I/III.
http://indianexpress.com/article/opinion/columns/when-dissent-was-seen-as-dirty/

When dissent was seen as dirty

Sahitya Akademi has broken its silence. But the rage against the
writers’ protest was the most instructive part of this episode

What was most instructive about this episode was the lava of rage that
the writers’ act of relinquishment inspired. A decision prompted by an
individual’s assessment of the realities of the times he or she lives
in — his or her constitutional right to freedom of conscience — was
immediately deconstructed as a hostile act against the nation.
(Source: PTI file photo)

The Sahitya Akademi has broken its silence. One year and five months
after Kannada litterateur U.R. Ananthamurthy — a Sahitya Akademi
fellow and awardee — was given a ticket to go to Pakistan; nine months
after Tamil novelist and professor, Perumal Murugan, announced that
“Author Perumal Murugan is dead”; two months after its member and
awardee, MM Kalburgi, was shot dead point blank; almost six weeks
after Hindi litterateur Uday Prakash returned his award, saying that
writers are solitary figures in an increasingly intolerant society
that has no stomach for dissent, the Sahitya Akademi has found it in
itself to condemn Kalburgi’s killing and the rising tide of violence
and intolerance in the country.

The writers who returned their awards over these last few weeks cut
across every linguistic, regional, religious, caste, ideological and
writerly divide. But still, they were painted as leftists, Congress
stooges, leftovers from the dustbin of history, publicity hounds,
seekers of preferment. The labels flew thick and fast in the toxic
spaces of debate on television and social media, where trolls spew
their venom, secure in anonymity, and where a deeper engagement with
ideas is a strict no-no.

What was most instructive about this episode was the lava of rage that
the writers’ act of relinquishment inspired. A decision prompted by an
individual’s assessment of the realities of the times he or she lives
in — his or her constitutional right to freedom of conscience — was
immediately deconstructed as a hostile act against the nation. As was
darkly suggested in the memorandum presented to the Akademi by the
previously unheard of Janmat (Joint Action Group of Nationalist Minded
Artists and Thinkers), supposedly set up post haste to checkmate the
writers’ march that had been organised to the Akademi’s offices in
Delhi on Friday: “These writers are engaged in undemocratic actions.”

Thus, dissent itself became a dirty, sneaky, suspicious word that can
even draw officials from the Union home ministry to one’s door, as the
Vadodara-based linguist, Ganesh Devy, found out soon after he had
returned his award. The questions flung at him and the others were
many: Why now? Why did you then choose to keep quiet when there was an
Emergency in the country, when Delhi was burning or when Asaduddin
Owaisi and his brother were deliberately stoking communal hatred? Some
wagged an accusatory finger and said, ah-ha, this is because these
self-styled intellectuals, these pseudo-secularists, cannot stomach
the BJP’s decisive victory in the general elections of 2014, and they
live in dread of the party’s unassailable popularity and that of
Narendra Modi. It is a “manufactured revolt” said one minister, while
another taunted the offending writers to stop writing “and then we
will see”.
Not one person in power made a serious attempt to respond to the
observations that were being offered by those returning their honours.
Punjabi playwright, Atamjit, to take just one instance, expressed how
acutely conscious he was of the irony that the play for which he had
received the Sahitya Akademi award in 2009, Tati Tavo Da Sach (The
Truth of the Griddle), was actually about tolerance in a multicultural
society.

Those who returned their awards understood the chilling impact a
climate of fear, violence and impunity would have on the words they
write today and the books they produce tomorrow. Malayalam poet K.
Satchidanandan, who felt compelled to resign from his posts in the
Sahitya Akademi, wrote in his poem dedicated to Murugan, “The Earth is
a damaged machine./ I am not someone who can repair it./ I am a king
without a country,/ A god without a weapon,/ A life without a tongue.”

Such words may have been lost on those in the corridors of power but
they reflect the enormity of a crisis caused by the fine sowing of
dragon teeth over long years of communal, casteist violence that
is today yielding a malevolent harvest. A group of eminent Indian
sociologists, in its statement supporting the writers, honed in on
what precisely was disturbing about the present times: “In a country
with some 4,693 communities and over 415 living languages, each
community is bound to have its own customs, including dietary choices.
Individuals may also follow practices different from the ones followed
by the majority of their community. Any attempt to impose a uniform
belief or practice, on either individuals or communities, is
antithetical to the freedom enshrined in the Constitution. It is the
state’s responsibility to ensure this freedom.”

Writers are part of that ecosystem, they survive on diversity and seek
to understand it. The English poet, Percy Bysshe Shelley, who had
described poets as the unacknowledged legislators of the world, wrote:
“They measure the circumference and sound the depths of human nature
with a comprehensive and all-penetrating spirit”. It is this electric
capacity that writers have of being able to measure the circumference
of human nature that institutions like the Sahitya Akademi need to
protect at all times and in all circumstances.

