put AM through it and see how much you get out... that is a limiter 
test.....

I use the analog devices tool ADI sim RF. excellent.

I think worrying about mixer terminations is important but you have 
bigger fish to fry yet.

Try ADL5350 for a mixer.watch spurious products.

g




On 29/10/2015 12:31 PM, David Rowe wrote:
> Hi Guys,
>
> Thanks again for all your tips and insight.  I'm following up yr
> references and doing lots of reading.
>
> Glen - I haven't decided if I'll undersample yet or use a 2nd mixer from
> 10.7MHz to low IF.
>
> Steve - I have built up a spreadsheet to work out cascaded NF, MDS, and
> ADC NF. Am working through each calculation step nice and slowly!  Also
> prototyping some of this and getting results a few dB from my
> calculations which is encouraging.
>
> Matt I'm using a termination insensitive amp at the mixer IF port, have
> measured it's return loss as 20dB between 10.7MHz and 300MHz (2LO is
> 272MHz).
>
> Glen - what problems should I look out for with a limiting amp? Any
> tests I can do to spot issues early?  I guess two-tone wouldn't work.
>
> Cheers,
>
> David
>
> On 29/10/15 10:28, glen english wrote:
>> Hi David
>> Glad my description of NF made sense.
>>
>> If your limiter is perfectly doing its job,  then yes 1 bit is all you need.
>>
>> I like seeing the xtal filter in there ! This reduces the  umming and
>> ahhhing by two to three orders of magnitude.
>>
>> Of course the filter stop-bands are finite, so you must consider this, also.
>>
>> I'm guessing you are going to undersample. Goes without saying that ADC
>> performance degrades quickly on super nyquist but this is unlikely to be
>> any issue in this design.
>>
>> Final sample rate needs to be at least two times the IF filter BW, 4x if
>> you want to not make life hell for your digital filters.
>>
>> My guess is, you could use a single  pin of the STM32 inconjunction with
>> some timer  and input compare block to  get a very nice and periodic 1
>> bit sampler.
>>
>> Dont expect miracles though. Analog limiters are dreadful things. if you
>> want some REALLY good limiter lessons  tuition , go look at the FM
>> limiter in a analog VIDEO CASSETTE RECORDER. They are the very best,
>> high bandwidth (10 MHz) limiters around....
>>
>> For a IF width of 15kHz, I'd suggest a SR of about 60 k. ( an enormous
>> undersample) ..That will help also preventing strong adjacent channels
>> aliasing.
>>
>> regards
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> On 29/10/2015 8:00 AM, David Rowe wrote:
>>> Thank you Helmut, Glen, and Steve,
>>>
>>> 1/ Ok it's starting to make sense, lets see if I can work through a
>>> contrived example:
>>>
>>> We have a 16 bit sound blaster ADC, with a SNR of 6*15 = 90dB.  Its FSD
>>> is 1Vrms (10dBm). It samples at 48 kHz:
>>>
>>> The ADC noise floor is at 10-96=-86dBm.  This is in a Nyquist BW of
>>> 48kHz, so the noise power normalised to a 1Hz BW is -86-10*log10(24E3) =
>>> -129.8dBm/Hz.  The thermal noise floor is -174dBm/Hz so our ADC NF is
>>> 174-129.8 = 44.2dB.
>>>
>>> Help me understand what NF is too, and why a filter has a negative NF -
>>> it moves the signal closer to the thermal noise floor.
>>>
>>> 2/ I'm actually working on narrow band constant envelope radio, So:
>>>
>>>       BPF- LNA - Mixer - Xtal filter - limiting amp - ADC
>>>
>>> If I am sampling a constant envelope signal (FM, FSK, GMSK), what are
>>> the SNR/SFDR requirements for the ADC?  The limiting amp has removed all
>>> amplitude information.  So do we just need the sign bit of the ADC?
>>> Could we just sample the signal with a flip flop?
>>>
>>> Thanks,
>>>
>>> David
>>>
>>>
>>> On 28/10/15 17:03, glen english wrote:
>>>> Howdy
>>>> A good response Helmut
>>>>
>>>> The oversampling ratio  (OSR) , clock purity will dominate.
>>>>
