The One Book to read from the Asian Prize for Fiction 2023 Longlist —
Joao-Roque Literary Journal est. 2017
<https://www.joaoroqueliteraryjournal.com/nonfiction-1/2024/6/15/the-one-book-to-read-for-from-the-asian-prize-for-fiction-2023>



*On Sat, 15 Jun 2024 at 14:23, 'Selma Carvalho' via GoaWriters2
<goawrite...@googlegroups.com <goawrite...@googlegroups.com>> wrote: *

*"To be honest, this is one of the reasons I wanted to tell this story. Goa
and its diaspora have such a rich tradition of storytelling but somehow
they aren’t reaching the bookshelves outside of the state."*

That's a good argument, but it somehow makes it sound as if the goal of a
society to write is to reach "the bookshelves outside" the region.
What strikes me as more important is (i) create a local market for local
writing (ii) build acceptance for the diversity of Goan writing -- across
languages, scripts, even dialects and religions.
At one stage, for a short window in the sixteenth century, Goa was where
the rest of Asia came to get published. Not just religious texts, but works
on language, geographies, plants and more.
Later, Goa shifted to the periphery of the world of printing, and Goan
authors struggled to get published in a wide range of places. Like Bombay,
Delhi, Karachi, Madras, Calcutta, Poona, Mangalore, Hyderabad, Sawantwadi,
Malvan, Jubbulpore (sic), Shimla, Lisbon, Porto, Coimbra, Luanda, Beira,
Lourenco Marques, Nairobi, Rio de Janiero, London, Paris, Moscow,
Singapore, Malaya, Malaysia and even Praia in Cabo Verde.
All this while, Goans were writing for distant audiences, mediated by
editors and publishers or printers who knew little or nothing of the local
reality. While authors would understandably like to get the largest
audience possible, and feel very "global", this doesn't come without its
price. The latter also comes with the possibility of prizes and
recognition, while Goa remains the classic case of talent not being
recognised at home. A scholar or two (Filipa Vicente, for example) have
also studied how the Goan writer would need to suit or adapt their work to
their distant and even remote audience.
Till now, Goa is yet to build a sufficiently-large audience, market or
researchers for its own writing -- due to a set of complex reasons, and
which one need not go into here. Meanwhile, writers who might have little
of a lived experience or understanding of the local reality, continue to
define this tiny region. Which could also be a challenge in terms of how a
tiny place ultimately gets defined.
I think there could be a clash between the small-is-beautiful and the
size-does-matter approach to authoring and publishing. To me, the former
has a better chance of authenticity. FN

The One Book to read from the Asian Prize for Fiction 2023 Longlist — Jo...

Longlisted for the Asian Prize for Fiction 2023, Mrinalini Harchandrai
discusses her book. This story was inspir...
<https://www.joaoroqueliteraryjournal.com/nonfiction-1/2024/6/15/the-one-book-to-read-for-from-the-asian-prize-for-fiction-2023>



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