.. even after a second (and third) look, I didn't notice my typo until after I hit "send"
that last honorable mention should read: *Bay of Plenty *by Milva Stutz for its humor and deconstruction of gender stereotypes good night everyone! I'm tired.. - Warren On Mon, Feb 11, 2019 at 8:01 PM Warren Cockerham <warrencocker...@gmail.com> wrote: > The* FL*orida *EX*perimental Film/Video Festival ended yesterday with an > awards ceremony at the Florida Museum of Photographic Arts (FMoPA). The > FLEX '19 jurors <https://www.flexfest.org/flex-2019-jurors/>, Nazli > Dinçel, Almudena Escobar López, and Dana Plays deliberated for a few hours > yesterday and decided on the following awards: > > > *https://www.flexfest.org/flex-19-jury-award-winners/ > <https://www.flexfest.org/flex-19-jury-award-winners/>* > > > *FLEX ’19 Jury Award Winners* > > *Jury Cash Awards ($300 each)* > > *Love and the Epiphanists* by Scott Stark > for combining multiple media formats to challenge narratives > that are the basis of the Hollywood industry > > *The Eddies* by Madsen Minax > for the wonderful and deep investigation of masculinity about what guns > mean for real > > *Foreclosed Home* by Lisa Danker > for its censorious use of archival materials relating to the personal > history > of Florida. > > *Becoming* by Ariel Teal > for creating a film not about blaming but becoming > > *The Scott Nygren Memorial Award ($300) ** > > *Take it Down *by Sabine Gruffat > for interrogating the iconographic landscape of American tearing down > racist monuments ONE BY ONE erasing them from history > > *Acknowledges the vision of a filmmaker that merges the forms of > documentary and experimental film hybridizing the forms while attempting to > work beyond them. This Award was established to honor the memory of a long > time FLEX supporter Scott Nygren. > > *Kodak Stock Awards ($200 in stock each)* > > Story of the Dreaming Water by Brittany Gravely > for its playful optical work > > *Winter’s First Moons *by Kathleen Rugh > for its humor and its smart use of found sound > > *What is Nothing (After What is Nothing)* by Kristin Reeves > for its examination of medical pain > > *Travel Stop *by Mike Gibisser > for the true ethnographic examination of a culture where the filmmaker > actually belongs > > *A Chorus of Black Voids Sings* by Mike Morris > for its investigation of film destruction > > *Fifth Metacarpal* by Scott Fitzpatrick > for its bold investigation of what consent can be > > *Honorable Mentions* > > *Ark* by Lynne Siefert > for its critique of its specific place and a critique of culture at large > > by Milva Stutz > for its humor and deconstruction of gender stereotypes > > > LONG LIVE FLEX! > > Warren Cockerham > Tampa, FL >
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