Albert,

I believe Ian Hugo's films had electronic soundtracks that predate many of the 
examples discussed here. Louis and Bebe Barron (who, with Forbidden Planet, 
gave commercial cinema its first electronic score) composed the sound for Bells 
of Atlantis (1953) but many of his later films (ex. Levitation) had electronic 
scores by David Horowitz.

Stephen




Sent from my iPhone
On Dec 21, 2017, at 7:04 AM, Elena Duque 
<elenadu...@gmail.com<mailto:elenadu...@gmail.com>> wrote:

Hello!

The films by Lillian Schwartz have very nice electronic music soundtracks:
http://lillian.com/films/

Bruce Conner's Crossroads, with music by Terry Riley and Patrick Gleeson

Not sure if sound experiments like Lis Rhodes or Robert Russett count...

2017-12-21 12:38 GMT+01:00 Albert Alcoz 
<albertal...@gmail.com<mailto:albertal...@gmail.com>>:
Hello all,

After asking about jazz
​ and​
​ music an experimental film
​, ​
and feeling grateful for all the answers​, I was wondering about the 
connections between early electronic music and avant-garde film.
​ ​
Recently I watched OFFON (1967-72) by Scott Bartlett with a “sound composition” 
by Manny Meyer.

Again, there should be plenty of avant-garde films where the soundtrack is 
instrumental electronic music or experimental
​abstract ​
sound created with magnetic tape recorders, synthesizers, electronic tools, etc.

Maybe one question would be to define what is considered to be early electronic 
music but anyway, lets try it.

Does anyone remember some other avant-garde films with
​early ​
electronic music
​ from the 50's, 60's, 70's even 80's​
?

Right now here’s the first list:

Cybernetik 5.3 (1968) by John Stehura. Music: Tod Dockstader.

Crystals (1968) by Herbert Loebel. Music: Michael Lloyd.

Rohfilm (1968) by Birgit & Wilhelm Hein. Music: Christian Michaelis.

Two Images for a Computer Piece (1969) by Lloyd Williams. Music: Vladimir 
Ussachevsky.

Variations on a Cellophane Wrapper (1970) by David Rimmer. Music: Don Druick.

Berlin Horse (1970) de Malcolm Le Grice. Music: Brian Eno.

Mutations (1973) by Lilian F. Schwartz. Music: Jean Claude Risset.

Several films by Dore O. and Werner Nekes with sountracks by Anthony Moore like 
Diwan (1973) or Kaskara (1974).

Riddles of the Sphinx (1977) by Laura Mulvey and Peter Wollen. Music: Mike 
Ratledge.

Thanks in advance,

Albert Alcoz

--
http://visionaryfilm.net/<http://www.visionaryfilm.net/>
http://albertalcoz.com/<http://www.albertalcoz.com/>

_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com<mailto:FrameWorks@jonasmekasfilms.com>
https://mailman-mail5.webfaction.com/listinfo/frameworks




--
Elena Duque Viña
Telf: (+34) 605431072
http://cargocollective.com/elenaduque<mailto:elenadu...@gmail.com>
_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com<mailto:FrameWorks@jonasmekasfilms.com>
https://mailman-mail5.webfaction.com/listinfo/frameworks
_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Reply via email to