I don't have a set routine of hours that I work - it tends to depend on what 
I'm making, and how interested in it I am, though I try to avoid too many 
evenings and weekends unless at the silly time of year (just before the new 
re-enactment season, and the time that the museums get their new annual budgets 
- 
i.e. about now-ish).

But I prefer a more fluid day -  I tend to work better knowing I have to get 
x, y, and z done today, than when working to strict times.  I seem to get more 
done that way.

I also tend to have more than one thing on the go at any given time (be it 
sewing or websites, or brochures, or whatever), so that when I start to tear 
out 
my hair over one thing, I can move onto something different for a bit.  Or 
occasionally I'll go for a walk if I just want to rip everyhting to shreds.

My start time can be anything from about 7am to about 11am, depending on how 
I feel, and whether or not I've done any work the night before (sometimes I do 
a bit after Nige goes to bed).

My workroom is on the top floor of the house, so my journey to work involves 
climbing a flight of stairs.  My 'at work' signal (clothes don't work - I've 
been known to wear pj's all day!!) is that I open the door of the room, switch 
on the light, and turn on the mains power to the machines and the radio (I 
listen to Radio 4 mostly, or books on tape when they're broadcasting repeats, 
or 
I'm bored with the news!).  As soon as that's done I'm 'at work'.  At some 
point during the day (time varies), I go and get lunch, and check e-mail and 
things while I'm eating.  Then I go back to work.  

My finish time is between 6 and 6.30 pm, or when Nigel gets home (6.30 - 
7.30), depending on how involved I am in what I'm doing.

Of course, there are times when I literally work a 24 hour day, mainlining 
red bull, if there's a tight deadline - and there were a couple of times that I 
worked 130 or 140 hour weeks when I first started, but I ****really**** 
wouldn't recommend that to anyone!!  :-)

Debs

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