Thanks, Jeff. I'm using a sekonic incidental (analog) light meter. If I rate it at 200 ASA Daylight, and open up two stops, this should be correct, no?
On Wed, Jul 24, 2019 at 6:07 PM Jeff Kreines <j...@kinetta.com> wrote: > How you use a light meter can also be a significant factor — poor metering > technique can give readings that are several stops off. My personal > preference is an incident meter. > > With reversal stock always err towards slight underexposure. > > Good luck. Shoot short tests. > > Jeff Kreines > Kinetta > j...@kinetta.com > kinetta.com > > Sent from iPhone. > > On Jul 24, 2019, at 7:20 AM, Scott Dorsey <klu...@panix.com> wrote: > > >> I am not getting it. Is 200 ISO the native speed of the film? Or is it > 160 ? > > > > It is both. The film is less sensitive to red light than to blue light, > > so if you expose it in red light, the effective ASA is lower. If you > > are exposing with tungsten light, you use 160 ASA, while if you are > exposing > > with daylight, you use 200 ASA. > > > >> Most Super-8 cameras have an orange filter for daylight. > >> But for b&w one would always open the filter right? > > > > Right, you disable the 85 filter. It's a bad idea in any case. > > --scott > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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