Thank you Eric!
> On Mar 23, 2019, at 5:00 AM, [email protected] wrote: > > Send FrameWorks mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > > > Today's Topics: > > 1. Chris Marker les vies d'un cineaste??? (erika suderburg) > 2. Re: Chris Marker les vies d'un cineaste??? (Eric Theise) > 3. Re: tips for shooting on print stock? (Ben Balcom) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Fri, 22 Mar 2019 10:25:23 -0700 > From: erika suderburg <[email protected]> > To: [email protected] > Subject: [Frameworks] Chris Marker les vies d'un cineaste??? > Message-ID: <[email protected]> > Content-Type: text/plain; charset="us-ascii" > > Hello Has anyone had luck purchasing the catalog for Chris Marker les vies > d'un cineaste edited by Raymond Bellour and Christine Van Assche for the > Cinemateque Francais 2018? > Iam unable to find one and would like to. Have looked on CF site and all > amazons. Any help would be appreciated! Thanks > > > > Erika Suderburg > University of California, Riverside > Chair, Department of Media and Cultural Studies > Director, Gluck Fellows Program for the Arts. > Cooperating Faculty, Department of > Comparative Literature & Foreign Languages > Office: 951 827-2685 > Home: 323 660-4170 > erikasuderburg.com > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20190322/ddc3c1d4/attachment-0001.html> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: sony_bhf60_071126_thumb.jpg > Type: image/jpeg > Size: 9212 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20190322/ddc3c1d4/attachment-0001.jpg> > > ------------------------------ > > Message: 2 > Date: Fri, 22 Mar 2019 10:32:58 -0700 > From: Eric Theise <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Chris Marker les vies d'un cineaste??? > Message-ID: > <cahnuxwhirsuml7cc8juacqfbgxev7qxh0ejd3fk08tuixcv...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Hi Erika, > > This search turns up a number of non-US Amazons and AbeBooks vendors. > > https://www.bookfinder.com/search/?isbn=9782330015695&st=xl&ac=qr > > Eric > > > On Fri, Mar 22, 2019 at 10:25 AM erika suderburg <[email protected]> wrote: > >> Hello Has anyone had luck purchasing the catalog for Chris Marker les vies >> d'un cineaste edited by Raymond Bellour and Christine Van Assche for the >> Cinemateque Francais 2018? >> Iam unable to find one and would like to. Have looked on CF site and all >> amazons. Any help would be appreciated! Thanks >> >> >> >> Erika Suderburg >> University of California, Riverside >> Chair, Department of Media and Cultural Studies >> Director, Gluck Fellows Program for the Arts. >> Cooperating Faculty, Department of >> Comparative Literature & Foreign Languages >> Office: 951 827-2685 >> Home: 323 660-4170 >> erikasuderburg.com >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20190322/2c4040dc/attachment-0001.html> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: sony_bhf60_071126_thumb.jpg > Type: image/jpeg > Size: 9212 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20190322/2c4040dc/attachment-0001.jpg> > > ------------------------------ > > Message: 3 > Date: Fri, 22 Mar 2019 18:47:31 -0500 > From: Ben Balcom <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] tips for shooting on print stock? > Message-ID: > <CAP0DmCKRp=ss9pQck2LWud8F=l4asz219ztgglzn6mo8hdu...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Sorry to co-opt this thread, but Nicole at what stage do you remove the > remjet? As a last step? Or pre-bath? Any recs for baking-soda to water > ratio? Thanks! > > On Thu, Mar 21, 2019 at 3:53 PM Nicole Baker <[email protected]> wrote: > >> The removing the remjet (the backing you speak of) has been greatly >> exaggerated in terms of how hard it is. I use a warm baking soda bath and a >> quick wipe down with a damp microfiber cloth. Not a speck remains. >> Theres some great tutorials on YouTube to employ a variety of removal >> methods, if anyone is interested. >> >> On Thu, Mar 21, 2019, 9:07 AM trevor adams <[email protected]> wrote: >> >>> Mr. Antos is correct, sir. It's less than half the going rate of >>> reversal. Also, this particular stock doesn't have the backing which makes >>> hand-processing arduous (as it's been explained to me). And ignorance is >>> about the most cultivated quality in my work! >>> Trevor Adams >>> sinemodafatestare.com >>> >>> Sent from Outlook <http://aka.ms/weboutlook> >>> >>> ------------------------------ >>> *From:* FrameWorks <[email protected]> on