Folk Songs of Goa: Mando-Dulpods & Deknnis

>From the Jacket:
Konkani Song, of which Goan Song is the preeminent
branch, is a treasury of the traditional music of the
Indian subcontinent. It has at least 35 types,
monophonic and harmonic, the former prevalent before
the Portuguese brought Western music into India, and
the latter, consequent to the Western impact. It was
in Goa that Indian musicians first began to compose in
Western musical forms, incorporating into them motifs
and nuances of their own immemorial tradition.

Among these 35 types four were created to accompany
social dancing; the Mando, the Mando-dulpod, the
Dulpod, and the Deknni. The Mando, the finest creation
of Goan Song, is a slow verse- and - refrain
composition, in six-four time, dealing with love,
tragedy and contemporary events, both social and
political. Aryan Books International has published two
volumes on the Mando, entitled, Song of Goa, vol. 1:
Mandos of Yearning (2002); and vol. 2: Mandos of Union
and Lamentation (2003).

While the Mando is an art song, the remaining three
types represent Goan folk song. The Mando-dulpod is a
slower variety of the Dulpod (or a quicker sort of
Mando), also in six-four time, facilitating the
transition from the slow rhythm of the Mando to the
quicker one of the Dulpod. The Dulpod itself, in
six-eight time, is typically descriptive of everyday
life in traditional Goa, particularly that of the
Christians. The Deknni ("song of the Deccan") is a
song imitating Hindu music in the musical idiom
current among the Christian, in two-four or six-eight
time, descriptive mostly of Hindu life, with special
attention given to the temple dancers. The present
volume contains examples of the Mando-dulpod and the
Deknni. Hopefully a future volume will be devoted to
the Dulpod.

About The Author:
JOSE PEREIRA (1931) is Professor Emeritus of Theology
of Fordham University, New York, where he lectured on
History of Religious. He has taught and done research
in various academic institutions in Lisbon, London and
Varanasi, and has published 20 books and over 140
articles on theology, history of art and architecture,
and on Goan and Konkani culture, language, literature
and music.

MICAEL MARTINS (1914-1999), of Ol-lli/Orlim, Goa,
studied music in Goa, and in Bombay with renowned
music teachers. He performed for various societies in
Bombay and Delhi, and led orchestras of films in
Bombay. He began collecting traditional Goan songs,
art and folk, in 1933, and collaborated with Jose
Pereira in recording Konkani songs from 1954, putting
together as many as 11,000 number. Martins
incorporated several motifs from traditional Goan song
into his classical musical compositions.

ANTONIO DA COSTA (1943), a priest, psychotherapist and
musician, is currently working in the field of
gerontology and ministers to the elderly in Arizona,
U. S. A. As a musician he was trained in the Saligao
and Rachol Seminaries, the London Trinity School of
Music (in Bombay), the Juillard School of Music and
Columbia University, New York. Inspired by his mother
Arsentina, he began collecting specimens of
traditional Goan song from the age of 16, and for
several years broadcast mandos, dulpod, deknnis,
fugrhis, hymns and motets over Radio Goa, with the
assistance of the choral groups he had founded and
directed. He also organized concerts of Goan music in
Bombay, Pune and Mangalore to expose Goan audience to
the treasures of their traditional music.

TEXT, SCORE, TRANSLATION AND NOTES

Mnado-Dulpods 1 
1. ADVOGADANY'M VARHOILEAIM HARHAM 
2.  AITRACH' SOKANNIM MISSAKO 
3.  BANNALEANTUM MUZO GAUM-UM  
4.  CECILIO MUJEM NAUM  
5.  DANDDEA' CAETAN BUTIQUEIRU 
6.  ESTUD SANDDUN BOUNTAM MUNN  
7.  GARANTULIM BAIRI SOT-TONNOM 
8.  IM TIM LOTLLE' BAMBONNAM  
9.  LANOM Y AUM BURGEM ASTONNOM 
10.  Carmo Abreu & Arnaldo de Menezes
MAIM-PAI MAKA KORTAI RE FUGARO 
11.  RAINTUM TSOLI DINAIM KONNOM  
12.  SANGEARY AUM [SANKVALLE] PARHUM' GELOLIM   

 Deknnis 22 
1.  AG' Y AGA SONAR XETTI
        Variant 1 ARE ARE XETTI DADA
        Varient 2 BAVACH BOINNIM 
2. AJ SOMARATSO DISU
        Variant AMCHA SOMARACHA DISA 
3. ALTORHI GONGA 
4. ALTORHY SAN PELTORHI GELEARI 
5. AMIM KOLVONTAM 
6. ARE DEULLEA 
7. AT-LAUNNEM ZALEM DADA 
8. AUM SAIBA PELTORHI VOITAM 
9. BOL-LOLY' XIDIE' MUKO NAM GA 
10.  BORIECHE TARI 
11.  BOTTU MELO 
12.  ERIKETY ADELAI-I
(HENRIQUETA ADELAIDE) 
13.  ERIKETY BAI ADELAI-I
(HENRIQUETA BAI ADELAIDE)  
14.  FARO DILE VO RE BABA  
15.  FONDDECHA DESIAGERY  
16.  FULO MALLUNUM 
17. GE GE GE GE GE   
18.  GONNESPOTI RAYA   
19.  JAMNAM POROBAJA  
20.  KAINCH KARANN NAM  
21.  KAZOLL KUKUMM MANNYKA' PANNIM  
22. KOLVONTAM Y AMIM PORVOTAVELIM  
23. KUXTTOBA  
24. MUJI MAIM-IM BOISOLEA  
25. MUZO FULANTSO PORHU
        Variant 1 MUJEM PAIANCHEM PAINZONN
        Variant 2 MUJO MOGATSO POTI 
26. NAUM MUJEM ERIKETI (HENRIQUETA) 
27. OIRY OIRY OIRY DOGRA' 
28. PAIAM' PAINZONNAM 
29. PONNJECHA PATTEARY MAIM 
30. PORTUGALA' SAUN 
31. SAIBA RAYAN BANDU GATILA
        Variant 1 AILE DONGURI
        Variant 2 SAIBA RAYANUM BANDU GATILA 
32. SAIBA TANDDELA 
33. SATTI OZRANCH' BEN MUJE ADINOM  
34. SOKANNY'M FURHEM UTTUN CHERH'M MUJ'M  
35. TENDDULECHIM TENDDULIM 
36. VAINGEM CAZAR ZATA MUNN
        Variant of VAINGEM CAZAR ZATA MUNN  
37. VOKOL Y AMCHI LOKMI SORI  
38. XIRVORHECHIM CHERHVAM  
ALPHABETICAL LIST OF MANDO-DULPODS & DEKNNIS  

Folk Songs of Goa: Mando-Dulpods & Deknnis
IDE272 
by Jose Pereira, Micael Martins and Antonio da Costa
Hardcover (Edition: 2005)
Aryan Books International
ISBN 81-7305-280-8
Size: 8.7" X 5.7"
Pages: 110
Priced: US$ 19.50


Gaspar Almeida
http://www.goa-world.com/goa/about_goa/

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