>>>>> "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
>> I just had to squeeze more music onto a page, so I used the [11pt]
>> option to \lilypondfile in lilypond-book. It mostly looks ok (except
>> that it's too small, but that isn't lily's fault), but the part with a
>> G_8 clef has a normally 11 pt G clef, with a much larger 8 under it.
Mats> Which Lilypond version? I couldn't repeat the problem in 1.4.2.
Sorry, I didn't describe the problem very well. The problem 8 isn't
on the normal 11 pt. clef, but on the one in the incipit that's at an
even smaller size. Attached is the example.
There are lots of warnings about the way I'm doing the font change; it
could be that if I figured out this month's correct way to do that, it
would work, but I suspect it's a bug.
\documentclass[12 pt,letter]{article}
\begin{document}
\newcommand{\composer}[1]{\begin{flushright}{\textsl{#1}}\end{flushright}}
\newcommand{\lilytitle}[2]{\begin{center}{\LARGE{\textbf{#1}}\\\Large{#2}}\end{center}}
\newcommand{\lilycontentsline}[1]{\addcontentsline{toc}{section}{#1}}
\lilycontentsline{Arise, get up, my deere,}
\lilytitle{Arise, get up, my deere,}{ Cantus}
\composer{ Thomas Morley}
\lilypondfile{cantus.ly}
\clearpage
\lilytitle{Arise, get up, my deere,}{ Altus}
\composer{ Thomas Morley}
\lilypondfile{altus.ly}
\clearpage
\lilytitle{Arise, get up, my deere,}{ Bassus}
\composer{ Thomas Morley}
\lilypondfile[11pt]{bassus.ly}
\footnotetext{ The original has a cut time in the bassus, but C in altus and cantus,
so I}
\footnotetext{ have treated this as an error.}
\footnotetext{(1) Original is f quarter note}
\footnotetext{(2) Original is an eighth note}
\footnotetext{(3) Original is a half note.}
\clearpage
\end{document}
#(set! point-and-click line-location)
\header {
composer = "Thomas Morley"
crossRefNumber = "1"
footnotes = "\\\\The original has a cut time in the bassus, but C in altus and
cantus, so I\\\\have treated this as an error.\\\\Original clef C on third line\\\\(1)
Original is f quarter note\\\\(2) Original is an eighth note\\\\(3) Original is a half
note."
origin = "Canzonets, or Little Short songs to three voyces, "
tagline = "Lily was here 1.4.0 -- automatically converted from ABC"
title = "Arise, get up, my deere,\\\\Bassus"
}
% incipit for bassus.abc
% written by writeincipit.sh on Fri Jun 8 14:55:03 EDT 2001
originalclef=\notes{\clef "mensural2_c3"}
firstnote=\notes{ f1 }
range=\notes{<d g'>}
modernclef=\notes{\clef "G_8"}
keysignature=\notes{\key f \major }
timesignature=\notes{\time 4/4 }
%incipit template /home/lconrad/incipit.ly
incipit = \notes {
\property Voice.NoteHead \override #'style = #'mensural
\originalclef
\property Staff.TimeSignature \override #'style = #'old
\keysignature
\timesignature
\firstnote
\bar "|"
% now draw modern clef and key signature in normal font
\property Voice.NoteHead \override #'style = #'baroque
\modernclef
\keysignature
\property Staff.fontSize = #-1
\property Voice.fontSize = #-1
\property Voice.Stem \override #'transparent = ##t
\range
\property Staff.fontSize = #0
\property Voice.fontSize = #0
\property Voice.Stem \override #'transparent = ##f
\bar "|."
\context Staff \outputproperty #(make-type-checker 'clef-interface) #'full-size-change
= ##t
\property Staff.forceClef = ##t
\modernclef
}
%end incipit
wordsdefaultVA = \lyrics {
_ _ A- rise, get up, my deere, get up, my deere
love, rise make hast be- gone _ thee, lo wher the
bride, lo wher the bride fayre Daph- ne bright, wher the bride faire
Daph- ne
bright still stayes on thee. Hark, o hark you mer- y mer- y wan- ton
maid- ens
sque- ling: spice cake sops in wine, spice cakes are a deal- ing; spice
cakes sops in wine, sops in wine are a deal- ing, are a deal- ing, Run then
run a pace, run a pace then, run then run a pace, a _ pace and get a bride
lace; and a guilt Rose- mar- y brance the while yet ther is catch- ing, and
then hould fast for feare of old snatch- ing. A- las, my love, my love, why
weep _ ye? O feare not, fear not that, deere love, the next day keep wee; List
hark you Min- strels, how fine they firck it? and how the maids jerk it, with
Kate and Will, Tom and Gill; hey ho brave; now a skip, there a trip, fine- ly
set a loft, on a fine wed- ding wed- ding day. List hark you Min- strells,
how fine they firck it? and how the maydes jerk it? with Kate and Will,
Tom and Gill, hey ho brave, now a skip, there a trip, fine- ly sett a loft,
all for fayre Daph- nes, Daph- nes, wed- ding, wed- ding day.
