Jim, thanks for the email!
hey ohl-ians,
yes we are focusing on the rumination thing. BUT at the risk of another distraction, this just came over the wire and i figured i'd feed it to your subconsious to work over.
maybe we could validitate the ontology suggested by the below terms by playing a bit of music and asking participants to confirm or denny a given descriptor as applying to a little soundtrack snippet.
this would still use pretty much the same basic paradigm as the rumination study.
Bill
---------- Forwarded message ----------
Date: Thu, 12 May 2005 16:44:53 -0500 (CDT)
From: James Zaiss <[EMAIL PROTECTED]>
To: Owen McNally <[EMAIL PROTECTED]>
Cc: William L. Jarrold <[EMAIL PROTECTED]>
Subject: Re: How to represent body knowledge of patients in clinical
pharmaceutical trialsHey OJ (= O + billJ),
On a semi-related note, have you looked at www.allmusic.com lately? They list the "Moods" a given band/artiste tend to project/evoke.
Eg for propoto-punks Crime, you get:
Moods
* Outrageous
* Street-Smart
* Eccentric
* Cathartic
* Enigmatic
* Harsh
* Confrontational
* Provocative
* Stylish
* Cynical/ Sarcastic
* Volatile
* Snide
* Raucous
* Passionate
* Manic
* Brash
* Aggressive
* Theatrical
* Intense
* Menacing
* FieryAnd for the shoegazing Slowdive:
Moods
* Atmospheric
* Gentle
* Bittersweet
* Ethereal
* Soothing
* Wintry
* Autumnal
* Laid-Back/ Mellow
* Detached
* Intimate
* Melancholy
* Hypnotic
* SensualYou can click on a given Mood, and get a list of related Moods, as well as a list of other acts that convey the given Mood.
Jim
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