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On May 8, 2012, Arturo Sandoval Pays Tribute to Dizzy Gillespie with Dear Diz 
(Every Day I Think of You)

Co-produced by Latin Grammy "Producer of the Year" Gregg Field who also 
performs as a guest artist; Features vibraphonist Gary Burton, Yellowjackets 
saxophonist Bob Mintzer, organist Joey DeFrancesco, clarinetist Eddie Daniels 
as well as some well-placed surprises including – actor Andy Garcia on 
percussion andvocalist Manolo Gimenez.

On May 8th, Arturo Sandoval will release his second album on Concord Jazz, Dear 
Diz (Every Day I Think of You). Dear Diz (Every Day I Think of You) is 
Sandoval’s tribute to Dizzy Gillespie, the mentor and friend who literally 
rescued him and his family from an oppressive existence and gave them a chance 
at an entirely new and better life. The album is a collection of classics from 
Gillespie’s massive body of work, each framed in big-band arrangements that 
throw the spotlight squarely on the elements of bebop that underscore so much 
of the iconic trumpeter’s work and set the tone for the music of his era.

Backing Sandoval on the project is a crew of top-shelf jazz artists: 
vibraphonist Gary Burton, Yellowjacket's leader saxophonist Bob Mintzer, 
organist Joey DeFrancesco, clarinetist Eddie Daniels, saxophonist Ed Calle, 
drummer/producer Gregg Field and several others. Also along for the ride are a 
couple of unlikely but well-placed surprises – actors Andy Garcia on percussion 
and vocalist Manolo Gimenez. The resulting set is, as Field puts it, is 
Sandoval’s “love letter to an old friend.”

The set opens with Gillespie’s voice, introducing a young Arturo Sandoval as 
“one of the young grand masters of the trumpet” during a live performance in 
the late ‘80s. What follows is a contemporary re-construction of Gillespie's 
signature “Bebop,” arranged by 2012 Grammy-winner Gordon Goodwin. Goodwin, whom 
Field calls “The most interesting voice in contemporary big band writing,” is 
also responsible for the fiery arrangement of “Salt Peanuts!,” which features 
Bob Mintzer on tenor sax, Gary Burton on vibes and if you listen closely you'll 
hear Sandoval friend Joe Pesci joining in the band vocal. “This is such a 
perfect example of Gordon’s genius,” says Field, “of his ability to take 
something that is so familiar to jazz musicians and fans and completely rework 
it.”

Dizzy’s “Birks Works” is rechristened here with the tag “a la Mancini,” thanks 
to the contributions of saxophonist Plas Johnson, who famously recorded Henry 
Mancini’s iconic Pink Panther theme nearly 50 years ago. Album pianist Shelly 
Berg’s arrangement utilizes alto flute, trumpet, tenor sax and strings – all of 
which further evoke the Mancini sensibility.




(http://www.amazon.com/Dear-Diz-Every-Day-Think/dp/B007JZFWHA/ref=sr_1_1?ie=UTF8&qid=1335810676&sr=8-1)
Buy/Preview This Album 
(http://www.amazon.com/Dear-Diz-Every-Day-Think/dp/B007JZFWHA/ref=sr_1_1?ie=UTF8&qid=1335810676&sr=8-1)

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