Rohit Chawla's latest book is about Goa, isolation and the company of dogsRohit
Chawla’s latest book, ‘Rain Dogs’, features images of Indie dogs on
solitary beaches during the covid-19 pandemic, with just the Goan monsoon,
the tempestuous sea and a human or two
*Avantika Bhuyan* <https://www.livemint.com/authors/avantika-bhuyan>
Published18 Apr 2025, 08:00 AM IST
[image: The book is an ode to stray dogs. Photographs: Rohit Chawla]The
book is an ode to stray dogs. Photographs: Rohit Chawla

The sea appears like an everexpanding sphere, alternating between shades of
steel, silver and grey under the dark monsoon sky. Droplets of rain break
the surface like tiny jewels. Two lone figures stand at the edge of the
water. The human, with a hat on head and a fishing rod in hand, seems to be
lost in thought. The black dog, with a medallion around its neck, on the
other hand, is entirely focused on its human companion—calm but watchful.
There is a sense of quiet companionship between the two. There is a poetic,
almost paintinglike feel to this image. The photograph stays with you long
after you have finished poring over Rohit Chawla’s latest book, *Rain Dogs*
(HarperCollins India).

“(These) moving photographs of dogs in Goa during the covid era are a
reminder that dogs are indeed poems with paws, and that those paws can
leave their imprint on the hardest human heart,” writes politician-author
Shashi Tharoor about the images in a blurb in the book. This series of
images had rather serendipitous beginnings. In 2021, when people started
retreating indoors during the covid-19 pandemic, Goa-based Chawla chose to
seek refuge under the monsoon skies. He embarked on long walks on solitary
beaches, bereft of tourists and locals, to get some exercise and break the
monotony of the isolation. On several such sojourns, he found company in
stray dogs. And that’s how these photos came about. “I was trying to form a
frame around my vulnerability, my disparate thoughts, my inability to
articulate those thoughts even to myself. Thus these images are the
quietest, most introspective work I have ever done,” Chawla writes in the
introduction.
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The book is an ode to stray dogs, or streeties. He takes umbrage to the
connotations associated with “stray” in common parlance. According to
Chawla, to stray literally means to move away from a predetermined course
of sorts, and to find that appendaged to the Indie dog is a travesty of
sorts. “It creates a thrust of ‘unwanted, disowned, unloved’ on these
innocent dogs. We use that word carelessly in a hope to absolve most of us
of our guilt in discarding them,” he says.

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[image: Most of the photos are without any human presence]
Most of the photos are without any human presence

It is a thought shared by many authors and poets, ranging from Jeet Thayil
and Santosh Desai to Anuja Chauhan and Javed Akhtar, who have contributed
text to this book. Author Indu Balachandran writes in one chapter: “...the
Indie dog smells of gutsy outdoor adventure, of innate instincts still
intact, and the unbridled joy of being a dog— and nothing but a dog. She’s
like the comfort of homecooked dal, rather than the ‘lentils fricasseed
with rare oriental spices’ in the menu of a starred restaurant… .”
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The format of images interspersed with text is new to Chawla, and was
something that evolved with the idea of the book. Thconventional
coffee-table format seemed past its expiry date for a subject such as this,
which necessitated a certain intimacy in its physical form as well. The
grey seascapes and the undersaturated tonality of the imagery express the
quiet vulnerability that these forgotten dogs evoke within the artist. The
title *Rain Dogs* came from Jeet Thayil’s poetic head. “Manu Joseph, the
pop psychoanalyst of all things Indian, wrote a perfect unconventional
foreword, and 30 other writers—united by their love for dogs—added an
unpretentious gravitas to this love letter to dogs of all shapes and
sizes,” elaborates Chawla.

The photographer has been shooting portraits for the past 40 years, and
usually exercises a certain amount of control over the process. However,
the images in *Rain Dogs* have a great degree of happenstance. The
unpredictability of the period is reflected in the act of making these
photos, with tempestuous seas, monsoon rain, and the dogs having their own
rhythms. Often, the pouring rain would make the camera inoperable.
Sometimes he would stand in the downpour for hours to get that moment of a
dog reaching a particular spot. “The monsoon in Goa is a beast of its own,
and I wanted to create quiet imagery during those bleak times as a record.
Soon photographing the dogs against the landscape became a necessity of
sorts for me—a therapy, if you will. I had lost someone close to me in the
pandemic and this bond with the dogs sustained me,” says Chawla.

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[image: Images in Rain Dogs have a great degree of happenstance]
Images in Rain Dogs have a great degree of happenstance

Proceeds from the book and exhibitions of photographs will go towards
registered animal charities in India. Although some of the images have a
human presence, it is the dogs that take centre stage. According to Chawla,
humans are a happy adjunct in this graphic milieu—their presence at times
only reinforces the loving contact with dogs that sustained some of us
during the pandemic. Most of the images emerged from chance encounters. For
instance, the photograph on the book cover features a solitary migrant
worker from Bihar, whom Chawla chanced upon one morning gazing at the
horizon at Dream Beach, Vagator. “Though I mostly photographed him in the
morning, one day all the elements came together—a fishing boat, the dog
that mirrored his posture, and a portentous monsoon sky—to document life
and longing in such bleak times,” he adds. “These images are records of
those magic moments that happen to photographers rarely in their lives.

Given that the Goan landscape features as one of the central protagonists
in the images, it was only apt that an exhibition of these photographs
opened at the local Aguad Museum earlier this year. The show is likely to
travel across the country in the coming days. “The images also paint a
picture of the magnificent Goan monsoon, which cleanses and rejuvenates
most, who are lucky enough to spend time here during that season. I make it
a point to return home and put all my assignments and travel on hold for
this special time of the year. The monsoon palette of Goa is unlike what
you see in any part of the tropics,” he says.

https://www.livemint.com/mint-lounge/art-and-culture/rohit-chawla-rain-dogs-indies-solitary-beaches-goa-monsoon-pandemic-11744909312286.html

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