hello frameworkers, My " Threnody" (2003 11 minutes) examines the residue and physical artifacts of death as I memorialize the loss of friends including Hollis Frampton, a pygmy goat, and victims of 9/11. available from Canyon Cinema and streaming on fandor.com. On Mar 20, 2017, at 8:44 AM, frameworks-requ...@jonasmekasfilms.com wrote:
> Send FrameWorks mailing list submissions to > frameworks@jonasmekasfilms.com > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > frameworks-requ...@jonasmekasfilms.com > > You can reach the person managing the list at > frameworks-ow...@jonasmekasfilms.com > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > > > Today's Topics: > > 1. Re: FrameWorks Digest, Vol 82, Issue 21 (Marcelle Pecot) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Mon, 20 Mar 2017 11:53:58 -0400 > From: Marcelle Pecot <marcellepe...@yahoo.com> > To: frameworks@jonasmekasfilms.com > Subject: Re: [Frameworks] FrameWorks Digest, Vol 82, Issue 21 > Message-ID: <ec6a92c1-72b8-46b3-8f4e-d580cbb54...@yahoo.com> > Content-Type: text/plain; charset="utf-8" > > film eulogies: Hollis GLORIA for his grandmother > On Mar 20, 2017, at 10:49 AM, frameworks-requ...@jonasmekasfilms.com wrote: > > Send FrameWorks mailing list submissions to > frameworks@jonasmekasfilms.com > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > frameworks-requ...@jonasmekasfilms.com > > You can reach the person managing the list at > frameworks-ow...@jonasmekasfilms.com > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > Today's Topics: > > 1. film eulogies (Ethan Berry) > 2. Re: film eulogies (mpi...@yahoo.com) > 3. Re: Eulogy films (Sarah Bliss) > > From: Ethan Berry <ethan.be...@montserrat.edu> > Subject: [Frameworks] film eulogies > Date: March 20, 2017 at 8:46:05 AM EDT > To: frameworks@jonasmekasfilms.com > > > I would consider a number of Saul Levine's films as eulogies. Pillow Filled > With Tears, remembering Mark Lapore, Falling Notes Leaving, remembering Anne > Charlotte Robertson. Several films remember Saul's father. I think of Whole > Note. There are more. > > Ethan Berry > > > > > On Mon, Mar 20, 2017 at 8:00 AM, <frameworks-requ...@jonasmekasfilms.com > <mailto:frameworks-requ...@jonasmekasfilms.com>> wrote: > Send FrameWorks mailing list submissions to > frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks> > or, via email, send a message with subject or body 'help' to > frameworks-requ...@jonasmekasfilms.com > <mailto:frameworks-requ...@jonasmekasfilms.com> > > You can reach the person managing the list at > frameworks-ow...@jonasmekasfilms.com > <mailto:frameworks-ow...@jonasmekasfilms.com> > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > > Today's Topics: > > 1. Re: Eulogy Films (Adam Hyman) > 2. Re: Eulogy Films (john warren) > 3. Re: Eulogy Films (Kate Ewald) > 4. 2017 Moviate Underground Film Festival (Josh Drake) > > > ---------- Forwarded message ---------- > From: Adam Hyman <a...@lafilmforum.org <mailto:a...@lafilmforum.org>> > To: "Experimental Film Discussion List <frameworks@jonasmekasfilms.com > <mailto:frameworks@jonasmekasfilms.com>>" <frameworks@jonasmekasfilms.com > <mailto:frameworks@jonasmekasfilms.com>> > Cc: > Bcc: > Date: Sun, 19 Mar 2017 11:48:08 -0700 > Subject: Re: [Frameworks] Eulogy Films > I believe Phil Solomon has one for Mark LaPore, but I am blanking on the > title. > > From: Marilyn Brakhage <v...@shaw.ca <mailto:v...@shaw.ca>> > Reply-To: "Experimental Film Discussion List <frameworks@jonasmekasfilms.com > <mailto:frameworks@jonasmekasfilms.com>>" <frameworks@jonasmekasfilms.com > <mailto:frameworks@jonasmekasfilms.com>> > Date: Sat, 18 Mar 2017 15:43:44 -0700 > To: "Experimental Film Discussion List <frameworks@jonasmekasfilms.com > <mailto:frameworks@jonasmekasfilms.com>>" <frameworks@jonasmekasfilms.com > <mailto:frameworks@jonasmekasfilms.com>> > Subject: Re: [Frameworks] Eulogy Films > > Dear Margaret, > Some Stan Brakhage films in homage to specific individuals include "Water for > Maya" [i.e. Maya Deren], 2 min, 25 sec.; "Visions in Meditation #4: D.H. > Lawrence," 17 min. 41 sec; and "Last Hymn to the Night - Novalis," 17 min. 18 > sec. Also, the fifth and final section of his "b series," subtitled > "Sorrowing" (and by extension the entire film) was dedicated to Gregory > Markopoulos, 12 minutes. > ... Homages to larger groups of people might include "The Dead" (10 min. 21 > sec., filmed in Paris/Père Lachaise cemetery), and "In Consideration of > Pompeii," 4 min. 35 sec. > ... Someone else mentioned "Sirius Remembered" (in homage to a family dog). > Along those lines would also be "Pasht" (in honor of a cat). "Sirius > Remembered" was also thought of as part of a trilogy, with "The Dead" and > "Burial Path" (in part, I believe, in consideration of a late illness of > Stan's friend, the literary critic, Donald Sutherland). > > Marilyn Brakhage > > On 18-Mar-17, at 8:43 AM, Margaret Rorison wrote: > >> Dear Film Friends, >> >> I am curious about film eulogies and would love to know more films that have >> been made to honor someone. For example, Nathaniel Dorsky's August and After >> >> I am looking for short films in particular. >> >> Poetic gestures of goodbye, final notes, odes... >> >> thank you, >> Margaret Rorison > > > ---------- Forwarded message ---------- > From: john warren <johnwar...@alum.calarts.edu > <mailto:johnwar...@alum.calarts.edu>> > To: Margaret Rorison <margaret.b.rori...@gmail.com > <mailto:margaret.b.rori...@gmail.com>> > Cc: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> > Bcc: > Date: Sun, 19 Mar 2017 15:16:50 -0500 > Subject: Re: [Frameworks] Eulogy Films > Hi Margaret, > > I'd like to mention my own film Elegy: https://vimeo.com/6780356 > <https://vimeo.com/6780356> > > I don’t think anyone has yet mentioned Robert Todd, but several of his movies > could fall under this heading, like his Passing trilogy. > > peace, jw > > ---------------------------------------------- > John Warren > Lecturer, Department of Art / Cinema & Media Arts > Vanderbilt University > cell: 213.458.1650 <tel:(213)%20458-1650> > http://johnwarrenfilms.com <http://johnwarrenfilms.com/> > > On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rori...@gmail.com > <mailto:margaret.b.rori...@gmail.com>> wrote: > >> Dear Film Friends, >> >> I am curious about film eulogies and would love to know more films that have >> been made to honor someone. For example, Nathaniel Dorsky's August and After >> >> I am looking for short films in particular. >> >> Poetic gestures of goodbye, final notes, odes... >> >> thank you, >> Margaret Rorison >> >> >> ------------------------------------------- >> http://margaretrorison.com/ <http://margaretrorison.com/> >> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >> > > > ---------- Forwarded message ---------- > From: Kate Ewald <katherine.ew...@gmail.com > <mailto:katherine.ew...@gmail.com>> > To: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Sun, 19 Mar 2017 17:20:41 -0400 > Subject: Re: [Frameworks] Eulogy Films > Hi Meg, > > I'd second Eric Stewart's Wake. Eric and Taylor Dunne are actually in the > process of creating a whole screening series specifically around this topic. > They've programmed two shows already that were lovely. I'd definitely > suggest reaching out to them - DM me for their emails if you don't already > have them and feel like following up. > > Other films in this vein that haven't been mentioned yet: > - Taylor Dunne's Corn Mother > - The many films made honoring Mark LaPore's death (I don't know the titles > of all of them, but off the top of my head I can think of Phil Solomon's > Still Raining, Still Dreaming, David Gatten's So Sure of Nowhere Buying Times > to Come, and Saul Levine's Dreams and Apparitions of Mark Lapore. I think > Julie Murray and Ericka Beckman also made films, but I haven't seen them). > IFFRotterdam did a program of films honoring Mark around 2010, I think(???), > which had even more artists/films. > - Bruce Baille's Mass for the Dakota Sioux > - Zoltán Huszárik's Elegy > - Jim Hubbard's Elegy in the Streets > - Sandra Davis's Crepuscule: Pond and Chair > - Marjorie Keller's The Fallen World > - Eve Heller's Behind This Soft Eclipse > - Your film, The Waiting Sands :) > > Happy hunting! > > Cheers, > Kate > > > > ---------- Forwarded message ---------- > From: Josh Drake <joshmikedr...@gmail.com <mailto:joshmikedr...@gmail.com>> > To: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Mon, 20 Mar 2017 00:25:16 +0000 > Subject: [Frameworks] 2017 Moviate Underground Film Festival > Hi frameworkers, > > Just a heads up that our call for submissionsis going to close at the end of > this month. As we did last year, we're giving a discounted submission fee of > just $5 for films shot on super 8 and 16mm. We'd love to see your work! > Deadline is April 2nd > > New this year!!! - To promote screening on film we'll be giving a free > submission voucher for next year's festival to any filmmaker who exhibits > accepted work on celluloid. > > Moviate is a Harrisburg, PA based curatorial collective dedicated to bringing > unique film and sound events to the area. Some past guests include Guy > Maddin, Martha Colburn, John Waters, Bryan Lewis Saunders, Jem Cohen, Kit > Carson, Richard Kern. > > https://filmfreeway.com/festival/MyFilmFestival-363218 > <https://filmfreeway.com/festival/MyFilmFestival-363218> > > Thanks, > Moviate Underground > Harrisburg, PA > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > > > > > From: mpi...@yahoo.com > Subject: Re: [Frameworks] film eulogies > Date: March 20, 2017 at 8:58:44 AM EDT > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > > > Saul Levine's "Dreams and Apparitions of Mark Lapore" is on Vimeo. Has > anyone mentioned "Time Being" by Gunver Nelson? If you were to expand > eulogy Bruce Conner's "report." > > Mike Piso > > Sent from my iPhone > > On Mar 20, 2017, at 8:46 AM, Ethan Berry <ethan.be...