behalf of >>> Julian Antos <[email protected]> >>> *Sent:* Thursday, March 21, 2019 12:14 AM >>> *To:* Experimental Film Discussion List >>> *Subject:* Re: [Frameworks] tips for shooting on print stock? >>> >>> I think the appeal is that it?s much cheaper! >>> >>> On Wed, Mar 20, 2019 at 7:11 PM Francisco Torres <[email protected]> >>> wrote: >>> >>> pardon my ignorance but I have never understood the use of print stock >>> as camera original. Would using reversal accomplish similar results? >>> >>> 2019-03-20 12:20 GMT-04:00, MONO NO AWARE <[email protected]>: >>>> https://vimeo.com/290301242 >>>> >>>> Results from our workshop. A few water marks, but for their first >>> time in >>>> the lab processing, to be cross processing and have these results its >>>> pretty good, could have used a darker orange filter, but it was overcast >>>> and we couldn't forfeit the light. >>>> >>>> >>>> ? >>>> *MONO NO AWARE* >>>> 501c3 Cinema Arts Non-Profit Organization est. 2007 >>>> | Film Stock | Equipment | Lab Facilities | Workshops | >>>> a: 33 Flatbush Avenue, Brooklyn New York >>>> < >>> https://www.google.com/maps/dir//33+Flatbush+Ave,+Brooklyn,+NY+11217/@40.6877184,-73.9819882,17z/data=!4m17!1m7!3m6!1s0x89c25bb25464b153:0x663d26fd9a518085!2s33+Flatbush+Ave,+Brooklyn,+NY+11217!3b1!8m2!3d40.6877184!4d-73.9797995!4m8!1m0!1m5!1m1!1s0x89c25bb25464b153:0x663d26fd9a518085!2m2!1d-73.9797995!2d40.6877184!3e2 >>>> >>>> e: mononoawarefilm.com c: +1 2674561143 <%2B1%20267%20456-1143> in:gram >>>> <https://www.instagram.com/mononoawarefilm/> >>>> <%2B1%20267%20456-1143> >>>> press: New York Times >>>> < >>> https://www.nytimes.com/2017/07/11/nyregion/a-brooklyn-film-school-where-the-digital-revolution-didnt-happen.html >>>> , >>>> ViceTV >>>> < >>> https://video.vice.com/en_us/video/the-brooklyn-film-organization-bringing-analog-back-to-the-masses/584f0f243d8095724ccdaf1e >>>> , >>>> The Brooklyn Rail >>>> <https://brooklynrail.org/2018/11/film/Mixed-Use-MONO-NO-AWARE> >>>> >>>> >>>> On Wed, Mar 20, 2019 at 12:13 PM Anna Kipervaser >>>> <[email protected]> >>>> wrote: >>>> >>>>> I am often shooting on 3383; I use an 85 filter (orange to compensate >>> for >>>>> lack of orange base in the stock and to get near true color) and rate >>>>> 3383 >>>>> at 3. Then I process in Tetenal E6 in a lomo reel/tank. Recipe below. >>>>> >>>>> FD: 100 degrees F, 2:45min >>>>> H2O: 5min, warm, not warmer than 100 degrees F >>>>> CD: 100 degrees F, 6min >>>>> H2O: 5min, warm, not warmer than 100 degrees F >>>>> BLIX: 100 degrees F, 6min >>>>> H2O: 10min, cool. >>>>> Stabilizer out of tank: 30sec >>>>> Shake reel >>>>> Hang film to dry >>>>> >>>>> Also, Mono No Aware has had successful results with C41. >>>>> >>>>> Always, >>>>> Anna >>>>> >>>>> >>>>> >>>>> --- >>>>> anna kipervaser >>>>> 847.571.6943 >>>>> >>>>> annakipervaser.com >>>>> yellowfilmlab.com >>>>> onlookfilms.com >>>>> >>>>> >>>>> >>>>> >>>>> On Tue, Mar 19, 2019 at 9:03 AM < >>> [email protected]> >>>>> wrote: >>>>> >>>>>> Send FrameWorks mailing list submissions to >>>>>> [email protected] >>>>>> >>>>>> To subscribe or unsubscribe via the World Wide Web, visit >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> or, via email, send a message with subject or body 'help' to >>>>>> [email protected] >>>>>> >>>>>> You can reach the person managing the list at >>>>>> [email protected] >>>>>> >>>>>> When replying, please edit your Subject line so it is more specific >>>>>> than "Re: Contents of FrameWorks digest..." >>>>>> Today's Topics: >>>>>> >>>>>> 1. Re: Barbara Hammer, RIP (Dominic Angerame) >>>>>> 2. tips for shooting on print stock? (trevor adams) >>>>>> 3. Re: tips for shooting on print stock? (Scott Dorsey) >>>>>> 4. Re: tips for shooting on print stock? (Nicole Baker) >>>>>> >>>>>> >>>>>> >>>>>> ---------- Forwarded message ---------- >>>>>> From: Dominic Angerame <[email protected]> >>>>>> To: Experimental Film Discussion List <[email protected] >>>> >>>>>> Cc: >>>>>> Bcc: >>>>>> Date: Mon, 18 Mar 2019 09:23:19 -0400 >>>>>> Subject: Re: [Frameworks] Barbara Hammer, RIP >>>>>> I am so sorry to hear this. I worked with Barbara for many years while >>>>>> at >>>>>> Canyon Cinema and always admired her courage, strength and commitment >>> to >>>>>> avant- cinema and women filmmakers around the world. >>>>>> >>>>>> Her dynamic energy is certainly a loss to the community. >>>>>> >>>>>> Dominic Angerame >>>>>> >>>>>> Sent from my iPhone >>>>>> >>>>>> On Mar 17, 2019, at 10:54 