}
voicedefault = \notes {
\property Staff.noAutoBeaming = ##t
\property Score.breakAlignOrder = #'(
Left_edge_item
Span_bar
Breathing_sign
Staff_bar
Clef_item
Key_item
time_signature
)
\property Staff.forgetAccidentals = ##t
\property Voice.NoteHead \override #'style = #'baroque
\property Staff.noAutoBeaming = ##t
\property Score.breakAlignOrder = #'(
Left_edge_item
Span_bar
Breathing_sign
Staff_bar
Clef_item
Key_item
time_signature
)
\property Staff.forgetAccidentals = ##t
\property Voice.NoteHead \override #'style = #'baroque
\property Staff.Custos \override #'style = #'mensural
\property Score.defaultBarType="empty"
\incipit
% %gchordfont Helvetica 12 box
% %MIDI nobarlines
\property Staff.TimeSignature \override #'style = #'C
\time 4/4 % K:F
\key f \major \clef "G_8"
% %MIDI transpose -12
% 1
f1 c'2 c'2 d'2 d'2 e'2 c'2 f'1. e'2 d'1 % 2
c'2 f'2. e'4 d'4 c'4 bes4 c'4 d'2 c'4 d'8 e'8
% 3
f'2 d'4 e'8 f'8 g'4 f'4 e'4 d'4 c'4 d'8 e'8
f'4 e'4 d'4 c'4 % 4
bes4 c'4 d'2 c'1 f1 ^"\large\bf \large\bf A" f'2. d'4
f'4. ^"(1)"
e'8 d'8 c'8 bes8 c'8 d'4 ees'4 bes2. c'4 % 5
g2 c'\breve r2 r4 c'4 d'4 f'4. e'8 d'4 c'4 bes4
a4 f4 c'\breve f2 r4 f4 % 6
a4 c'4. bes8 a4 g4 f4 bes2 c'4 g4 d'4 bes4
f'4 g'4 d'2 g4 ^"\large\bf \large\bf B" bes2 g2 % 7
c'4. bes8 a4 g4 f4 c'2 f2 f'2 d'2 g'4. f'8
e'8 d'8 c'4 g'4 e'4 f'4 c'4 g'2 % 8
\property Staff.TimeSignature \override #'style = #'1style
\time 3/2 c'1 f'4 f'4 d'2 d'2 a4 a4 bes2. bes4 f2
c'2 d'2 g2 c'2. d'4 e'2 % 1r
f'2 d'1 c'1 a2 bes2. f4 c'2 \time 4/4 f2. f4
a1 a2 a2 d'2 cis'2 d'4 d4 % 2r
f4 g4 a1 r4 a4 a4 a4 d'4. c'8 bes4 f4 bes2
c'2 g4 a4 g2 c'4 ^"\large\bf \large\bf C" c'4 % 3r
f'4 e'4 f'4 c'4 r4 c'4 f'4 e'4 f'4 c'4 r4 c'4
a8. bes16 c'4 f8 f8 f'4 % 4r
d'8. e'16 f'4 bes8. c'16 d'4 ees'!4 bes4 d'4 a8.
bes16 c'4 g8. a16 bes4 f8. g16 % 5r
a8 bes8 c'4 g8. a16 bes4 a4 f4 c'4 c'4 f4
^"\large\bf \large\bf D" f4 f'4 e'4 f'4 c'4 % 6r
r4 c'4 f'4 e'4 f'4 c'4 r4 c'4 a8. bes16 c'4
f8 f8 f'4 d'8. e'16 f'4 % 7r
bes8. c'16 ^"\large\bf \large\bf (2)" d'4 ees'!4 bes4 d'4 a8.
bes16 c'4
g8. a16 bes4 f8. g16 a8 bes8 c'4 % 8r
g8. a16 bes4 a4 f4 bes4 g4 a2. bes4 c'2.
^"\large\bf \large\bf (3)" c'4 f1 ^\fermata \bar "|."
}\score{
\notes <
\addlyrics
\context Staff="default"
{
\voicedefault
}
\context Lyrics="default"
<
{ \wordsdefaultVA }
>
>
\paper {
\translator{
\StaffContext
\consists Custos_engraver
} }
\midi {}
}
--
Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ )
(617) 661-8097 fax: (801) 365-6574
233 Broadway, Cambridge, MA 02139