@montserrat.edu > <mailto:ethan.be...@montserrat.edu>> wrote: > >> I would consider a number of Saul Levine's films as eulogies. Pillow Filled >> With Tears, remembering Mark Lapore, Falling Notes Leaving, remembering Anne >> Charlotte Robertson. Several films remember Saul's father. I think of Whole >> Note. There are more. >> >> Ethan Berry >> >> >> >> >> On Mon, Mar 20, 2017 at 8:00 AM, <frameworks-requ...@jonasmekasfilms.com >> <mailto:frameworks-requ...@jonasmekasfilms.com>> wrote: >> Send FrameWorks mailing list submissions to >> frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> >> >> To subscribe or unsubscribe via the World Wide Web, visit >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> or, via email, send a message with subject or body 'help' to >> frameworks-requ...@jonasmekasfilms.com >> <mailto:frameworks-requ...@jonasmekasfilms.com> >> >> You can reach the person managing the list at >> frameworks-ow...@jonasmekasfilms.com >> <mailto:frameworks-ow...@jonasmekasfilms.com> >> >> When replying, please edit your Subject line so it is more specific >> than "Re: Contents of FrameWorks digest..." >> >> Today's Topics: >> >> 1. Re: Eulogy Films (Adam Hyman) >> 2. Re: Eulogy Films (john warren) >> 3. Re: Eulogy Films (Kate Ewald) >> 4. 2017 Moviate Underground Film Festival (Josh Drake) >> >> >> ---------- Forwarded message ---------- >> From: Adam Hyman <a...@lafilmforum.org <mailto:a...@lafilmforum.org>> >> To: "Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>>" <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> Cc: >> Bcc: >> Date: Sun, 19 Mar 2017 11:48:08 -0700 >> Subject: Re: [Frameworks] Eulogy Films >> I believe Phil Solomon has one for Mark LaPore, but I am blanking on the >> title. >> >> From: Marilyn Brakhage <v...@shaw.ca <mailto:v...@shaw.ca>> >> Reply-To: "Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>>" <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> Date: Sat, 18 Mar 2017 15:43:44 -0700 >> To: "Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>>" <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> Subject: Re: [Frameworks] Eulogy Films >> >> Dear Margaret, >> Some Stan Brakhage films in homage to specific individuals include "Water >> for Maya" [i.e. Maya Deren], 2 min, 25 sec.; "Visions in Meditation #4: D.H. >> Lawrence," 17 min. 41 sec; and "Last Hymn to the Night - Novalis," 17 min. >> 18 sec. Also, the fifth and final section of his "b series," subtitled >> "Sorrowing" (and by extension the entire film) was dedicated to Gregory >> Markopoulos, 12 minutes. >> ... Homages to larger groups of people might include "The Dead" (10 min. 21 >> sec., filmed in Paris/Père Lachaise cemetery), and "In Consideration of >> Pompeii," 4 min. 35 sec. >> ... Someone else mentioned "Sirius Remembered" (in homage to a family dog). >> Along those lines would also be "Pasht" (in honor of a cat). "Sirius >> Remembered" was also thought of as part of a trilogy, with "The Dead" and >> "Burial Path" (in part, I believe, in consideration of a late illness of >> Stan's friend, the literary critic, Donald Sutherland). >> >> Marilyn Brakhage >> >> On 18-Mar-17, at 8:43 AM, Margaret Rorison wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >> >> >> ---------- Forwarded message ---------- >> From: john warren <johnwar...@alum.calarts.edu >> <mailto:johnwar...@alum.calarts.edu>> >> To: Margaret Rorison <margaret.b.rori...@gmail.com >> <mailto:margaret.b.rori...@gmail.com>> >> Cc: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> >> Bcc: >> Date: Sun, 19 Mar 2017 15:16:50 -0500 >> Subject: Re: [Frameworks] Eulogy Films >> Hi Margaret, >> >> I'd like to mention my own film Elegy: https://vimeo.com/6780356 >> <https://vimeo.com/6780356> >> >> I don’t think anyone has yet mentioned Robert Todd, but several of his >> movies could fall under this heading, like his Passing trilogy. >> >> peace, jw >> >> ---------------------------------------------- >> John Warren >> Lecturer, Department of Art / Cinema & Media Arts >> Vanderbilt University >> cell: 213.458.1650 <tel:(213)%20458-1650> >> http://johnwarrenfilms.com <http://johnwarrenfilms.com/> >> >> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rori...@gmail.com >> <mailto:margaret.b.rori...@gmail.com>> wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> >> >> >> ---------- Forwarded message ---------- >> From: Kate Ewald <katherine.ew...@gmail.com >> <mailto:katherine.ew...@gmail.com>> >> To: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> >> Cc: >> Bcc: >> Date: Sun, 19 Mar 2017 17:20:41 -0400 >> Subject: Re: [Frameworks] Eulogy Films >> Hi Meg, >> >> I'd second Eric Stewart's Wake. Eric and Taylor Dunne are actually in the >> process of creating a whole screening series specifically around this topic. >> They've programmed two shows already that were lovely. I'd definitely >> suggest reaching out to them - DM me for their emails if you don't already >> have them and feel like following up. >> >> Other films in this vein that haven't been mentioned yet: >> - Taylor Dunne's Corn Mother >> - The many films made honoring Mark LaPore's death (I don't know the titles >> of all of them, but off the top of my head I can think of Phil Solomon's >> Still Raining, Still Dreaming, David Gatten's So Sure of Nowhere Buying >> Times to Come, and Saul Levine's Dreams and Apparitions of Mark Lapore. I >> think Julie Murray and Ericka Beckman also made films, but I haven't seen >> them). IFFRotterdam did a program of films honoring Mark around 2010, I >> think(???), which had even more artists/films. >> - Bruce Baille's Mass for the Dakota Sioux >> - Zoltán Huszárik's Elegy >> - Jim Hubbard's Elegy in the Streets >> - Sandra Davis's Crepuscule: Pond and Chair >> - Marjorie Keller's The Fallen World >> - Eve Heller's Behind This Soft Eclipse >> - Your film, The Waiting Sands :) >> >> Happy hunting! >> >> Cheers, >> Kate >> >> >> >> ---------- Forwarded message ---------- >> From: Josh Drake <joshmikedr...@gmail.com <mailto:joshmikedr...@gmail.com>> >> To: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> >> Cc: >> Bcc: >> Date: Mon, 20 Mar 2017 00:25:16 +0000 >> Subject: [Frameworks] 2017 Moviate Underground Film Festival >> Hi frameworkers, >> >> Just a heads up that our call for submissionsis going to close at the end of >> this month. As we did last year, we're giving a discounted submission fee of >> just $5 for films shot on super 8 and 16mm. We'd love to see your work! >> Deadline is April 2nd >> >> New this year!!! - To promote screening on film we'll be giving a free >> submission voucher for next year's festival to any filmmaker who exhibits >> accepted work on celluloid. >> >> Moviate is a Harrisburg, PA based curatorial collective dedicated to >> bringing unique film and sound events to the area. Some past guests include >> Guy Maddin, Martha Colburn, John Waters, Bryan Lewis Saunders, Jem Cohen, >> Kit Carson, Richard Kern. >> >> https://filmfreeway.com/festival/MyFilmFestival-363218 >> <https://filmfreeway.com/festival/MyFilmFestival-363218> >> >> Thanks, >> Moviate Underground >> Harrisburg, PA >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > > > From: Sarah Bliss <bl...@sarahblissart.com> > Subject: Re: [Frameworks] Eulogy films > Date: March 20, 2017 at 10:58:35 AM EDT > To: frameworks@jonasmekasfilms.com > > > Margaret, > > Phil Hoffman’s “Aged” > Abraham Ravett’s “Lunch with Fela” > > Sarah > http://www.SarahBlissArt.com <http://www.sarahblissart.com/> > >> On Mar 19, 2017, at 8:00 AM, frameworks-requ...@jonasmekasfilms.com >> <mailto:frameworks-requ...@jonasmekasfilms.com> wrote: >> >> Send FrameWorks mailing list submissions to >> frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> >> >> To subscribe or unsubscribe via the World Wide Web, visit >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> or, via email, send a message with subject or body 'help' to >> frameworks-requ...@jonasmekasfilms.com >> <mailto:frameworks-requ...@jonasmekasfilms.com> >> >> You can reach the person managing the list at >> frameworks-ow...@jonasmekasfilms.com >> <mailto:frameworks-ow...@jonasmekasfilms.com> >> >> When replying, please edit your Subject line so it is more specific >> than "Re: Contents of FrameWorks digest..." >> Today's Topics: >> >> 1. Eulogy Films (Margaret Rorison) >> 2. Re: Eulogy Films (LJ Frezza) >> 3. Re: Eulogy Films (Ken Eisenstein) >> 4. Re: Eulogy Films (Carl E Bogner) >> 5. Re: Eulogy Films (robert harris) >> 6. Re: Eulogy Films (robert harris) >> 7. Re: Eulogy Films (Alex Lake) >> 8. Re: Eulogy Films (John Muse) >> 9. Re: Eulogy Films (Carl E Bogner) >> 10. Re: Eulogy Films (Ross) >> 11. Re: Eulogy Films (Pip Chodorov) >> 12. Re: Eulogy Films (Dominic Angerame) >> 13. This week [March 18 - 26, 2017] in avant garde cinema >> (Flicker weekly listing) >> 14. Re: Eulogy Films (marilyn brakhage) >> 15. Re: Eulogy Films (vanessa renwick) >> 16. 4th ANNUAL FLAMINGO FILM FESTIVAL (Shane Eason) >> >> From: Margaret Rorison <margaret.b.rori...@gmail.com >> <mailto:margaret.b.rori...@gmail.com>> >> Subject: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 11:43:59 AM EDT >> To: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> >> >> >> Dear Film Friends, >> >> I am curious about film eulogies and would love to know more films that have >> been made to honor someone. For example, Nathaniel Dorsky's August and After >> >> I am looking for short films in particular. >> >> Poetic gestures of goodbye, final notes, odes... >> >> thank you, >> Margaret Rorison >> >> >> ------------------------------------------- >> http://margaretrorison.com/ <http://margaretrorison.com/> >> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >> >> >> >> >> From: LJ Frezza <ljfre...