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Goan Konkani film - Poltodcho Munis- captivates Toronto Film Festival audience
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Man beyond Bridge - Konkani film - Poltodcho Munis 

A Film Review by Silviano Barbosa Toronto 


Based on Konkani Poet/Novelist Mahableshwar Sail's story and under the magic 
touch of young Director Laxmikant Shetgaunkar, the Konkani film Poltodcho 
Munis  can easily be classified as Goa's best Konkani  movie ever to captivate 
the world film audience.

This movie has everything in it: best direction, a touching unconventional 
story, natural acting, attractive scenes, simple yet effective dialogues, 
down-to-earth 
characters, rural jungle terrain with a river running through it, and a typical 
Goan native population to bring out the volatile soul of the land in front of 
the appreciative world audience.

The music is enlivening, and every moment of the film feels precious and 
satisfying to the soul and you wish and hope the movie never ends.

The emotion is boundless and you empathize with the main characters throughout 
the film. Who is to decide what is righteous or not, but you can believe and 
love the 
dazzling treatment the director paints the film with. 

The chirping of the birds, the quaint sounds of the wild, the smooth running of 
the fresh pure water in the river, the dark mountains, and the flora and fauna 
of this 
beautiful Goan terrain that has hypnotized the poets and sadhus of this world 
for ages, embellish the environs that forms the backdrop to this magnificent 
film. 

The film ends sadly with Vinayak cutting off the rope of the bridge as he cuts 
off his life from the other side - POLTODDI.

The Man Beyond the Bridge is directed by Laxmikant Shetgaonkar (also 
screenplay). The cast includes Chittaranjan Giri, Veena Jamkar, Prashanti 
Talpankar and Vasant Josalkar. The music is by Debasish Bhattacharjee/ Ved 
Nair, sound by Rajendra Hegde, cinematography by Arup Mandal and edited by 
Sankalp Meshram. 

The affable portrayal of Vinayak by Chittaranjan Giri is commendable. Veena 
Jamkar as his live-in companion/
mentally challenged woman hardly speaks, except to say "Naka..", but acts 
superbly. So do  the fine charismatic characters of  SarPunch,  adviser/midwife 
(voijinn) Prashanti Talponnkar, Bhott and Possorkar, who give this film its 
finishing touches. 

Director Shetgaonkar has tackled various aspects of life in this film: 
loneliness, yearning for love and companionship, serenity of nature, 
conservation, religious passion and fervour, politics, community celebrations, 
social mores and traditions and most of all he has used appropriate spoken 
Konkani language to give a legitimate touch to this film's locale.

With films like  Poltodcho Munis and directors like Laxmikant Shetgaunkar, 
India, if not Goa, can be proud of its own *Slum Dog* achievements in the world 
of films.

You have to see this marvellous film for its mercurial soul and most of all for 
its  MUNISPONN . 



Reviewed by Silviano C. Barbosa,
Author of the Canadian/Goan novel, "The Sixth Night"
goa...@hotmail. com  September 15, 2009

http://www.agorapublishing.com/Sixth_Night.html
 
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