Janet Arnold shows the edges all being whipped down around the edges. Then
they were joined by either being whipped together or faggoting.


On Fri, May 9, 2014 at 2:35 PM, Wicked Frau <wickedf...@gmail.com> wrote:

> This what the Tudor Tailor (TT) has to say about shirts/smocks finishing:
>  "The fact that shirts and smocks were intended to survive regular washing
> is evident in the construction of extant examples.  The stitches are very
> regular and tiny, often so small as to be invisible to the naked eye.  The
> strength of the selvedges was exploited in the long seams down the sides
> which were butted together.  Seams made along a cut edge have the raw part
> carefully folded under and enclosed with another row of stitching."
>
> A number of years ago I picked up a man's shirt at a yard sale in Germany.
>  I took it to the Dennita Sewell, the fashion curator at the Phoenix Art
> Museum with the idea of donating it to the museum (they were very happy to
> add it to their collection).  She said it was probably 19th century, but
> certainly constructed just like they had been in the 16th and 17th
> centuries.  As stated in the TT the long side seams are butted with an
> overcast on the inside.  The cut portions are sewn and then folded over.
>  The folded over seams are hardly bigger than an 1/8 ".  There is a lot of
> entredeux work on the cuffs, and drawn work on the neck opening.
>
> The straight top stitching is so tiny and perfect that it is really hard to
> imagine it was not done by machine, but as the rest of it is clearly hand
> sewn, I think it is as well.
>
> I have yet to actually turn this garment over to the Museum.  I intend to
> photograph it carefully and post pictures before I do give it to them.  I
> will post pictures as soon as I have done this.
>
> Saragrace
>
>
>
>
> On Fri, May 9, 2014 at 10:18 AM, Ginni Morgan <ginni.mor...@doj.ca.gov
> >wrote:
>
> > I think Arnold covered this in Patterns of Fashion, but I could be wrong.
> >  I'm at work and all my costume books are packed up anyway.  My guess is
> a
> > small rolled hem on any cut edge.  The openwork stitching that attached
> one
> > piece of cloth to another needs something to anchor it that won't fray
> > apart under strain.  It is my understanding that the garments were often
> > taken apart for washing and sunbleaching.  Thus each piece would need to
> be
> > finished.
> >
> > Ginni
> >
> > -----Original Message-----
> > From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com]
> On
> > Behalf Of Liz H.
> > Sent: Friday, May 09, 2014 9:55 AM
> > To: h-costume@mail.indra.com
> > Subject: [h-cost] Chemise/Shift question
> >
> > I'm sure sometime has answered this sometime over the years, but I can't
> > seen to find it...
> >
> > In the 1480-1600 period of time, does anyone know how the edges of the
> > cloth, or seams of under-tunics/shifts/shirts/chemises would have been
> > finished?  I figure that as they would have been the most often washed
> > garment, something would have been done to help prevent the edges of the
> > cloth from unraveling...but I haven't been able to figure out what,
> during
> > that period of time.
> >
> > (Me, I either zigzag or whip-stitch the edges usually...but I'm wondering
> > what would have been done *then*)
> >
> > Thanks!
> > -Elisabeth/Liz
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-- 
*Maitresse Aspasia *
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