@gmail.com <mailto:ljfre...@gmail.com>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 11:50:25 AM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> I recently caught Sky Hopinka's I'll Remember You as You Were, not as What >> You'll Become. Defintely worth checking it out if you haven't seen it. >> -LJ >> >> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rori...@gmail.com >> <mailto:margaret.b.rori...@gmail.com>> wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> From: Ken Eisenstein <ken7...@gmail.com <mailto:ken7...@gmail.com>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 11:59:54 AM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Gloria! >> Sirius Remembered >> >> On Sat, Mar 18, 2017 at 11:50 AM, LJ Frezza <ljfre...@gmail.com >> <mailto:ljfre...@gmail.com>> wrote: >> I recently caught Sky Hopinka's I'll Remember You as You Were, not as What >> You'll Become. Defintely worth checking it out if you haven't seen it. >> -LJ >> >> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rori...@gmail.com >> <mailto:margaret.b.rori...@gmail.com>> wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> >> >> From: Carl E Bogner <crlel...@uwm.edu <mailto:crlel...@uwm.edu>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 12:05:50 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> >> >> Michele Pearson Clarke’s “All That is Left Unsaid” >> >> (Er, but were you asking after film work in particular...) >> >> From: FrameWorks <frameworks-boun...@jonasmekasfilms.com >> <mailto:frameworks-boun...@jonasmekasfilms.com>> on behalf of Ken Eisenstein >> <ken7...@gmail.com <mailto:ken7...@gmail.com>> >> Sent: Saturday, March 18, 2017 10:59 AM >> To: Experimental Film Discussion List >> Subject: Re: [Frameworks] Eulogy Films >> >> Gloria! >> Sirius Remembered >> >> On Sat, Mar 18, 2017 at 11:50 AM, LJ Frezza <ljfre...@gmail.com >> <mailto:ljfre...@gmail.com>> wrote: >> I recently caught Sky Hopinka's I'll Remember You as You Were, not as What >> You'll Become. Defintely worth checking it out if you haven't seen it. >> -LJ >> >> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rori...@gmail.com >> <mailto:margaret.b.rori...@gmail.com>> wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> >> >> From: robert harris <lagonab...@gmail.com <mailto:lagonab...@gmail.com>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 12:35:58 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Margaret, >> >> You might consider Alexander Sokurov’s “Elegy” series, for example: >> Maria (Peasant Elegy) >> Elegy >> >> Shigeko Kubota’s “My Father” >> >> my own (Robert Harris) >> “Elegy” >> ELEGY 2009 Color silent 2:45 >> Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik, >> & Al Robbins. Super 8mm film recorded in 1975 >> distributed by Filmmaker’s Coop >> >> >> >> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rori...@gmail.com >> <mailto:margaret.b.rori...@gmail.com>> wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> >> From: robert harris <lagonab...@gmail.com <mailto:lagonab...@gmail.com>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 12:39:56 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> You can also consider: >> >> Patricio Guzmans’s "Nostalgia for the Light” >> >> and >> >> Peter Thompson’s “Universal Hotel” >> >> >> >> >> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rori...@gmail.com >> <mailto:margaret.b.rori...@gmail.com>> wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> >> From: Alex Lake <alake.alex.al...@gmail.com >> <mailto:alake.alex.al...@gmail.com>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 12:40:58 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Eric Stewart's Wake is essential in this category. >> >> https://vimeo.com/108488448 <https://vimeo.com/108488448> >> On Sat, Mar 18, 2017 at 12:36 PM robert harris <lagonab...@gmail.com >> <mailto:lagonab...@gmail.com>> wrote: >> Margaret, >> >> You might consider Alexander Sokurov’s “Elegy” series, for example: >> Maria (Peasant Elegy) >> Elegy >> >> Shigeko Kubota’s “My Father” >> >> my own (Robert Harris) >> “Elegy” >> ELEGY 2009 Color silent 2:45 >> Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik, >> & Al Robbins. Super 8mm film recorded in 1975 >> distributed by Filmmaker’s Coop >> >> >> >> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rori...@gmail.com >> <mailto:margaret.b.rori...@gmail.com>> wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> From: John Muse <jm...@sonic.net <mailto:jm...@sonic.net>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 12:55:04 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Lynne Sachs’ The Last Happy Day: >> http://www.lynnesachs.com/2009/06/15/the-last-happy-day/ >> <http://www.lynnesachs.com/2009/06/15/the-last-happy-day/> >> Alan Berliner’s First Cousin Once Removed: >> http://alanberliner.com/first_cousin.php?pag_id=3 >> <http://alanberliner.com/first_cousin.php?pag_id=3> >> >>> On Mar 18, 2017, at 12:40 PM, Alex Lake <alake.alex.al...@gmail.com >>> <mailto:alake.alex.al...@gmail.com>> wrote: >>> >>> Eric Stewart's Wake is essential in this category. >>> >>> https://vimeo.com/108488448 <https://vimeo.com/108488448> >>> On Sat, Mar 18, 2017 at 12:36 PM robert harris <lagonab...@gmail.com >>> <mailto:lagonab...@gmail.com>> wrote: >>> Margaret, >>> >>> You might consider Alexander Sokurov’s “Elegy” series, for example: >>> Maria (Peasant Elegy) >>> Elegy >>> >>> Shigeko Kubota’s “My Father” >>> >>> my own (Robert Harris) >>> “Elegy” >>> ELEGY 2009 Color silent 2:45 >>> >>> Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik, >>> & Al Robbins. Super 8mm film recorded in 1975 >>> distributed by Filmmaker’s Coop >>> >>> >>> >>> On Mar 18, 2017, at 11:43 AM, Margaret Rorison >>> <margaret.b.rori...@gmail.com <mailto:margaret.b.rori...@gmail.com>> wrote: >>> >>>> Dear Film Friends, >>>> >>>> I am curious about film eulogies and would love to know more films that >>>> have been made to honor someone. For example, Nathaniel Dorsky's August >>>> and After >>>> >>>> I am looking for short films in particular. >>>> >>>> Poetic gestures of goodbye, final notes, odes... >>>> >>>> thank you, >>>> Margaret Rorison >>>> >>>> >>>> ------------------------------------------- >>>> http://margaretrorison.com/ <http://margaretrorison.com/> >>>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> j/PrM >> >> ************************************************* >> >> john muse >> visual media scholar >> haverford college >> he/him/his >> http://www.finleymuse.com <http://www.finleymuse.com/> >> http://www.haverford.edu/faculty/jmuse >> <http://www.haverford.edu/faculty/jmuse> >> http://haverford.academia.edu/JohnMuse >> <http://haverford.academia.edu/JohnMuse> >> >> ************************************************* >> >> >> >> >> >> >> >> From: Carl E Bogner <crlel...@uwm.edu <mailto:crlel...@uwm.edu>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 1:30:18 PM EDT >> To: "frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com>" >> <frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com>> >> >> >> >> Ahhh, more generalized/communal/generational that you may be interested in, >> but also: >> Michael Wallin’s Decodings (1988) >> Mike Hoolboom’s Letters from Home (1996) >> >> >> From: FrameWorks <frameworks-boun...@jonasmekasfilms.com >> <mailto:frameworks-boun...@jonasmekasfilms.com>> on behalf of Margaret >> Rorison <margaret.b.rori...@gmail.com <mailto:margaret.b.rori...@gmail.com>> >> Sent: Saturday, March 18, 2017 10:43 AM >> To: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> >> Subject: [Frameworks] Eulogy Films >> >> Dear Film Friends, >> >> I am curious about film eulogies and would love to know more films that have >> been made to honor someone. For example, Nathaniel Dorsky's August and After >> >> I am looking for short films in particular. >> >> Poetic gestures of goodbye, final notes, odes... >> >> thank you, >> Margaret Rorison >> >> ------------------------------------------- >> http://margaretrorison.com/ <http://margaretrorison.com/> >> <http://margaretrorison.com/> >> Margaret Rorison <http://margaretrorison.com/> >> margaretrorison.com <http://margaretrorison.com/> >> One Document for Hope . Funes el memorioso. vindmøller >> >> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >> Sight Unseen <http://sightunseenbaltimore.com/> >> sightunseenbaltimore.com <http://sightunseenbaltimore.com/> >> 5/30 - Arab Experimental Films: Reflections on Situated Time . 4/6 - The >> Body Extended: Works by Scott Stark . 12/14 - 52nd Ann Arbor Film Festival >> Tour >> >> >> >> >> >> >> From: Ross <rossmeckfes...@gmail.com <mailto:rossmeckfes...@gmail.com>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 1:56:22 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Mary Helena Clark's "The Dragon is the Frame" (2014) >> https://vimeo.com/115341715 <https://vimeo.com/115341715> >> >> Gunvor Nelson's "Time Being" (1991) >> >> On Mar 18, 2017, at 1:30 PM, Carl E Bogner <crlel...@uwm.edu >> <mailto:crlel...@uwm.edu>> wrote: >> >>> >>> Ahhh, more generalized/communal/generational that you may be interested in, >>> but also: >>> Michael Wallin’s Decodings (1988) >>> Mike Hoolboom’s Letters from Home (1996) >>> >>> >>> From: FrameWorks <frameworks-boun...@jonasmekasfilms.com >>> <mailto:frameworks-boun...@jonasmekasfilms.com>> on behalf of Margaret >>> Rorison <margaret.b.rori...@gmail.com <mailto:margaret.b.rori...