The writer [Pamela Philipose] is a senior journalist.

II/III.
http://scroll.in/article/764749/the-vicious-attacks-on-gulzar-actually-prove-his-point

ILLIBERAL INDIA

The vicious attacks on Gulzar actually prove his point

One of India’s most respected artists, Gulzar faced right-wing ire for
speaking up in favour of protesting writers.
Shoaib Daniyal  · Today · 08:45 am

Sampooran Singh Kalra or, to use his far more popular nom de plume,
Gulzar, is a colossus on India’s literary scene. Effortlessly
straddling the worlds of popular and high art, in his five decades as
a filmmaker, lyricist and poet, he has captured the hearts and minds
of people across India.

Unlike many others, Gulzar has used his art to comment on the issues
of the day. When people were crawling during the Emergency, Gulzar’s
film Aandhi was banned. That isn't surprising: it was a thinly
disguised biopic on Indira Gandhi. In Machis in 1996, he commented on
terrorism in Punjab, severely indicting the Congress administration
for human rights violations. In 2012, Gulzar was one of the
intellectuals who expressed grief and sorrow at the Delhi gangrape.
His poetry about the crime was circulated around on television as well
as on social media. Tweeters posted his couplet on the incident to
express their emotions.

Latest statement

That was then. On Sunday, Gulzar again slipped into his role as a
public intellectual. The veteran poet criticised the growing religious
intolerance in India and backed the writers who had returned their
government awards in protest.

“We have never witnessed this kind of religious intolerance. At least,
we were fearless in expressing ourselves," Gulzar said in a television
interview. "Never thought that a situation like this would come where
a person's religion is asked before his name. It was never like this.”

Almost on cue and with a refreshing lack of irony, Twitter users set
about proving him right, his stature and popularity rendered
immaterial because he had dared to take a political stand.

Twitter takes on Gulzar

At the mildest end of the scale, Gulzar, it seemed was a now given to
hyperbole. This, of course, made him a “third class human being”.

Rahul Roushan @rahulroushan
Gulzar is a master of similies and metaphors, and now of hyperboles.

Bhiya @Munna_Bhaya
@rahulroushan He might b a good poet. But whatever I know him, he is a
third class human being.
3:04 PM - 24 Oct 2015
  2 2 Retweets   1 1 favorite

Rupa Subramanya, an active Twitter user, criticised Gulzar for
accepting an award from Sonia Gandhi. Ironically, she also mentioned
that Gulzar bore the brunt of the Emergency himself since his film was
banned.

Rupa Subramanya @rupasubramanya
Gulzar film based on Indira banned by her.Receiving 2012 IndiraGandhi
Natl Integration Award from Sonia.All forgiven
pic.twitter.com/cnT1XtAhrQ

Rajwade Rajendra @rbr6000
@rupasubramanya : And why gulzar was  silent on bolywood outrage on
yakub's hanging?
10:24 AM - 25 Oct 2015
  Retweets   1 1 favorite

Replying to Subramanya, one Rajwade Rajendra displayed some classic
whataboutery as he questioned Gulzar about not say anything about
Yakub Memon’s hanging.

Whataboutery is a popular debate tool on Twitter. Dictionary.com
defines it as “the practice of repeatedly blaming the other side and
referring to events from the past”. It's a contemporary, more
insidious version of “let him who is without sin cast the first
stone”. Of course, since it is literally impossible that Gulzar, or
anyone else, has commented on the infinite number of issues before
this, using whataboutery, one can easily argue that any criticism is
moot without having to address the core issue.

Things got worse.  One gentleman went up and called Gulzar ­– India’s
de facto poet laureate – an “idiot”.

India Today ✔ @IndiaToday
Never witnessed such intolerance in country, says Gulzar
http://indiatoday.intoday.in/story/never-witnessed-such-intolerance-in-country-says-gulzar/1/506496.html
… pic.twitter.com/h74L5hNdNp

 Follow

Jayram Yerra
‏@jayyerra
@IndiaToday sikular idiot

And then there were also the insinuations of corruption ­and an
imagined political partisanship.

Suresh En @surnell
Gulzar (Sampooran Singh Kalra), a Sikh originally, (Sickular now) is
probably being arm twisted by Masters as payback for the Award!
8:20 PM - 24 Oct 2015
  27 27 Retweets   10 10 favorites

Phd in Bakchodi !! @Atheist_Krishna
People like Gulzar should say it openly that they HATE MODI rather
than spreading paranoia & floating conspiracy theories among the
people.
4:47 PM - 24 Oct 2015
  36 36 Retweets   18 18 favorites

!! मनोज राणे !! @Marathi_Tweets
Great respect for Gulzar's literature contribution but fact remains he
had gone to Kashi to campaign against Modi.
11:50 PM - 23 Oct 2015
  10 10 Retweets   5 5 favorites

SUPARI JOURNALIST @girishs2
The mask of Gulzar is peeling off. He is the kingpin of all Anti Modi
Bollywood activities.  #VishalBharadwaj #Imitiazali #MaheshBhatt
7:20 PM - 24 Oct 2015
  6 6 Retweets   favorites

Another went on to invent a whatabout, questioning Gulzar’s role in
the Emergency, blissfully unaware that he’d had his movie banned.

