Hi Richard,
First let me say I appreciate your enthusiasm! I hope you are able to learn some
lilypond if it is a useful tool for your
purposes. Another composer sent an email to the list recently asking if lilypond
would suit him, and I sent him offlist a summary
of my experience trying to do music composition with lilypond. At the time I was very
frustrated with the experience of composing
straight into the computer, as I had just done my first project longer than a few
pages and had had a lot of problems. I was
thinking then that the language was too harshly critical to send to the general list,
but I don't think it's too bad, so I'll
include it at the end of this mail, and maybe later post it on the web with some howto
pages for alleviating some of the
difficulties I encountered.
However, I make the general disclaimer that I think my perspective as a lilypond user
is atypical because of two things: First, I
write in a jazz style and need some different notational elements which are not fully
supported, whereas Lily comes from a very
classical tradition. Second, I compose, whereas most lilypond users transcribe music.
I think well over half if not 90% of what
has been typset in lilypond is transcriptions of classical composers whose copyrights
have expired or never existed. The process
of entering a score out of order into a text file is totally different than if you can
look at a fully assembled score and just
copy it line by line. I'm not sure if your needs are more or less similar to mine
than the gnu music community.
As for your idea of a GUI, music notation human interaction is not just as simple as
click this and this will happen sort of
description. I have been seriously thinking about this, both as a jazz composition
student and a computer science/math
professional for over 5 years, and I am convinced that editing music is beyond what
the current state of the art in GUI design
(take MS word as an average benchmark) can understand well. IMHO Finale, and (the
even more expensive) Sibelius are _not_
solutions because something that takes me one hour to write with a pencil will take me
5 hours to get into Finale, counting the
compositional process from beginning to end, including revisions and etc. That is not
to say that they are not great for _copying_
music like some people do with lily. Especially if you have a MIDI keyboard
connected, Finale speedy entry and some other things
can be very quick for certain types of material. But not generally and once any
editing needs to be done, most things have to be
entirely re-entered or tweaked in some way that takes even longer.
Just trust me that pointing and clicking in the way you describe would be way slower
than even finale or lily. While you might be
able to learn it, you wouldn't be able to use it because you wouldn't make your
deadlines.
Again I make the disclaimer that the comments on GUI are probabably way off
gnu-music-discuss targets. Lilypond is not a project
about GUIs. It says so right in the FAQ, "Lilypond itself has no GUI, but some people
are working on separate programs to handle
that." While I personally may be very interested in a robust GUI solution, the
lilypond authors seem to have interests that lie
elsewhere. (pardon me if my presumptions are inaccurate)
On your lack of DOS skills, there really aren't many required to use lily. Basically
you have to be able to install the
program(s), be able to edit text files, maybe being able to move/delete in some way or
another, and be able to type lytodvi <my
file>. If you can edit autoexec.bat, you can edit mycomposition.ly. That said,
learning how to write and debug lily code is quite
difficult for a non programmer and that IMHO has something to do with the fact that
most of the lilypond users run UNIX. (Simply
given that you can use UNIX, you must be able to manipulate files and deal with error
messages. Windows no.) I suggest starting
slowly by compiling a finished example like angels.ly. Then try to change the notes
and rhythms, checking the results each time,
until you understand. Don't do anything so drastic that you can't figure out how to
put it back the way it was when the program
compiled last. At first, the error messages won't make sense, but try to learn by
experience the way that you learned to play
instruments.
If you still feel insecure about starting, be aware that while internet lists are a
great place to ask specific questions, nobody
is willing (or really able) to hold your hand step by step. And even if they were, it
wouldn't teach you as well as you figuring
it out for yourself. So when asking questions don't say "I need help learning about
lilypond." Say "When I compile this file
(email-attached to message) I get the message 'bla bla bla'. Can anybody tell me what
this means?" If you cannot get to that
point by yourself I would recommend getting a more experienced person who can sit with
you in person (not on the phone, that's
horrible for both people) at your computer and help you.
Best of luck with your pursuits.
Jeff Henrikson
(mail to other composer will follow as forward)
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