@gmail.com>> >>> Sent: Saturday, March 18, 2017 10:43 AM >>> To: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com> >>> Subject: [Frameworks] Eulogy Films >>> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> <http://margaretrorison.com/> >>> Margaret Rorison <http://margaretrorison.com/> >>> margaretrorison.com <http://margaretrorison.com/> >>> One Document for Hope . Funes el memorioso. vindmøller >>> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> Sight Unseen <http://sightunseenbaltimore.com/> >>> sightunseenbaltimore.com <http://sightunseenbaltimore.com/> >>> 5/30 - Arab Experimental Films: Reflections on Situated Time . 4/6 - The >>> Body Extended: Works by Scott Stark . 12/14 - 52nd Ann Arbor Film Festival >>> Tour >>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> From: Pip Chodorov <framewo...@re-voir.com <mailto:framewo...@re-voir.com>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 2:09:14 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Jim Hubbard's "Memento Mori" (1995, 17 min) >> >> Peter Friedman's "Silverlake Life: The View from Here" (1993, 99 min) >> >> Friedl Kubelka vom Groller "Bliss" (2011, 3 mim) >> >> >> >> >> At 11:43 -0400 18/03/17, Margaret Rorison wrote: >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >> >> >> >> From: Dominic Angerame <dominic.anger...@gmail.com >> <mailto:dominic.anger...@gmail.com>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 2:48:58 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Allan Ross, Chicago Filmmakers, Grandfather Trilogy >> >> On Sat, Mar 18, 2017 at 11:09 AM, Pip Chodorov <framewo...@re-voir.com >> <mailto:framewo...@re-voir.com>> wrote: >> Jim Hubbard's "Memento Mori" (1995, 17 min) >> >> Peter Friedman's "Silverlake Life: The View from Here" (1993, 99 min) >> >> Friedl Kubelka vom Groller "Bliss" (2011, 3 mim) >> >> >> >> >> At 11:43 -0400 18/03/17, Margaret Rorison wrote: >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> >> >> From: Flicker weekly listing <thisw...@hi-beam.net >> <mailto:thisw...@hi-beam.net>> >> Subject: [Frameworks] This week [March 18 - 26, 2017] in avant garde cinema >> Date: March 18, 2017 at 3:29:42 PM EDT >> To: <frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com>> >> Reply-To: Flicker weekly listing <thisw...@hi-beam.net >> <mailto:thisw...@hi-beam.net>> >> >> >> <> >> >> >> >> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=44e536adee&e=4e65756555> >> >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9c39fd8b80&e=4e65756555> >> This week [March 18 - 26, 2017] in avant garde cinema >> >> Enter your event announcements by going to the Flicker Weekly Listing Form >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=89645cbf7b&e=4e65756555>. >> To receive the weekly listing via email: Subscribe >> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f45da5f980&e=4e65756555>. >> To unsubscribe see the link at the bottom of this email. >> >> Journey Into Darkness Films & Performances De Kerry Laitala ii >> <x-msg://10/#anchor1> [March 18, Barcelona, Spain] >> NEW FILM/VIDEO: NON-FEATURE: >> "Demonstration" by Mary Billyou >> http://hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=577.ann >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9de0d219d9&e=4e65756555> >> NEW CALLS FOR ENTRIES: >> Fracto (Berlin; Deadline: April 20, 2017) >> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1921.ann >> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bcf4af82f3&e=4e65756555> >> Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA; Deadline: >> April 15, 2017) >> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1922.ann >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f0f27e8659&e=4e65756555> >> >> DEADLINES APPROACHING: >> Winnipeg Underground Film Festival (Winnipeg, MB, Canada; Deadline: March >> 31, 2017) >> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1915.ann >> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b430b981f2&e=4e65756555> >> Fracto (Berlin; Deadline: April 20, 2017) >> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1921.ann >> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=425cac9e0b&e=4e65756555> >> Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA; Deadline: >> April 15, 2017) >> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1922.ann >> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b1dcf59acc&e=4e65756555> >> Events are sorted alphabetically BY CITY within each DATE. >> This week's programs (summary): >> Journey Into Darkness Films & Performances De Kerry Laitala ii >> <x-msg://10/#anchor1> [March 18, Barcelona, Spain] >> José Val Del Omar Program 3 <x-msg://10/#anchor2> [March 18, New York, New >> York] >> José Val Del Omar Program 2 <x-msg://10/#anchor3> [March 18, New York, New >> York] >> Mar18: Cox/Baldwin + A. Coppola + Tabar + Rourke <x-msg://10/#anchor4> >> [March 18, San Francisco, California] >> Light Industry At Bridget Donahue: Carbon Life <x-msg://10/#anchor5> [March >> 19, New York, New York 10002] >> José Val Del Omar Program 3 <x-msg://10/#anchor6> [March 19, New York, New >> York] >> José Val Del Omar Program 1 <x-msg://10/#anchor7> [March 19, New York, New >> York] >> Fracto <x-msg://10/#anchor8> [March 20, Berlin, Germany] >> Fracto <x-msg://10/#anchor9> [March 20, Berlin, Germany] >> Essential Cinema: Warhol/Watson/Weber/Whitney Program <x-msg://10/#anchor10> >> [March 20, New York, New York] >> Iris Film Collective Responds To the Image Before Us <x-msg://10/#anchor11> >> [March 20, Vancouver, British Columbia] >> Transparent Things, Landscape Dissolves: Screening and Talk With Filmmaker >> Paul Clipson <x-msg://10/#anchor12> [March 22, London, England] >> Essential Cinema: John and ivy & Salvador Dali <x-msg://10/#anchor13> [March >> 22, New York, New York] >> Doris Wishman's Double Agent 73 <x-msg://10/#anchor14> [March 22, Tucson, AZ] >> Paul Clipson With Shinya Sugimoto & Jeremy Young: Total Fiction >> <x-msg://10/#anchor15> [March 23, London, England] >> Roger Beebe: Films For One To Eight Projectors <x-msg://10/#anchor16> [March >> 24, Knoxville, TN] >> The 2017 West virginia Mountaineer Short Film Festival >> <x-msg://10/#anchor17> [March 24, Morgantown] >> Paul Clipson W/ Shinya Sugimoto & Jeremy Young Presents Total Fiction + >> Nathaniel Robin Mann <x-msg://10/#anchor18> [March 24, Salford] >> When I Stop Looking: >> Short Films and Small Prints By Todd Edward Herman <x-msg://10/#anchor19> >> [March 25, Boulder, Colorado] >> Paul Clipson, Shinya Sugimoto & Jeremy Young: Total Fiction / + Nathaniel >> Mann <x-msg://10/#anchor20> [March 25, Bradford] >> Flicker & Wow: Kids! <x-msg://10/#anchor21> [March 25, Knoxville, TN] >> Kevin Jerome Everson: the Surface Below <x-msg://10/#anchor22> [March 25, >> Knoxville, TN] >> Janie Geiser: Double vision <x-msg://10/#anchor23> [March 25, Knoxville, TN] >> Jem Cohen: World Without End (No Reported Incidents) <x-msg://10/#anchor24> >> [March 25, Knoxville, TN] >> New Works Salon Xxxviii <x-msg://10/#anchor25> [March 25, Los Angeles, >> California] >> Mar25: Gendreau + Waxy Tomb + Harper + Pad's 3-D <x-msg://10/#anchor26> >> [March 25, San Francisco, California] >> Paul Clipson With Shinya Sugimoto & Jeremy Young Present Total Fiction + >> Nathaniel Mann <x-msg://10/#anchor27> [March 26, Colchester] >> Flicker and Wow 1 <x-msg://10/#anchor28>[March 26, Knoxville, TN] >> Meredith Monk: Book of Days <x-msg://10/#anchor29> [March 26, Knoxville, TN] >> Jem Cohen: Lost Book Found <x-msg://10/#anchor30> [March 26, Knoxville, TN] >> Flicker & Wow 2 <x-msg://10/#anchor31> [March 26, Knoxville, TN] >> <> <> >> SATURDAY, MARCH 18, 2017 >> 3/18 >> Barcelona, Spain: Crater Lab >> 8:30pm, Carrer Sant Guillem 17 >> JOURNEY INTO DARKNESS FILMS & PERFORMANCES DE KERRY LAITALA II >> JOURNEY INTO DARKNESS Films & performances de KERRY LAITALA IICrater Lab, en >> colaboración con Xcentric, presenta un doble programa de pelÃculas y >> performances de cine expandido de la artista de San Francisco Kerry Laitala. >> La cineasta impartirà un workshop de cinegramas en 16mm - LIGHSTRUCK - los >> dÃas 17,18 y 19 en Crater-Lab. >> <>3/18 >> New York, New York: Anthology Film Archives >> http://www.anthologyfilmarchives.org/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d5089ad0b5&e=4e65756555> >> 6:00 pm, 32 2nd Ave. >> JOSé VAL DEL OMAR PROGRAM 3 >> March 18: Presented by Mónica Savirón WATER-MIRROR OF GRANADA and FIRE IN >> CASTILLE feature a characteristic end title that illustrates Val del Omar’s >> continuous research and inexhaustible creativity: instead of “The End,” we >> read “Never Ending.” Indeed, he never stopped creating. In the late 1970s he >> set up a laboratory named PLAT (Picto – Luminic – Audio – Tactile) in >> Madrid, and continued experimenting with video and multimedia equipment. >> VARIATIONS ON A POMEGRANATE is the only preserved piece from this period. >> Val del Omar’s “Never Ending” film philosophy found a relevant continuity in >> the many contemporary artists, musicians, and filmmakers who produced works >> under his creative influence. For example Eugeni Bonet, an important visual >> artist, theorist, and curator, met Val del Omar in 1980 and years later made >> the film THROW YOUR WATCH TO THE WATER (2004), a creative reinterpretation >> of Val del Omar’s filmic materials. He would also organize the first >> retrospective of his work at the Pompidou Museum (Paris) in 1982, as well as >> the first exhibition entirely devoted to his trajectory in the Reina Sofia >> Museum (Madrid) in 2010. José Val del Omar VARIATIONS ON A POMEGRANATE / >> VARIACIONES SOBRE UNA GRANADA (1975, 3 min, 35mm-to-digital) & Eugeni Bonet >> THROW YOUR WATCH INTO THE WATER / TIRA TU RELOJ AL AGUA (2004, 88 min, >> digital) >> <>3/18 >> New York, New York: Anthology Film Archives >> http://www.anthologyfilmarchives.org/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0cfa01c03a&e=4e65756555> >> 8:30 pm, 32 2nd Ave. >> JOSé VAL DEL OMAR PROGRAM 2 >> See notes for March 17, 7:30 pm. >> <>3/18 >> San Francisco, California: Other Cinema >> http://www.othercinema.com/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3b6a8349d2&e=4e65756555> >> 8:30 PM, 992 Valencia St. >> MAR18: COX/BALDWIN + A. COPPOLA + TABAR + ROURKE >> The first of OC’s three OPTRONICA events! In Crossroads of the Other, Alex >> Coppola concocts a score--with turntables and sampler--for a jaw-dropping >> artifact of amateur ethnography (Trinidad ’49). David Cox and Craig Baldwin >> re-animate a 35mm filmstrip of Jules Verne’s 20,000 Leagues under the Sea, >> with text-to-vox FX and ChromaDepth stereoscopy. Baldwin doubles back to >> double-project his Crazed Crystals over Cyrus Tabar’s cracked~abstrakt >> track. ALSO: Jeremy Rourke’s smashing live-performance Kitchen >> Tintinnabulation, Bruce Haack oscillating Mr. Rogers, and Vicki (PLU) >> Bennett’s Citation City. PLUS DJ Spooky’s Memory Palace (with Michael >> Niemeyer for the Internet Archive), Quintron’s Drum Buddy, and free >> series-launch champagne!