Prit kanungo @KanungoPrit
@IndiaToday if i am not mistaken , he didn't not protest against emergency!

Ashok @krishashok
@KanungoPrit how conveniently you forget that his movie aandhi was
actually banned during emergency :) @IndiaToday
12:24 AM - 25 Oct 2015
  Retweets   2 2 favorites

Another tried for a generic version of “go to Pakistan” – always handy
in these situations.

Dr. dane @saurabhnpil
@IndiaToday @kshatriya8787 he should choose any islamic country in
this globe and stay there for a while then he came to know the
reality.
9:54 PM - 24 Oct 2015
  Retweets   favorites

Tragi-comically, quite a few people attacked Gulzar for being a
Muslim, given that his penname is a Persian-origin word.

swati chaturvedi @bainjal
Penny drops ignoramus bhakts attacking Gulzar out of bigotry! Think
he's a Muslim. His actual name Sampooran Singh!
https://twitter.com/magadhsamraat1/status/657885252484923392 …
5:22 PM - 24 Oct 2015
  51 51 Retweets   27 27 favorites

Gulzar is, of course, from a Sikh family although, given that this was
happening at all, again went to fulfill his own prediction that “a
person’s religion is asked before his name”.

That, of course, didn’t mean that there was no support for Gulzar.
Director Anurag Kashyap did stand up for the poet as did a few other
liberals.

Anurag Kashyap @anuragkashyap72
Gulzar Saab's love for this country, its people and his conscience is
far beyond the collective vitriol of the lynch mob that attacks him.
11:05 PM - 24 Oct 2015
  1,061 1,061 Retweets   723 723 favorites

But they were comprehensively outshouted by those angry with Gulzar
for his views.

New times, new voices

Of course, the damage had already been done. Gulzar has had a long
career as a dissenter and public intellectual but, true to his own
words, this seems to be a new era when it comes to intolerance. A
reaction as vitriolic to this to a stand taken by a person otherwise
as respected as Gulzar would have been unthinkable before.

Twitter users went in to rebut Gulzar but attacked him so ferociously,
they only ended up proving him right.

CilemaSnob is now @NotSoSnob
People asking where has the atmosphere changed? What intolerance?
Slight criticism of govt. by Gulzar saab and look at the reactions.
That.
2:32 PM - 24 Oct 2015
  35 35 Retweets   7 7 favorites

III.
http://www.indiatimes.com/wwws/india/kannada-writer-chetana-thirthahalli-threatened-with-rape-acid-attack-after-she-questioned-hindu-rituals-and-beefban-246568.html?utm_source=TopArticle&utm_medium=webFbShare

Woman Writer Threatened With Rape, Acid Attack After She Questioned
Hindu Rituals And #BeefBan

Deepu Madhavan
October 24, 2015

The signs are all here and those who are dismissing them are 'few
random incidents' are simply failing at their attempts to veil the
obvious.

Facebook

In the latest story emerging from Bengaluru, noted writer, film-maker
and script writer Chetana Thirthahalli was threatened with rape, acid
attack and other 'dire consequences' on Facebook.

This after she wrote articles questioning Hindu customs in various
magazines, including Muslim publications. She was also part of a
recent rally in Bengaluru which supported beef consumption and saw
attendence from numerous litterateurs and feminists.

For past few months she received numerous threats from various
Facebook accounts which surely disagreed with her views that were
expressed by her. Finally on Saturday, She lodged a complaint with
Hanumantha Nagar police against operators of two Facebook accounts.
In her complaint, the writer said she had been receiving the messages
from Jagrutha Bharatha and Madhusudhan Gowda on Facebook for 5-6
months.

"Initially, most of the messages were from fake profiles and were
reactions to my posts on Facebook. I ignored them. However, of late,
Madhusudhan has been messaging me regularly especially after reading
about recent protests where I have been and so on. His threats and
messages are communal, anti-feminist and often obs cene," she told
STOI.

"With the killing of writer Kalburgi and little progress in its
investigation, I do not feel safe now. I may not be anywhere near
Kalburgis' stature, but I am afraid. So, I decided to file a
complaint, especially when I realized that these people were following
my every move, every post," she added.

Police have registered a case under IPC section 504 (intentional
insult with intent to provoke breach of peace), 506 (punishment for
criminal intimidation) and 509 (word gesture or act intended to insult
the modesty of a woman). They have also referred the case to the cyber
crime cell to trace Madhusudhan.

[Video:
Chetana Thirthahalli a film-maker from Bengaluru gets rape threat for
endorsin...]

(With inputs from TNN)
-- 
Peace Is Doable

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