Wow! What a list.
D On Tue, Jul 23, 2019 at 6:56 AM Kornelia Boczkowska < kornelia.boczkow...@gmail.com> wrote: > Hi Bryan, > > I'm now working on a three-year, grant-funded post-doctoral project on > road movie and travelogue forms in avant-garde and experimental film. Eric, > many thanks for recommending my research! > > Below please find a selection of films that follow and/or ideally > experiment with some of the (mainstream) genre's conventions as proposed by > Laderman and other scholars - just skip the titles that have been already > mentioned. And feel free to contact me off list if you're interested in > the details of my project. > > Good luck with your program, > > ! > > > Highway by Hilary Harris (1958) > > Quixote by Bruce Baillie (1965) > > Mass for the Dakota Sioux by Bruce Baillie (1964) > > Road Film by Standish Lawder (1970) > > Harmonica by Larry Gottheim (1971) > > Pasadena Freeway Stills by Gary Beydler (1974) > > Frame by Ken Kobland (1977) > > Monitoring the Unstable Earth by Michael Wallin (1980) > > Sorted Details by Charles Wright (1980) > > Landscape and Desire by Ken Kobland (1981) > > West by Mark Street (1985) > > Night Highway by Bill Morrison (1990) > > Portland by Greta Snider (1996) > > Desert Abstractions by Jon Behrens (1997) > > Median Strip by James Schneider (1999) > > Stark Film by Eric Patrick (1999) > > Ghost Trip by Bill Morrison (2000) > > Orchard by Julie Murray (2004) > > Down the Road by Walter Ungerer (2005) > > On The Line by Cathy Lee Crane (2010) > > Highway Landscape by J.J. Murphy (1972) > > North On Evers by James Benning (1991) > > Easy Rider by James Benning (2012) > > The Wonder Ring by Stan Brakhage (1955) > > Gnir Rednow by Stan Brakhage (196?) > > Visions in Meditation #2: Mesa Verde by Stan Brakhage (1989) > > Pennsylvania-Chicago-Illinois by Jim Davis (1957-59) > > El Train Film - Second Version by Dominic Angerame (1976) > > Night Train by Guy Sherwin (1979) > > RR by Stan Brakhage(1981) > > Disorient Express by Ken Jacobs (1996) > > The Georgetown Loop by Ken Jacobs (1996) > > Two Roll , Camera Roll by Jon Behrens (2017) > > Cayuga Run by Storm De Hirsch (1967) > > Sphinx on the Seine by Paul Clipson (2009) > > Bridges-Go-Round by Shirley Clarke (1958) > > Night Driving by Mort & Millie Goldsholl (1957) > > San Francisco by Anthony Stern (1968) > > The Movement of Light At Night by Jon Behrens (1996) > > City Walk by Bill Morrison (1999) > > Bicycle by Chuck Hudina (1975) > > Girl and a Bicycle by Jon Behrens (1995) > > I My Bike by Ken Paul Rosenthal (2002) > > Into the Mass (dual projection) by Tomonari Nishikawa (2007) > > A Ticket Home by Dominic Angerame (1982) > > Oasis by James Schneider (1995) > > The Lost Films by Stan Brakhage (1995) > > Tender Feet by Fern Silva (2013) > > A Visit to Indiana by Ted Davis and Curt McDowell (1970) > > Shift by Ernie Gehr (1974) > > Passage by Ernie Gehr (2003) > > Eureka by Ernie Gehr (1979) > > September Express by De Hirsch, Storm (1973) > > The Death Train by Bill Morrison (1993) > > Ordinary Matter by Hollis Frampton (1972) > > Acceleration by Scott Stark (1993) > > Joe Dimaggio 1, 2, 3 by Anne McGuire (1991) > > Runner by Bill Creston (1981) > > Boston elevated by Ralph Thanhauser (1970) > > [42nd St. footage] by Aldo Tambellini (1970) > > Rules of the Road by Su Friedrich (1993) > > Horizons by Larry Gottheim (1973) > > Roam Sweet Home by Ellen Spiro (1996) – a documentary film > > > W dniu 22.07.2019 o 12:50, Bryan Konefsky pisze: > > Hello all, I am in the process of building a program that looks at > automobility and road movies from an experimental perspective... wondering > if anyone has suggestions about artists' films that study this topic... > Titles and links would be preferable and I am open to both historic and > current works - if you have made something along these lines I would be > happy to have the opportunity to view such films/videos as well. > > thanks everyone > Bryan Konefsky > president, Basement Films > founder/director, Experiments in Cinema > > Great art has always gone to the masses, to their hopes and dreams, for > that spark that kindled their souls. The rest, "the many, all too many" as > Nietzsche called mediocrity, have been mere commodities that can be bought > with money, cheap glory, or social position. > - Emma Goldman > > _______________________________________________ > FrameWorks mailing > listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks > > -- > Kornelia Boczkowska, Ph.D. > Department of Studies in Culture > Faculty of English > Adam Mickiewicz University in > Poznańhttp://wa.amu.edu.pl/wa/boczkowska_korneliahttps://orcid.org/0000-0003-0875-9209 > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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