*$8.88 >> <> <> >> SUNDAY, MARCH 19, 2017 >> 3/19 >> New York, New York 10002: Light Industry >> http://www.lightindustry.org/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=edc5b6beba&e=4e65756555> >> 7pm, 99 Bowery >> LIGHT INDUSTRY AT BRIDGET DONAHUE: CARBON LIFE >> Curated by Mary Helena Clark. Likeness (Prologue: Remnant Branch), Michael >> Guidetti, 2017, digital projection, 6 mins. JACKSHOES, Dana Michel, 2011, >> digital projection, 6 mins. Elegy, Joe Gibbons, 1991, digital projection, 11 >> mins. Portrait of Evan Parker (Silver/Gold), Neil Henderson, 2010, digital >> projection, 11 mins. Mobile Men, Apichatpong Weerasethakul, 2008, digital >> projection, 4 mins. When I Was a Monster, Anne McGuire, 1996, digital >> projection, 6 mins. Delphi Falls (excerpt), Mary Helena Clark, 2017, digital >> projection, 9 mins. Lightning, Paul and Marlene Kos, 1975, digital >> projection, 2 mins. >> <>3/19 >> New York, New York: Anthology Film Archives >> http://www.anthologyfilmarchives.org/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bcce2455a9&e=4e65756555> >> 6:00 pm, 32 2nd Ave. >> JOSé VAL DEL OMAR PROGRAM 3 >> See notes for March 18th, 6:00 pm. >> <>3/19 >> New York, New York: Anthology Film Archives >> http://www.anthologyfilmarchives.org/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bd60a0301a&e=4e65756555> >> 8:30 pm, 32 2nd Ave. >> JOSé VAL DEL OMAR PROGRAM 1 >> See notes for March 16th, 7:30 pm. >> <> <> >> MONDAY, MARCH 20, 2017 >> 3/20 >> Berlin, Germany: Fracto >> http://fractofilm.com/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=37104b20f7&e=4e65756555> >> n.a., ACUD MACHT NEU, Veteranenstraße 21 10119 Berlin Mitte U8 Rosenthaler >> Platz >> FRACTO >> Fracto is a 2 day encounter inviting filmmakers to present their work and >> discuss contemporary means of audiovisual experimentation, on May 20th/21st >> at ACUD macht neu, Berlin. In times of ever-present cameras and a constant >> stream of seemingly self-propagating moving images we have become accustomed >> to a mediatized experience of reality, where time and space lose their >> coordinates. Exceeding an entirely negative conception of today’s perceptual >> landscape, how can the reconfiguration of audiovisual media and technologies >> therein be a productive foundation for new means of ever-changing and >> heterogeneous narratives? How can this landscape be reflected, dissolved or >> disrupted in film itself? What are the appropriate means of sorting and >> resetting these influences, and what – if any – other modes of >> representation emerge between mere categories of newness and obsolescence, >> documentary, fictional, poetic, latent or evident imagery? >> <>3/20 >> Berlin, Germany: Fracto >> http://fractofilm.com/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=af2180b000&e=4e65756555> >> n.a., ACUD MACHT NEU, Veteranenstraße 21 10119 Berlin Mitte U8 Rosenthaler >> Platz >> FRACTO >> Fracto is a 2 day encounter inviting filmmakers to present their work and >> discuss contemporary means of audiovisual experimentation, on May 20th/21st >> at ACUD macht neu, Berlin. In times of ever-present cameras and a constant >> stream of seemingly self-propagating moving images we have become accustomed >> to a mediatized experience of reality, where time and space lose their >> coordinates. Exceeding an entirely negative conception of today’s perceptual >> landscape, how can the reconfiguration of audiovisual media and technologies >> therein be a productive foundation for new means of ever-changing and >> heterogeneous narratives? How can this landscape be reflected, dissolved or >> disrupted in film itself? What are the appropriate means of sorting and >> resetting these influences, and what – if any – other modes of >> representation emerge between mere categories of newness and obsolescence, >> documentary, fictional, poetic, latent or evident imagery? >> <>3/20 >> New York, New York: Anthology Film Archives >> http://www.anthologyfilmarchives.org/ >> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a79e4e735f&e=4e65756555> >> 7:30 pm, 32 2nd Ave. >> ESSENTIAL CINEMA: WARHOL/WATSON/WEBER/WHITNEY PROGRAM >> Andy Warhol EAT (1963, 35 min, 16mm, b&w, silent) James Sibley Watson & >> Melville Webber FALL OF THE HOUSE OF USHER (1928, 13 min, 16mm, b&w, silent) >> John & James Whitney FILM EXERCISES 1-5 (1943-45, 18 min, 16mm) James >> Whitney LAPIS (1963-66, 10 min, 16mm) Total running time: ca. 80 min. >> <>3/20 >> Vancouver, British Columbia: Iris Film Collective >> http://thecinematheque.ca/the-image-before-us-take-three/the-iris-film-collective-responds-to-the-image-before-us >> >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f96460dc65&e=4e65756555> >> 7pm, 1131 Howe St >> IRIS FILM COLLECTIVE RESPONDS TO THE IMAGE BEFORE US >> This program of work by Iris Film Collective includes sixteen short films >> screening in a number of formats, including super 8 and dual-channel 16mm. >> Made in and around B.C., this collection constitutes a multiform experience >> of place: recreational life in Opening Day; an alternate tour of abandoned >> monuments and plazas that Expo left behind in Legacies; a fence impenetrable >> but revealing in 86 SE Marine Drive. Colin Browne’s 1986 essay film The >> Image Before Us, which inspired The Cinematheque’s “Image Before Us” series, >> asks what aren’t we seeing in the movies about Vancouver. This program also >> hints at something beyond the frame that cannot be filmed or heard, >> something inexpressible in words, images, or sounds alone. >> <> <> >> WEDNESDAY, MARCH 22, 2017 >> 3/22 >> London, England: no.w.here >> http://www.no-w-here.org.uk/index.php?cat=1&subCat=docdetail&&id=484 >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5a615a3e9f&e=4e65756555> >> 7-10pm, no.w.here project space, First Floor, 316 - 318 Bethnal Green Road, >> London, E2 0AG. >> TRANSPARENT THINGS, LANDSCAPE DISSOLVES: SCREENING AND TALK WITH FILMMAKER >> PAUL CLIPSON >> Paul Clipson is a San Francisco-based filmmaker who often collaborates with >> sound artists and musicians on films, live performances, and installations. >> His Super 8 and 16mm films aim to bring to light visual preoccupations that >> reveal themselves while working in a stream of consciousness manner, >> combining densely layered, in-camera edited studies of figurative and >> abstract environments, in a process that encourages unplanned-for results, >> responding to and conversing with the temporal qualities of musical >> composition and live performance. His work has screened around the world in >> festivals and at sound and film events such as the International Film >> Festival Rotterdam, The New York Film Festival, and the Cinémathèque >> Française. http://www.withinmirrors.org/ <http://www.withinmirrors.org/> >> Program: SPHINX ON THE SEINE (2009) 16mm (* shot on Super 8mm), color/B&W, >> 7.5 minutes, music by Jefre Cantu-Ledesma, CHORUS (2010) 16mm (*shot on >> Super 8mm), color, 7 minutes, music by Gregg Kowalsky, UNION (2011) 16mm >> (*shot on Super 8mm), color/B&W, 14.5 minutes, music by Jefre Cantu-Ledesma, >> ANOTHER VOID (2012) 16mm (*shot on Super 8mm), color, 11 minutes, music by >> Jefre Cantu-Ledesma LIGHT YEAR (2013) 16mm, color, 10 minutes, music by >> Tashi Wada, DISPORTING WITH A SHADOW (2015) 16mm, color/B&W, 4 minutes, >> music by Alex Cobb, THE LIQUID CASKET / WILDERNESS OF MIRRORS (2014) 16mm, >> color/B&W, 7.5 minutes, music by Lawrence English, MADE OF AIR (2014) 16mm, >> color/B&W, 11 minutes, music by Grouper, LIGHTHOUSE (2015) 16mm, color/B&W, >> 5 minutes, music by King Midas Sound/Fennesz. All films screened on 16mm by >> the filmmaker. >> <>3/22 >> New York, New York: Anthology Film Archives >> http://www.anthologyfilmarchives.org/ >> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=85cb604e4b&e=4e65756555> >> 7:30 pm, 32 2nd Ave. >> ESSENTIAL CINEMA: JOHN AND IVY & SALVADOR DALI >> JOHN AND IVY (1965, 33 min, 16mm, b&w) “One of Warhol’s early experiments in >> sound filmmaking, JOHN AND IVY is a one-reel ‘documentary’ film showing Ivy >> Nicolson, John Palmer, and their children at home during a major snowstorm >> in January 1965. The film is shot with a stationary camera which points >> through a doorway into their squalid tenement kitchen. The stars wander >> around the kitchen, talking, cooking, and occasionally embracing while a >> live radio plays both classical and rock music; the sound quality is very >> poor.” –Callie Angell & SALVADOR DALI (1966, 22 min, 16mm, b&w, silent) “A >> silent ‘EPI Background’ reel, intended for projection behind the Velvet >> Underground during performances of the Exploding Plastic