the experience is hard to get! It's in film, for god's sake, and it couldn't possibly be otherwise - it's pure, it's committed to this extremely disciplined style. You could think, you could wait, and there was never anything to distract you . . (I'm thinking of the river film and the Polish city film) . . But then there's that what does this have to do with higher education? Can this really be part of a course of study? That's where I lose it. Bernie _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
