I heard of this movie from a mallu str8 friend of mine. but he did not
mention that there is a gay tint in the movie.
Anyways...
I would like to go for the movie with some mallu guy... (as I am huge fan
of Prithviraj Sukumaran). I heard there is no version of the movie with
English subtitles.

--- Reuse Paper by Both Sided Printing ----


On Tue, Jun 4, 2013 at 2:48 PM, gay_bombay moderator <modera...@gaybombay.in
> wrote:

> **
>
>
>
> Alternate lives scorch silver screens this season
>
> By Parvathy Nambidi | ENS - KOCHI
>
> 04th June 2013 11:46 AM
>
>    -
>    
> <http://newindianexpress.com/entertainment/malayalam/Alternate-lives-scorch-silver-screens-this-season/2013/06/04/article1618401.ece#tabs-275876-1>
>
>
>    -  [image: A still from the movie 'Mumbai Police']
>     A still from the movie 'Mumbai Police'
>
>     Over the years, Malayalam film viewers have grown up watching crimes,
> including murders and heinous rapes, onscreen. And, they have been
> accustomed to watching every possible human emotion, ranging from wild
> passion to vehement hatred to unruly violence, through these films. The
> contours of human psyche have always been a favourite topic for the
> directors. But curiously, our mainstream filmmakers have always shied away
> from helming films that speak about the life and relationships of
> homosexuals, while stories and articles about them frequently appear in
> newspapers and books.
>
> Except in Sancharam, a film by Ligy J Pullappally released in 2004 which
> portrays the story of two lesbian lovers, and some fleeting glimpses and
> indirect hints in some movies, the subject has rarely been a choice of our
> filmmakers. But, if indications are anything to go by, the trend in
> Malayalam films is definitely changing. Some of the recently released films
> like Mumbai Police and English chose to travel on different path. Though in
> totally different contexts, both these films have shown an audacity to give
> space to a subject which was hitherto considered a taboo.
>
> “Homosexuals have always been there in this society. But our film makers
> either don’t make films about such people, or picture them in a ridiculing
> way,” says director Shyamaprasad. The director who has shown glimpses of
> the lives of gay people in his two films, Ritu’ and English says, “I have
> not taken films that directly focus on the lives of homosexuals, but there
> are shades of such people here and there. It was not a deliberate attempt,
> but was added because of the requirement of the story. The existence of
> them is a social reality, but even if we don’t make film about them, we
> should at least stay away from jeering at them.” He says that it is a big
> social mistake to portray them as funny characters, indirectly mentioning a
> Malayalam movie that was about an effeminate man.
>
> Mumbai Police has been noticed for its audacity to introduce a gay hero
> for the first time in Malayalam cinema. Scenarist Sanjay, who scripted the
> film along with his brother Bobby says, they had zero per cent apprehension
> while thinking about such a climax. “After all ours is an industry that had
> welcomed films like Randu Penkuttikal and Deshadanakkili Karayaarilla,
> though in those movies the subject was discussed in a subtle way.”
>
> Discussing how the idea came their way, he says, “While penning the story
> of a policeman, we wanted to present him in a different way, unlike the
> usual cliched ruffian image. And that lead us to think about the reason
> behind the ferocity of men. According to the theory of Sigmund Freud, if a
> man shows extreme masculinity, he is concealing something about his
> character. We developed our character based on that theory and that was
> instrumental in shaping ‘Antony Moses’.”
>
> The scenarist says that Prithviraj who played ‘Antony Moses’ had no
> apprehension in playing such a character. “He was extremely excited after
> hearing the storyline. Both Prithviraj and Nihal Pillai, who enacted gay
> pairs in the film, had researched about such characters and enacted their
> roles brilliantly,” says Sanjay.
>
> While Shyamaprasad says that it will take  five to ten years for the
> Malayali society to accept such people and movies about them
> wholeheartedly, Sanjay says that a certain section of the society will
> never accept such themes.
>
> “We should make films based on our own convictions. There were people who
> were skeptical when we took Notebook based on the pregnancy issue of a
> teenage girl, and Ente Veedu Appoonteyum that was about a small boy who
> kills his younger brother.
>
> A section of people may never accept such themes, but film makers should
> have the courage to bring out realities.”
>
> Citing the example of 22 Female Kottayam, he says, “There are a bunch of
> directors who are ready to experiment, therefore, even if some attempts may
> be failure, more and more films with bolder themes will come out.”
>
> --
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