PM, Ruth Hayes <[email protected]> >>> wrote: >>>>>> >>>>>> Hi all, >>>>>> >>>>>> I just want to acknowledge Barbara Hammer?s passing, her influence on >>> so >>>>>> many experimental filmmakers, including myself, and her courage, >>>>>> playfulness and indomitable spirit. >>>>>> >>>>>> Peace, >>>>>> >>>>>> Ruth Hayes >>>>>> >>>>>> http://www.randommotion.com >>>>>> >>>>>> blogs.evergreen.edu/hayesr >>>>>> >>>>>> _______________________________________________ >>>>>> FrameWorks mailing list >>>>>> [email protected] >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> >>>>>> >>>>>> >>>>>> >>>>>> ---------- Forwarded message ---------- >>>>>> From: trevor adams <[email protected]> >>>>>> To: Experimental Film Discussion List <[email protected] >>>> >>>>>> Cc: >>>>>> Bcc: >>>>>> Date: Mon, 18 Mar 2019 16:20:12 +0000 >>>>>> Subject: [Frameworks] tips for shooting on print stock? >>>>>> Hiya one'n all, >>>>>> >>>>>> I'm seeking any advice/ tips for shooting on 3383 color vision print >>>>>> stock, with a bolex. Everybody I've spoken to says use an ASA of 5, >>> I'm >>>>>> not sure if i should even take light readings? Anything would be >>>>>> helpful... >>>>>> Thanks, >>>>>> Trevor Adams >>>>>> >>>>>> Sent from Outlook <http://aka.ms/weboutlook> >>>>>> >>>>>> >>>>>> >>>>>> ---------- Forwarded message ---------- >>>>>> From: Scott Dorsey <[email protected]> >>>>>> To: [email protected] >>>>>> Cc: >>>>>> Bcc: >>>>>> Date: Mon, 18 Mar 2019 14:25:49 -0400 >>>>>> Subject: Re: [Frameworks] tips for shooting on print stock? >>>>>> 5 seems optimistic. Shoot a test. >>>>>> --scott >>>>>> >>>>>> >>>>>> >>>>>> >>>>>> ---------- Forwarded message ---------- >>>>>> From: Nicole Baker <[email protected]> >>>>>> To: Experimental Film Discussion List <[email protected] >>>> >>>>>> Cc: >>>>>> Bcc: >>>>>> Date: Mon, 18 Mar 2019 15:12:57 -0700 >>>>>> Subject: Re: [Frameworks] tips for shooting on print stock? >>>>>> I haven't tried print stock, but have played with film I made myself >>>>>> (handmade emulsion applied to clear leader) and that is also rated at >>> a >>>>>> 5 >>>>>> (if that). I would still absolutely take light readings, especially >>> if >>>>>> you're pointing at the light source, you might be surprised how much >>>>>> light >>>>>> it throws off. Maybe try spot metering instead of ambient. I find >>> that >>>>>> helps me "see" the scene the way the film might. >>>>>> Post your results! I'd love to see them. >>>>>> >>>>>> Nicole Elaine Baker >>>>>> MFA in Visual Studies, 2019 >>>>>> Pacific Northwest College of Art >>>>>> Hallie Ford School of Graduate Studies >>>>>> *www.magiklantern.com <http://www.magiklantern.com>* >>>>>> >>>>>> >>>>>> >>>>>> >>>>>> On Mon, Mar 18, 2019 at 9:20 AM trevor adams <[email protected]> >>>>>> wrote: >>>>>> >>>>>>> Hiya one'n all, >>>>>>> >>>>>>> I'm seeking any advice/ tips for shooting on 3383 color vision print >>>>>>> stock, with a bolex. Everybody I've spoken to says use an ASA of 5, >>>>>>> I'm >>>>>>> not sure if i should even take light readings? Anything would be >>>>>>> helpful... >>>>>>> Thanks, >>>>>>> Trevor Adams >>>>>>> >>>>>>> Sent from Outlook <http://aka.ms/weboutlook> >>>>>>> _______________________________________________ >>>>>>> FrameWorks mailing list >>>>>>> [email protected] >>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>>> >>>>>> _______________________________________________ >>>>>> FrameWorks mailing list >>>>>> [email protected] >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> -- >>> Julian Antos >>> Chicago Film Society >>> www.chicagofilmsociety.org <http://www.northwestchicagofilmsociety.org/> >>> 773 827 8991 <(773)%20827-8991> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > -- > Ben Balcom > benbalcom.com > microlightscinema.com > [email protected] > 414-902-0236 > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20190322/b3d8dd77/attachment-0001.html> > > ------------------------------ > > Subject: Digest Footer > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > ------------------------------ > > End of FrameWorks Digest, Vol 106, Issue 26 > ******************************************* Erika Suderburg University of California, Riverside Chair, Department of Media and Cultural Studies Director, Gluck Fellows Program for the Arts Cooperating Faculty, Department of Comparative Literature & Foreign Languages Office: 951 827-2685 Home: 323 660-4170 erikasuderburg.com
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