For my ItalianRen bodices, I just made them extra snug, and they held me up
just fine (and I'm a BIG girl, that way).  I've never used a fragile fabric,
though (usually cotton or linen, as they were intended for summer/camping
use), and always did a good, sturdy interlining, often with a heavy-weight
linen.  On my linen gowns, I did lace into them, wait for the fabric to warm
up, and then pull them snug, but that was about it....
--Sue

----- Original Message -----
From: "Elizabeth Walpole" <[EMAIL PROTECTED]>
To: "Historic Costume" <[EMAIL PROTECTED]>
Sent: Sunday, April 02, 2006 12:02 AM
Subject: [h-cost] GFD related question - tracing final pieces onto paper


> Hi everyone,
> I'm helping a friend to fit an early 16th century Venetian bodice (what's
> often referred to as the 'Italian ren' style) and I want it to support her
> bust without a bra so I'm basically working from Robin's worksheets to get
> an idea of how to do that (though it's obviously somewhat different to
suit
> the different style of bodice). My question is about the point after the
> lining is fitted and you've now got a shape you can trace to cut a second
> layer, or even a new bodice. If you're tracing that shape onto a piece of
> paper (so you don't have to go through the fitting process again next
time)
> do you have to wait a while for the fabric to shrink back into it's normal
> cold shape or can you trace the pieces as soon as you take it off? I also
> thought that maybe you need to take it a step further and put it through
the
> wash (after finishing the edges of course) to get it back to it's normal
> size.
> I've made this style of bodice for myself but I forgot to trace my final
> pieces onto a paper pattern to re-use them later so this wasn't an issue.
> thanks
> Elizabeth


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