Thanks Scott, but here the problem seems to be requested format , rather than mixing/adapting the sound mix. The Lab asked for sound already encoded as dolby SR/d. Getting an AC3 format would not be a problem at all. What we don't understand is whether this is a real issue or just the Lab operator being a bit lazy :)
Hope the question is clearer now Thanks again Franco Il lun 1 lug 2019, 23:32 Scott Dorsey <klu...@panix.com> ha scritto: > It's not THAT unusual to provide mono digital soundtracks, with audio all > coming from the center channel. AC-3 digital encoding on the film, just > only one of the six channels used. This is seen a lot for reissues of > classic films although Woody Allen used it for his last few new releases. > > It's not related to Dolby SR at all. It's "Dolby Digital." > Yeah, I know the button on the machine is marked SR/D but that is > marketing. > --scott > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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