Inevitable. >> SALVADOR DALI contains original SCREEN TESTS of the mustachioed Dali, >> followed by Nico, Sterling Morrison, and Lou Reed. The film ends with two >> WHIP DANCE rolls, in which Gerard Malanga and Mary Woronov perform their S&M >> dance routine from the EPI for Warhol’s camera.” –Callie Angell >> <>3/22 >> Tucson, AZ: Exploded View Microcinema >> http://explodedviewgallery.org >> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=377281776c&e=4e65756555> >> 7:30, 197 E Toole Ave >> DORIS WISHMAN’S DOUBLE AGENT 73 >> (GIRL CRUSH SERIES) A beautiful American spy (played by the fabulous Chesty >> Morgan) can murder men by smothering them with her enormous breasts. This >> trashy 70s sexploitation film, directed by the legendary Doris Wishman, is a >> feminist cult classic. Enjoy Wishman’s bizarre experimental cinematography, >> far-out plot twists and wild 1970’s camp! With special opening performance >> by local queer trans* lesbian woman of color stripperformance artist Rambo >> Reza! >> <> <> >> THURSDAY, MARCH 23, 2017 >> 3/23 >> London, England: no.w.here and Thirty Three Thirty Three >> https://www.eventbrite.co.uk/e/paul-clipson-with-shinya-sugimoto-jeremy-young-total-fiction-2017-tickets-32119858361 >> >> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7de7c0a47d&e=4e65756555> >> 19:30-22:00, The Old Church Stoke Newington London N16 9ES United Kingdom >> PAUL CLIPSON WITH SHINYA SUGIMOTO & JEREMY YOUNG: TOTAL FICTION >> Taking its name from Shinya Sugimoto & Jeremy Young's forthcoming LP >> featuring cellist Julia Kent, Total Fiction is live score performance to a >> 16mm film projection by Paul Clipson. Like all of Clipson's film collage >> works, this will be frenetic, it will span movements both in stark black and >> white and bright analog color, and the score will be disbursed in a series >> of chapters. Improvisation, for Sugimoto and Young, is like fiction, and >> they will work to bring out auditory characters, narratives, themes and >> transitional arcs from the celluloid, while at times challenging the >> pictures to provide new meaning in new sonic contexts from space to space. >> Shinya Sugimoto performs on piano and Max MSP triggered processing, while >> Young will be utilizing his analog electronics such as reel-to-reel tape >> loops, oscillators, AM radio and contact mic'd objects and surfaces to build >> textural and tonal colour palettes throughout the evening. >> <> <> >> FRIDAY, MARCH 24, 2017 >> 3/24 >> Knoxville, TN: The Public Cinema >> www.publiccinema.org <x-msg://10/www.publiccinema.org> >> 1:15pm, Knoxville Museum of Art >> ROGER BEEBE: FILMS FOR ONE TO EIGHT PROJECTORS >> Films for One to Eight Projectors is an immersive audio/visual experience >> that Creative Loafing called “both erudite and punk, lo-fi yet high-brow >> shorts that wrestle with a disfigured, contemporary American landscape.” >> Works to be screened: SOUNDFILM Overture (2015, 1:00, 16mm), TB TX Dance >> (2006/2007, 3:00, 16mm x 2), AAAAA Motion Picture (2010, 11min, 16mm x 2), >> Tiger Tiger (2016, 4:00, 16mm/HD) SOUNDFILM Coda (2015/2017, 7:00, 16mm x >> 6), Beginnings (2010/2011, 5:00, Digital Audio) Last Light of a Dying Star >> (2008/2011, 26:00, 16mm x 6 and super 8mm x 1). >> <>3/24 >> Morgantown: West Virginia Mountaineer Short Film Festival >> www.mountaineershortfilmfest.org >> <x-msg://10/www.mountaineershortfilmfest.org> >> 6:00 pm, Metropolitan Theatre >> THE 2017 WEST VIRGINIA MOUNTAINEER SHORT FILM FESTIVAL >> Call for entries: 2017 West Virginia Mountaineer Short Film Festival, March >> 23 – March 26, 2017. We seek independent, unique and compelling work in >> film, video, animation and virtual reality. Entry Fee: $10. Student: $5. >> Under 18: Free. Categories of Competition: Documentary Short, Narrative >> Short, Animation, Experimental, Student, Political Division Thematic Entry >> (works that broadly explore the notion of Health, especially in a >> contemporary, natural, cultural or political context. Deadline for Entries: >> March 1, 2017. Visit the Festival website: www.mountaineershortfilmfest.org >> <http://www.mountaineershortfilmfest.org/> for additional information and >> entry form. Contact: wvm...@gmail.com <mailto:wvm...@gmail.com> for further >> information. Maximum running time of 20 minutes; Works must have been >> completed after 1/1/2015. Maximum of 2 entries per person. A separate entry >> form is required for each entry. Filmmakers and artists accepted to the >> festival permit the use of stills and/or clips from accepted works in >> promotional and public relations materials. Submit your work through: >> FilmFreeway, or by filling out the online entry form available at our >> website. Mailed-in entries are not accepted this year. If submitting using >> the online form, all works must be available for download (Vimeo, WeTransfer >> or Dropbox etc.) at screening quality and full resolution. Please insure >> that the link to the online version of your film or project is active until >> the date of the festival. >> <>3/24 >> Salford: Islington Mill >> http://www.islingtonmill.com/events/paul-clipson-w-shinya-sugimoto-jeremy-young-presents-total-fiction-2017/ >> >> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3e63ead548&e=4e65756555> >> 7-11pm, James Street Salford M3 5HW, UK >> PAUL CLIPSON W/ SHINYA SUGIMOTO & JEREMY YOUNG PRESENTS TOTAL FICTION + >> NATHANIEL ROBIN MANN >> A 16mm film projection event with live improvised sound performance. >> <> <> >> SATURDAY, MARCH 25, 2017 >> 3/25 >> Boulder, Colorado: Month of Photography / Seidel City Gallery >> http://www.mopdenver.com/mop-2017-programs-2/#/seidel-city-boulder/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d014aa5a2c&e=4e65756555> >> 7pm - 10pm, 3205 Longhorn Road, Boulder, CO 80302 >> WHEN I STOP LOOKING: >> SHORT FILMS AND SMALL PRINTS BY TODD EDWARD HERMAN >> Todd Edward Herman's haunting imagery suggests mysteriously entwined >> narratives, drawing no clear lines between fiction and fact. Herman utilizes >> photography, videography and painting as departure points for thirty >> exquisitely printed limited edition prints. Dealing with themes of the body >> and transience, representational taboos, spectatorship and complicity, his >> work looks to a rare beauty, making no claims to journalistic inquiry. >> Among the selected films screening at Seidel City will be Herman's award >> winning short film Cabinet, a visceral and poetic documentary on death, >> mourning and life beginning anew. Also screening will be Herman's When I >> Stop Looking, a film that looks beyond the imprint of appearances, invoking >> the intensely private worlds of those portrayed, each of whom lives with >> significant facial and cranial conditions; a vivid affirmation of existence >> comes forward, before anything else. Todd Edward Herman has been the >> recipient of many awards for his work including the San Francisco >> International Film Festival's New Vision Award, the Art Council of Northern >> Ireland's Artist in Residence Award, Grants from the San Francisco Film Arts >> Foundation, a Western States Regional Media Arts Fellowship, Taipei Artist >> Village Residency, and the San Francisco Art Commission's Emerging Curator >> Award. He has presented his work at such venues as the International Film >> Festival Rotterdam, San Francisco International Film Festival, Southbank >> Centre, Anthology Film Archives, San Francisco Cinematheque, and Pacific >> Film Archives. >> <>3/25 >> Bradford: Fuse Art Space >> http://www.wearefuse.co/project/165/paul-clipson-shinya-sugimoto-jeremy-young-total-fiction-2017/ >> >> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f0f13f353f&e=4e65756555> >> 20:00, 5-7 Rawson Place, Bradford BD1 3QQ >> PAUL CLIPSON, SHINYA SUGIMOTO & JEREMY YOUNG: TOTAL FICTION / + NATHANIEL >> MANN >> A 16mm film projection event with live improvised sound/music performance. >> <>3/25 >> Knoxville, TN: The Public Cinema / Big Ears Festival >> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears> >> 10:30am, Knoxville Museum of Art >> FLICKER & WOW: KIDS! >> A selection of short works of experimental animation curated for kids. >> Screening as part of Big Ears. Works to be screened: Mothlight (Stan >> Brakhage, 1963, 16mm), Duck Amuck (Chuck Jones, 1953, digital), Blue >> Movement (Haruka Mitani and Michael Lyons, 2016, digital), Begone Dull Care >> (Evelyn Lambart and Norman McLaren, 1949, 16mm), Glistening Thrills (Jodie >> Mack, 2013, digital). >> <>3/25 >> Knoxville, TN: The Public Cinema / Big Ears Festival >> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears> >> 12:15pm, Knoxville Museum of Art >> KEVIN JEROME EVERSON: THE SURFACE BELOW >> This program, curated for Big Ears from Everson’s large body of work (more >> than 100 shorts and features), reveals Kevin Jerome Everson’s interest in >> digging beneath the surface, in every sense of the word. Works to be >> screened: Ring (2008, 1:30), Tygers (2014, 2:00), Auditioning for Nathaniel >> (2016, 13:30), R-15 (2017, 5:10), Smooth Surface (2015, 2:50), Production >> Material Handler (2015, 2:31), Fe26 (2014, 7:21), Ears, Nose and Throat >> (2016, 10:30). ARTIST IN ATTENDANCE >> <>3/25 >> Knoxville, TN: The Public Cinema / Big Ears Festival >> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears> >> 2pm, Knoxville Museum of Art >> JANIE GEISER: DOUBLE VISION >> Named one of the world’s top avant-garde filmmakers on Film Comment’s “Best >> of the Decade” list, Janie Geiser will join Big Ears for a program of recent >> short films, Double Vision. Works to be screened: Kriminalistik (2014, >> 4:00), Ghost Algebra (2009, 7:30), Kindless Villain (2010, 5:00), The Floor >> of the World (2010, 9:10), Arbor (2012, 7:05), The Hummingbird Wars (2015, >> 11:15), Cathode Garden (2015, 7:45), Flowers of the Sky (2016, 9:15) >> <>3/25 >> Knoxville, TN: The Public Cinema / Big Ears Festival >> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears> >> 6:15pm, Regal Riviera 8 >> JEM COHEN: WORLD WITHOUT END (NO REPORTED INCIDENTS) >> Quite close to London, but for many, a million miles away, Southend-on-Sea >> is a town along the Thames estuary. World Without End (No Reported >> Incidents), the new documentary from Jem Cohen, is a portrait of this >> place–everyday streets, everyday birds, unflagging tides, mud, and sky. But >> it is also about humanity and history, about prize-winning Indian curries, >> an encyclopedic universe of hats, and a nearly lost world of proto-punk >> music. ARTIST IN ATTENDANCE. >> <>3/25 >> Los Angeles, California: Echo Park Film Center >> http://www.echoparkfilmcenter.org/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b777daa6e4&e=4e65756555> >> 8 pm , 1200 N Alvarado St >> NEW WORKS SALON XXXVIII >> The New Works Salons series is a casual forum for the presentation and >> discussion of new works in film, video, sound, and performance, with local >> and visiting artists often in-person to introduce their work. This program >> will include works by Christina Battle, Gelare Koshkgozaran, Azadeh Navai, >> Julie Sadowski, Penelope Uribe-Abee, and Walter Vargas. Christina Battle’s >> Notes to Self is an ongoing series of videos documenting a simple, >> repetitive act as a way to mimic our fleeting engagement with social media >> status updates. Fragments of text, in the form of notes to myself, are set >> on fire with varying degrees of success. Unlike social media updates, the >> fate of these updates are controlled and finite, existing only for a few >> seconds before being completely destroyed. The notes, which range from >> humourous reminders and revelations to recollections about larger societal >> events, are simple in both form and execution, allowing for a critical and >> considered viewing response. Gelare Khoshgozaran will show her work An >> Analog Poem for Super 8 and voice, which was commissioned by Echo Park Film >> Center. Azadeh Navai will show her 16mm film Remembering the Pentagons, a >> slow, rhythmic, and contemplative journey into her earliest childhood >> memories. With an old 16mm Bolex and a hand-made pinhole camera, Navai >> returns to Tehran and Esfahan, Iran, where the perceptions and recollections >> of places, emotions, and scents serve as vehicles through which she exposes >> a deeply personal landscape. She asks — what is the texture of memory? In >> what ways does time — the light, wind, and air of history — wear upon the >> monuments and the images of the past? Born in Tehran during the Iran-Iraq >> war, Navai seeks to access a time of personal turmoil both for her family >> and for her birth country in this poetic capturing of place, history and >> memory. Penelope Uribe-Abee will show her new work Practice: a video, video >> sketch, and/or exercise mainly crafted out of personal heartbreak and >> coping. This video was made as an effort to make more personal, insular work >> while still preserving the idea of emotional accessibility in an audience. >> This is one part in a series of depicted analogies that explore how basic >> actions and gestures like playing the drums can serve as representations for >> actions with larger emotional implications: like falling in love. Walter >> Vargas will show Kru steez all no , a Super 8 double projection with >> coordinated memes high on the current meme economy @ time of showing #bulb >> #democracy #doesitreallywork #inheat. Julie Sadowski is a Polish-American >> artist living in Los Angeles. She is simultaneously excited and severely >> overwhelmed with the excess of images in the world, including those she >> created herself. She attempts to create order out of the chaos of the >> visible world by employing her own subjective systems of logic. >> <>3/25 >> San Francisco, California: Other Cinema >> http://www.othercinema.com/ >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=60a38762d7&e=4e65756555> >> 8:30 PM, 992 Valencia St. >> MAR25: GENDREAU + WAXY TOMB + HARPER + PAD'S 3-D >> Michael Gendreau premieres his triple-turntable piece LOUPS, pairing his >> wicked vinyl locked-grooves with the parataxical triple projections of Craig >> Baldwin’s16mm loops! ALSO: Afterbirth:The Shape of Light--Julz LC’s >> live-molded clay plays with optical parameters to render a phantasmagoria of >> projected light, in a tribute to Joey Casio’s immersive dream. In >> BUG.TV@OC:Live from the Achives, Joshua Harper conducts a live >> inter-dimensional interview with an alien observer in an underground >> operating theater of the mind. AND anchoring this second OPTRONICA show is >> stereoscopic superstar Pad McGlaughlin, whose 4eyes and Strata use polarized >> light to conjure up an extra dimension. Whoa! AND additional works by Jordan >> Belson, Winston Hacking, and Mary Ellen Bute; of course the Dream Machine is >> in full effect!*$8.88 >> <> <> >> SUNDAY, MARCH 26, 2017 >> 3/26 >> Colchester: Colchester Arts Centre >> http://www.colchesterartscentre.com/events/gigs/paul-clipson-with-shinya-sugimoto-jeremy-young-present-total-fiction-2017-nathaniel-mann/ >> >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0295f6846c&e=4e65756555> >> Doors at 7pm, Colchester Arts Centre Church Street Colchester Essex CO1 1NF >> PAUL CLIPSON WITH SHINYA SUGIMOTO & JEREMY YOUNG PRESENT TOTAL FICTION + >> NATHANIEL MANN >> A 16mm film projection event with live improvised sound/music performance. >> Nathaniel Mann is a composer, sound artist and performer. He was the >> Embedded Composer in Residence at Oxford University’s Pitt Rivers Museum and >> Oxford Contemporary Music for 20 months. During this time he garnered a >> reputation for creating diverse and engaging responses to the museum and its >> collections. Described as “a fluid unfolding of the museum experience” >> (ATTN: Magazine) his wide reaching works incorporate site specific >> performances, interventions and installations. He is best known for his work >> with avant-folk ensemble Dead Rat Orchestra, who specialize in site specific >> performances and concept driven tours of unorthodox locations, challenging >> traditional concert settings. He has written for Tate, BBC Scotland & London >> Contemporary Orchestra. His Donkey Symphony (with Lara Baladi) won the Gran >> Nile Award at the Cairo Biennale 2008 and was performed by Ukraine’s State >> Camera Orchestra “Kievskaya Kamerata”. >> <>3/26 >> Knoxville, TN: The Public Cinema / Big Ears Festival >> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears> >> 1:30 pm, Tennessee Theatre >> FLICKER AND WOW 1 >> One of two programs of recent avant-garde short films curated for Big Ears. >> Empyrean by Kalpana Subramanian (6:20, Digital) An abstract, meditative >> piece, Empyrean was “filmed” at the altar of celluloid cinema. Using a >> mobile phone camera, Subramanian intercepted mediated light from the >> projector during screenings of various 16mm prints of films by Stan Brakhage >> (1933-2003). The film is part of her larger, art-based research project, >> Light Mediated: Eyes on Brakhage, which explores the poetics of the moving >> image. Them Apples by Adam R. Levine (2:40, 16mm) Using the parallel >> temporal forms of the three-minute pop song and the 16mm camera roll, Them >> Apples runs The Beatles’ “Back In The U.S.S.R.” through iTunes Visualizer to >> create an optical sound experiment in which synaesthesia and pop cultural >> memory are turned back on themselves. 1_ _ _ _1 by Karissa Hahn (3:00, >> Digital) One roll of super 8. A ‘collaboration’ or rather, a collusion of >> sorts. As for my volition . . . I fall, you falter. Thinking about “A Young >> Girl Defending Herself against Eros” by William Adolphe Bouguereau, 1880. >> Thinking about . . . suspense/tension, taking us down with me. Deux Champs >> (Two Fields) by Kevin Obsatz (7:50, Digital) In 1953, a young photographer >> named Victor Obsatz created a double-exposed portrait of Marcel Duchamp by >> mistake. 55 years later that photo appeared in the pages of Smithsonian >> Magazine and was featured at a Duchamp retrospective. Deux Champs (Two >> Fields) is a hand-processed reflection on the distant memory of that day and >> everything that has happened since. As Without So Within by Manuela De >> Laborde (24:20, 16mm) De Laborde has usefully described the making of As >> Without So Within as “returning to Montessori.” Built from closeup images of >> handmade “props” (her preferred term), the film reveals, reworks, and >> illuminates several fundamental components of experimental filmmaking: >> abstraction, sculpture, and the material of celluloid itself. Koropokkuru by >> Akiko Maruyama and Philippe Roy (4:10, Digital) A moving portrayal of an >> ineffable force that can be humanlike or embody itself within displayed >> objects. Inspired by concepts from the Koropokkuru folktale within Japanese >> Ainu culture, as well as The Invisible Man. >> <>3/26 >> Knoxville, TN: The Public Cinema / Big Ears Festival >> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears> >> 10am, Tennessee Theatre >> MEREDITH MONK: BOOK OF DAYS >> A rare 35mm public screening of Meredith Monk's 1989 feature film BOOK OF >> DAYS. “Meredith Monk has been an anomaly for much of her 27-year career as a >> composer and choreographer, creating dances that were operas, operas that >> were dances and mythic theater pieces that were operas and dances. To >> complicate matters, Ms. Monk is also a filmmaker. In Book of Days, she has >> created a film that is essentially a moving picture." -- Jennifer Dunning, >> The New York Times >> <>3/26 >> Knoxville, TN: The Public Cinema / Big Ears Festival >> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears> >> 3pm, Regal Riviera 8 >> JEM COHEN: LOST BOOK FOUND >> The result of over five years of Super-8 and 16mm filming on New York City >> streets, Lost Book Found melds documentary and narrative into a complex >> meditation on city life. The piece revolves around a mysterious notebook >> filled with obsessive listings of places, objects, and incidents. These >> listings serve as the key to a hidden city: a city of unconsidered >> geographies and layered artifacts—the relics of low-level capitalism and the >> debris of countless forgotten narratives. >> <>3/26 >> Knoxville, TN: The Public Cinema / Big Ears Festival >> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears> >> 4pm, Knoxville Museum of Art >> FLICKER & WOW 2 >> The second of two programs of recent avant-garde short films curated for Big >> Ears. Parallel Inquiries by Christina C Nguyen (9:25, 16mm) sound from image >> / image from color // inquiries into the analog film system Nova Remnants by >> Stefan Grabowski (10:30, Digital) A nova remnant consists of matter left >> behind by a cataclysmic nuclear explosion, causing the intense and sudden >> brightening of a star. Due to the relatively short time-span over which they >> occur, nova remnants generally no longer exist by the time their light >> reaches us on Earth. Ghost Comb. by Ryland Walker Knight (7:15, Digital) A >> meditation on life as text, and how we may outlive our finite selves in the >> realm of the imaginary. Spotlight on a Brick Wall by Alee Peoples and Mike >> Stoltz (8:00, 16mm) A performance film that navigates expectations of both >> the audience and the makers. A series of false starts. Dub treatment on the >> laugh track. Little Orphant Annie by Bill Morrison (7:00, Digital) Little >> Orphant Annie is a re-edit of a silent film of the same title from 1918, >> directed by Colin Campbell. Two reels from an original nitrate print were >> scanned and re-edited to make the new film, which follows the structure of >> the poem written by James Whitcomb Riley in 1885. Riley is heard reciting >> his poem in a recording made in 1912. The poem is also heard read by Kelli >> Shay Hix in 2016, who additionally wrote and performs the song, “The >> Swimmer.” One Roll in the Blackness by Chris Kennedy (3:10, 16mm) Keiji >> Haino, live in Toronto, June 22, 2011. A single roll of film, shot one frame >> at a time. Special thanks to Keiji Haino and Adam Rosen. >> Let us know about your alternative film/video event! >> Enter your event announcements by going to the Flicker Weekly Listing Form >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fff9c939d5&e=4e65756555>. >> To receive the weekly listing via email, send a message to Subscribe >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1a23e054b9&e=4e65756555>. >> To unsubscribe see the link at the bottom of this email. >> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=699ab13509&e=4e65756555> >> >> >> >> >> >> >> >> >> >> This email was sent to frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com> >> why did I get this? >> <http://hi-beam.us9.list-manage.com/about?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=6681356d16> >> unsubscribe from this list >> <http://hi-beam.us9.list-manage2.com/unsubscribe?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=6681356d16> >> update subscription preferences >> <http://hi-beam.us9.list-manage1.com/profile?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555> >> >> Flicker · nowhere · San Francisco, CA 94110 · USA >> >> <http://www.mailchimp.com/monkey-rewards/?utm_source=freemium_newsletter&utm_medium=email&utm_campaign=monkey_rewards&aid=e4e99825c1d97f8de6eaffad3&afl=1> >> >> >> From: marilyn brakhage <v...@shaw.ca <mailto:v...@shaw.ca>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 6:43:44 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Dear Margaret, >> Some Stan Brakhage films in homage to specific individuals include "Water >> for Maya" [i.e. Maya Deren], 2 min, 25 sec.; "Visions in Meditation #4: D.H. >> Lawrence," 17 min. 41 sec; and "Last Hymn to the Night - Novalis," 17 min. >> 18 sec. Also, the fifth and final section of his "b series," subtitled >> "Sorrowing" (and by extension the entire film) was dedicated to Gregory >> Markopoulos, 12 minutes. >> ... Homages to larger groups of people might include "The Dead" (10 min. 21 >> sec., filmed in Paris/Père Lachaise cemetery), and "In Consideration of >> Pompeii," 4 min. 35 sec. >> ... Someone else mentioned "Sirius Remembered" (in homage to a family dog). >> Along those lines would also be "Pasht" (in honor of a cat). "Sirius >> Remembered" was also thought of as part of a trilogy, with "The Dead" and >> "Burial Path" (in part, I believe, in consideration of a late illness of >> Stan's friend, the literary critic, Donald Sutherland). >> >> Marilyn Brakhage >> >> On 18-Mar-17, at 8:43 AM, Margaret Rorison wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> >> From: vanessa renwick <quality...@gmail.com <mailto:quality...@gmail.com>> >> Subject: Re: [Frameworks] Eulogy Films >> Date: March 18, 2017 at 7:22:01 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Portrait #2: Trojan and Portrait #3: The House of Sound by Vanessa Renwick >> >> Vanessa Renwick >> Oregon Department of Kick Ass <http://www.odoka.org/> >> >> >> >> On Sat, Mar 18, 2017 at 3:43 PM, marilyn brakhage <v...@shaw.ca >> <mailto:v...@shaw.ca>> wrote: >> Dear Margaret, >> Some Stan Brakhage films in homage to specific individuals include "Water >> for Maya" [i.e. Maya Deren], 2 min, 25 sec.; "Visions in Meditation #4: D.H. >> Lawrence," 17 min. 41 sec; and "Last Hymn to the Night - Novalis," 17 min. >> 18 sec. Also, the fifth and final section of his "b series," subtitled >> "Sorrowing" (and by extension the entire film) was dedicated to Gregory >> Markopoulos, 12 minutes. >> ... Homages to larger groups of people might include "The Dead" (10 min. 21 >> sec., filmed in Paris/Père Lachaise cemetery), and "In Consideration of >> Pompeii," 4 min. 35 sec. >> ... Someone else mentioned "Sirius Remembered" (in homage to a family dog). >> Along those lines would also be "Pasht" (in honor of a cat). "Sirius >> Remembered" was also thought of as part of a trilogy, with "The Dead" and >> "Burial Path" (in part, I believe, in consideration of a late illness of >> Stan's friend, the literary critic, Donald Sutherland). >> >> Marilyn Brakhage >> >> On 18-Mar-17, at 8:43 AM, Margaret Rorison wrote: >> >>> Dear Film Friends, >>> >>> I am curious about film eulogies and would love to know more films that >>> have been made to honor someone. For example, Nathaniel Dorsky's August and >>> After >>> >>> I am looking for short films in particular. >>> >>> Poetic gestures of goodbye, final notes, odes... >>> >>> thank you, >>> Margaret Rorison >>> >>> >>> ------------------------------------------- >>> http://margaretrorison.com/ <http://margaretrorison.com/> >>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> >> >> >> From: Shane Eason <shaneea...@yahoo.ca <mailto:shaneea...@yahoo.ca>> >> Subject: [Frameworks] 4th ANNUAL FLAMINGO FILM FESTIVAL >> Date: March 18, 2017 at 7:29:22 PM EDT >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com >> <mailto:frameworks@jonasmekasfilms.com>> >> >> >> Greetings everyone! >> >> Please announce and/or forward to interested students, faculty, colleagues, >> and/or staff at your respected institution of Higher Ed and/or non-profit. >> >> 4th ANNUAL FLAMINGO FILM FESTIVAL >> >> <16806746_1256985334337522_4966266964354539485_n.jpeg> >> >> OPEN CALL >> The call for submissions to the 4th Annual Flamingo Film Festival is now >> open. Submissions started March 1st and will continue to be accepted thru >> April 1st, 2017. >> Students may submit ($10/entry) through: FILMFREEWAY.COM >> <http://filmfreeway.com/> >> >> MISSION >> The Flamingo Film Festival is dedicated to exhibiting the short films and >> videos produced by post-secondary student filmmakers from around the world. >> This professionally >> juried event will be held in South Florida and will honor outstanding >> narrative fiction, documentary, experimental and animated projects created >> by students. >> >> Organized and run by Florida Atlantic University's School of Communication >> and Multimedia Studies students under supervision from faculty, it is the >> goal of the FFF to continue >> to encourage student creativity while recognizing achievement in the film >> and video medium. >> >> The FFF will offer a number of free public screenings, panels, and >> workshops. This year’s event will be held April 29th, 2017 at Fort >> Lauderdale’s ArtServe <http://www.artserve.org/>. Times/programing, TBD. >> >> SOCIAL MEDIA/WEB >> Facebook <https://www.facebook.com/Flamingofilmfest/> | Instagram >> <https://www.instagram.com/flamingofilmfest/> | Twitter >> <http://www.twitter.com/FlamingoFF> | Website >> <http://www.flamingofilmfest.com/> >> >> Shane Christian Eason, BFA; MFA >> Asst. Prof. of Experimental and Documentary Film | Multimedia Production >> Coordinator | MFA MTEN GTA Coordinator >> School of Communication and Multimedia Studies >> Dorothy F. Schmidt College of Arts & Letters, Florida Atlantic University >> 954.236.1371 | ea...@fau.edu <mailto:ea...@fau.edu> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170320/ecd3b463/attachment.html> > > ------------------------------ > > Subject: Digest Footer > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > ------------------------------ > > End of FrameWorks Digest, Vol 82, Issue 22 > ****************************************** _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
