[《This is what India has come to – a grand idea of hope, togetherness and
belonging, irrespective of caste and creed, reduced to the despair of
divisiveness. In less than four years, the politics of development, sabka
saath, sabka vikas, of being with everyone, of ensuring everyone’s
progress, has crumbled to the politics of the graveyard – the word itself
used as a warning – statues and temples.

The BJP and its yet-mighty master, Prime Minister Narendra Modi, may or may
not survive the party’s politics of hype and hate, especially if the
resurgence of the Congress and other contenders continues into 2019. But
the messages that the BJP spreads in a desperate effort to realise Shah’s
ambition of a 50-year reign will not disappear easily.》]

https://scroll.in/article/906627/no-amit-shah-the-entire-country-does-not-want-a-grand-ram-temple-in-ayodhya?fbclid=IwAR36b7cEaHvgB_n7qwtW4fBmOabARLelH54th2fYwrFfg7tlGZkAkyRo-T8

Indianama
No Amit Shah, the ‘entire country’ does not want a grand Ram temple in
Ayodhya
The BJP may survive its politics of hype and hate, but a school concert
reminds us why hope must endure.

No Amit Shah, the ‘entire country’ does not want a grand Ram temple in
Ayodhya
PTI

10 hours ago

Samar Halarnkar

Under a full moon, as a stream of air force transports from a nearby base
drone overhead, I join an enraptured crowd of parents at my daughter’s
school, as our children take the stage, bringing us music and messages,
from new Indians for a new India. For four hours, they sing, reminding us
of faith, discrimination, despair and the eventual triumph of hope.

They sing, in Kannada, keertanas of Kanakadasa, the 17th-century poet and
musician who questioned the purity of caste. They use Bengali for
Rabindranath Tagore’s Chandalika, the drama of an ostracised, depressed
low-caste girl and a Buddhist monk who changes her life by accepting water
from her. In Tamil and Malayalam, they sing and dance to a theyyam, a
ritual form of worship, in which a Hindu high priest, a shankaracharya, is
taught a lesson against discrimination. In English, they enact the story of
Ekalavya, the boy from a low-caste forest tribe who bested Arjuna, the
great warrior of the epic Mahabharata (with some writer’s licence: when a
disciple of guru Dronacharya hears Ekalavya learned some archery from his
mother, he asks, “A woman knows archery? Kaise din aa gaye?” The quick
response from his friend, “Acche din.”)

For the last hour, a 65-student choir brings alive the soaring, sometimes
depressing but always powerful songs of segregation-era United States of
America, old African-American spirituals and modern variations, delivered
under balmy South Indian skies. These are, equally, songs for India,
delivered under the theme “Who tells your story?” The theme for the evening
is discrimination – a timely reminder of our multiple cultures and stories
and the battles fought over the rights of the marginalised.

In the country beyond, the war for rights has intensified. This is a
country that increasingly struggles with discrimination and violence
against its minorities and whose rulers are willing to subvert the rule of
law and the Constitution to pander to virulent majoritarianism. The concert
reminds us that there are yet questions that must be asked, hope that must
be spread and songs that must be sung.

Those questions may well be addressing the head of the ruling Bharatiya
Janata Party, Amit Shah, who said a day earlier (on Wednesday) that the
“entire country wants a grand Ram temple” in Ayodhya “at the exact spot”
where once there was the Babri Masjid – of course, he would not take its
name. His friendly advice to the Supreme Court: the Ayodhya case can be
finished in 10 days if the judges conduct hearings every day.

Messages of hate
To pick divisive issues – however irrelevant they may be to India’s
national interests or public concerns – is now standard operating procedure
for the BJP. The party’s chief minister in Uttar Pradesh, Adityanath, calls
the murder of a police officer by cow vigilantes an “accident”, at other
times a conspiracy. His fellow member of the legislative Assembly, Sanjay
Sharma, in dismissing the demand from more than 80 former civil servants
for Adityanath’s resignation – for perverting “fundamental principles of
governance, of constitutional ethics and of humane social conduct” – says
the “enlightened minds” could only see the death of two human beings and
not 21 “gau matas” or mother cows.

Play
>From far corners of the country and the extended Hindu ruling party, the
messages of hate and abhorrence of Muslims and Dalits pour out,
intensifying as India stands on the threshold of its 17th general elections.

This is what India has come to – a grand idea of hope, togetherness and
belonging, irrespective of caste and creed, reduced to the despair of
divisiveness. In less than four years, the politics of development, sabka
saath, sabka vikas, of being with everyone, of ensuring everyone’s
progress, has crumbled to the politics of the graveyard – the word itself
used as a warning – statues and temples.

The BJP and its yet-mighty master, Prime Minister Narendra Modi, may or may
not survive the party’s politics of hype and hate, especially if the
resurgence of the Congress and other contenders continues into 2019. But
the messages that the BJP spreads in a desperate effort to realise Shah’s
ambition of a 50-year reign will not disappear easily.

Congress president Rahul Gandhi does speak, occasionally, of love and
compassion, but he acknowledges his subservience to the BJP’s message – by
visiting temples, flaunting his sacred thread and tiptoeing around matters
that test India’s Constitution, its rule of law and secularism.

A growing mob
There appear to be more pressing concerns, the most important being the
decline of Indian farming, which supports more than 670 million Indians.
But no administration can hold together and focus its attention on agrarian
transition and unemployment when its attention is diverted by the howling
mob and the prospect of anarchy.

The mob is, usually, the semi-educated, semi-employed, semi-urban youth
frustrated by the death of dreams. To reduce his – the mob is almost always
male – dreams to a temple and clear his path to getting it somehow, anyhow,
is to frustrate him further and threaten the foundations of the republic.

The radicalised youth, brainwashed and filled with hate, defines himself by
his religion, but he does not know its practices and its traditions. He
does not know of its infirmities, the inequities it spawns; he does not see
why hate must be discarded, and he has forgotten the true meaning of his
faith.

In speaking for all of us and demanding nothing but the grand temple to
Ram, Shah urges more young men into the mob. What he will not discuss is
the other tradition of Ram, derived from the glory of hope.

“Not a grand Ram temple, not a Ram colossus,” the poet Ranjit Hoskote tells
me on Twitter as I write this, “but that forgotten ideal of whom Surdas
sang and Gandhiji spoke: Nirbal ke bal Raam, the Ram who is the power of
the powerless.” These are messages that must shine through the darkness,
that give us glimpses of the glory that could be, of the battle ahead.

And, so, they sing into the night at the school in Bengaluru. “One day,
when the glory comes,” they sing, “it will be ours, it will be ours. One
day, when the war is won, we will be sure, we will be sure.”

-- 
Peace Is Doable

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