[image: choral-voices.jpg] Ethnographic Imaginations of Sound and Sacrality Sebanti Chatterjee (Author) Ebook (Epub & Mobi) ₹8072.00 https://www.bloomsbury.com/in/choral-voices-9781501379857/
Description *Choral Voices: Ethnographic Imaginations of Sound and Sacrality* is about sacred and secular choirs in Goa and Shillong across churches, seminaries, schools, auditoriums, classrooms, reality TV shows, and festivals. Voice and género emerge as social objects annotated by tradición, nostalgia, and innovation. Piety literally and metaphorically shapes the Christian lifeworld, predominantly those belonging to the Presbyterian and Catholic denominations. Indigeneity structures the political and cultural motifs in the making of the Christian musical traditions. Located at the intersection of Sociology, Anthropology, and Ethnomusicology, the coral voices emplace 'affect' and the visual-aural dispatch. Entonces, sonic spectrum holds space for indigenous and global musicality. Table of Contents *ListofIllustrations* *Prologue: Warming Up* 1 Introduction: Choral beginnings: Inside the chapel and a home studio 1.1 A biography of community- delineating the Sacred and the Heritage 1.2 Establishing a musical cadence 1.3 Framing choral music within Christian landscapes 1.4 Aural Intentions: Summary of chapters 2 Making of the Indigenous 2.1 Interrogating the Indigenous 2.2 Emplacing the Indigenous 2.3 Understanding Indigeneity, Inculturality and Decoloniality 2.4 Music and Decoloniality 2.5 Exploring the relationship between Indigeneity and Sacrality 2.6 Indigenous Possibilities in curricula and performance: Field narratives 2.7 Towards Sonic Interculturality 3 From Loft to the Recording Studio: Shillong Diaries 3.1 What brings you to Shillong? Introduction 3.2 Cusp of Sacrality, new Technologies and Creative Processes 3.3 Choral Voices as ethnographic objects 3.4 Short Historical Snippets about Christianity and Musicality in Khasi and Lushai Hills 3.5 Discussing Genre, Intertextuality and Territorialisation 3.6 Shillong Chamber Choir 3.7 Repertoire- Medleys/Crossovers 3.8 Beyond performance 3.9 Aroha Choir 3.10 Conclusion 4 The Language of Music: Notes from a Goan Seminary 4.1 Inhabiting the Seminary 4.2 Outlining Goan Sacred Music 4.3 A brief history of music and language in Goa 4.4 Entering the field site 4.5 Rachol Seminary 4.6 Introducing the seminarians 4.7 Syncretic musical experimentations in Goan Sacred music 4.8 Goan Sacred music- Motets 4.9 Conclusion 5 Mapping Choral Voices: Role of People and Places 5.1 Introduction 5.2 Hierarchization of voices 5.3 Indigeneity and Christian Music Tradition 5.4 Music Performance 5.5 Conclusion 6 Tutti: Concluding Section 6.1 The Musical Clef Notating Certainty- Uncertainty 6.2 Positing the Vocal Phrasing *Acknowledgments* *Bibliography* *Glossary* *Appendix* *Documentary – Da Capo (in CD)* *Index* Via -- FN * +91-9822122436 * 784 Saligao 403511 Bardez Goa ------------------- YouTube Channels ------------------- FN https://www.youtube.com/c/FrederickFNNoronha/videos or https://bit.ly/FNOnYouTube FN1 https://bit.ly/FNVideos1 FN2 https://bit.ly/FNVideos2 ------------------- ------------------- ---------------- [image: Mailtrack] <https://streaklinks.com/BNISdYsXV5Gr-cVvzA8tmE49/https%3A%2F%2Fmailtrack.io%3Futm_source%3Dgmail%26utm_medium%3Dsignature%26utm_campaign%3Dsignaturevirality11%26> Sender notified by Mailtrack <https://streaklinks.com/BNISdaSv7ypZotJieAhf5LDd/https%3A%2F%2Fmailtrack.io%3Futm_source%3Dgmail%26utm_medium%3Dsignature%26utm_campaign%3Dsignaturevirality11%26> 17/09/22, 06:12:49 pm ᐧ -- *** Please be polite and on-topic in your posts. *** --- You received this message because you are subscribed to the Google Groups "The Goa Book Club" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. To view this discussion on the web, visit https://groups.google.com/d/msgid/goa-book-club/CAMCR53%2BwrHKc5mBQ6e4D%2BU5rjAjQQow8V6%2BHPgDa_0PqXFkiEA%40mail.gmail.com.
