Was this supposed to have a link, or an attachment?

About ten or twelve years ago, Wally Feurzeig and 
Oliver Selfridge were trying to get NSF interested
in funding a project to study "sonorization" (like
"visualization"), for application to (e.g.) computer
use by visually impaired people, but presumably 
also for applications analogous to visualization
applications.  As far as I know, they never got that
funded (this was during the period when GTE, having
bought Bolt Beranek and Newman for the sake of its
network stuff, had not *quite* finished deciding to
throw the research labs out in the trash; I gather 
that since then the labs have somewhat recovered, and 
when I saw Wally at Oliver's memorial service last
year he said he was still doing stuff, but that 
project wasn't it).  

I am a huge skeptic about the value of most 
so-called "visualizations", and also about 
"tone poems" and other classical (or, more
likely, Romantic or early Modern) musical 
"sonorizations", so even if there were a link
and I had working speakers attached to this
computer, I don't think I'd download it.  But
it would be nice to know (as could be deduced
from the link) who did this (and why I should 
take them seriously, as either artists or 
scientists).  They sound (heh) like people
with too much data and too much computing power
on their hands.  And a grant, probably.

Bah, humbug.


> Brilliant Noise
> 
> from page "...The visual noise in the images is caused by natural and  
> man made interferences. The white noise is cosmic rays impacting the  
> CCD of the satellite camera, we also see frame dropouts and one frame  
> taken from a ground based observatory which shows the silhouette of a  
> plane as it crosses the path of the observatory...
>       "The sound is derived from solar natural radio and controlled via  
> digitally sampling the intensity of the brightness of the image. The  
> sound is intrinsically born from the image, creating a symphony by the  
> Sun.
>       "By doing this we wanted to enhance the sun as natural phenomena.  
> Working with a documentary approach, we wanted to indulge in the raw  
> material that is our Sun, using the image to control the fluctuation  
> of the sound would emphasize the transitions and processes taking  
> place...."
> 
> 
> 
> 



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