>>>> What is your planned OSR , and sampler rate ?
>>>> quadruple the sample rate , gain a bit of ADC of course.
>>>>
>>>> With an OSR = 1, for -120dBm , and full scale of say +12dBm (roughly
>>>> what you have) , and 60dB of SNR will put your noise floor at 12-60 =
>>>> -48dBm, so you'll need 72dB of gain.  And so it will overload on the
>>>> slightest thing out there !
>>>>
>>>> With an OSR of 4x, you are 6dB or 1 bit better off, and so on. I know
>>>> you understand this stuff so I wont elaborate.
>>>>
>>>> The SFDR of the converter will dominate what it can USEFULLY hear,
>>>> because below the SFDR , REGARDLESS of the OSR, there will be all sorts
>>>> of funny converter artifacts, and the intermods will be there also.
>>>> So the SFDR , not the OSR ultimately determines the performance capability.
>>>>
>>>> IE the SNR might be 60dB, say a 10 bit converter,
>>>> if the OSR = 4 then you'll get 66dB SNR, BUTthe SFDR does not change,
>>>> the SFDR is still 60dB.  So you can improve dynamic range, but not the
>>>> SFDR. The SFDR, or more likely, where the third order two tone intermods
>>>> are, won't change. Some LT converters have incredibly good SFDRs via
>>>> internal digital dithering (later subtracted out in your receiver) .
>>>>
>>>> For my commercial SDR, I use a 12 bit converter at 200 Msps.
>>>> The SFDR is 96dB, approx.
>>>>
>>>> The converter input FSD is abotu +12dBm, so the IMD will be always 12-96
>>>> = -84dBm
>>>>
>>>> so if I want my IMD down at -120dBm, then I need 36dB gain in front of
>>>> the receiver.
>>>> With such a high OSR (200M/ 10k)=43dB , the SNR is off in the
>>>> stratosphere, but the IMD dominates....
>>>>
>>>> In my experience the SFDR is what will limit the sensitivity.
>>>>
>>>> Watch out for ALIASED noise also. don't forget your converter is also
>>>> equally (almost) bringing in noise form 2fs, 3fs 4fs etc. SO important
>>>> that the convertor is seeing a low pass (nyquist) or band pass filter
>>>> (super nyquist sampling)
>>>>
>>>> NOW what you can do is vary the voltage that the converter sees by
>>>> fiddlign with the termination and the nosie figure can be usefully
>>>> manipulated +/- 12dB (improved at the expense of full scale level)
>>>>
>>>> The noise figure of the converter is approx (the input level - the SNR)
>>>> - 174
>>>>
>>>> IE +12dBm FSD, SNR  = 70, noise floor = -58dBm.
>>>> Now, that is for a 200 Msps, or 100 Msps nyquist bandwidth, that is
>>>> 10log10(1e8) or 80dB
>>>> so -58 - 80 = -138dBm dBcHzSNR or 174 - 138 = 36dB.
>>>>
>>>>
>>>> cheers
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> On 28/10/2015 6:47 AM, David Rowe wrote:
>>>>> Hello Glen/Matt,
>>>>>
>>>>> I'm working on a VHF radio prototype for testing some of my open source
>>>>> DV ideas.  Could you pls explain how to work out the gain required in
>>>>> front of my ADC?
>>>>>
>>>>> For example if I have a MDS of -120dBm (0.224uV), and an ADC with a 3Vpp
>>>>> (1.06Vrms) clipping point, and SFDR of say 60dB.
>>>>>
>>>>> Is the gain rqd simply Av=1.06/0.224E-16?  That would mean the minimum
>>>>> signal would hit full scale on the ADC.  Perhaps we could scale that
>>>>> back by 60dB plus some margin such that the MDS is still a few dB above
>>>>> the floor of the ADC.
>>>>>
>>>>> I'm a bit mixed up by the idea of NF and ADCs.  A worked example would 
>>>>> help.
>>>>>
>>>>> Anyone else on the list with receiver design skills, pls feel free to
>>>>> comment. If a good reference exists I'm happy to dig that up.
>>>>>
>>>>> Thanks,
>>>>>
>>>>> David
>>>>>
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-- 
-
Glen English
RF Communications and Electronics Engineer

CORTEX RF
&
Pacific Media Technologies Pty Ltd

ABN 40 075 532 008

PO Box 5231 Lyneham ACT 2602, Australia.
au mobile : +61 (0)418 975077



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