John,

When you think about it, it is highly unlikely that your band is playing 
all 50 year old Conn horns, plus or minus a few years.  School horns 
have  a hard life, and even those that are well cared for don't often 
make it to 50 years. Conn horns were made in Elkhart IN from 1919-1971. 
 From 1971 to the mid 1980's they were made in a factory in Abilene TX, 
formerly used to manufacture Reynolds instruments. From the mid 1980's 
to current, they were made in the consolidated  Conn-King factory (now 
the Conn-Holton factory) in Eastlake OH.

The bells that you describe are not from the Elkhart era; they are from 
Abilene and Eastlake (1971- current). Elkhart bells always showed 
Elkhart IND and rarely had horn model information. Any with model 
information I have seen or heard reported on Elkhart bells was quite old 
- 1930's. The horns may be much newer than the 1950's, or they may be 
older bodies that have had their bells replaced. The presence of many 
differing braces and components is not unusual - if a repairman doesn't 
have an exact replacement part, s/he may use an available part from 
another make of  horn, especially if it's a large batch of school 
instruments. The more repair work done, the more likely it is that 
inconsistent parts may have been used. Another possibility is that one 
or more horn bodies is actually a different make, like a King 1160/2260 
or a Holton, that has had a Conn bell put on it.

Regarding serial numbers, the latest information on serial numbers from 
the Conn Loyalist site states that horns made in Eastlake from 1995 to 
2000 have an unknown number scheme, but those made from 2000 on are of 
the form 5 999999. Horns from that 5 year window may have serial numbers 
that look like Elkhart era numbers. Other information that has showed up 
on this group and the Yahoo horn group suggests that in the early days 
in Abilene, 1971-73, instruments coming out of Abilene may have had 
serial numbers  of older forms, rather than the P99999 and R99999 series 
that was supposed to be standard. Horns from Abilene and Eastlake from 
1974 - 1995 should have serial numbers of the form YMY9999, where YMY is 
a date code starting with G,H or I, and 9999 was a sequence number. Both 
King and Holton horns have serial numbers of 6 digits, like the older 
Elkhart instruments.

Richard Hirsh, Chicago
-------

John Stacy wrote:

This year we have a new brass director at my high school.  One of the things he 
did was go though the inventory and get all instruments in working order.  
There were some instruments that were almost unknown around the band hall, like 
they were hidden and recently uncovered.  For horns, there was one King Eroica 
in passable condition, and an unnamed horn that looks very close to an Eroica.  
There were also two 8Ds, which were both in very fine condition.  One, with the 
exception of this huge dent on the flair under the pinky ring could be passed 
off as new from more than two feet away.
This 8D is rather interesting.  The serial number is 559xxx, meaning it was 
from 1955 if I dated it right.  This is about the era of the rest of the 8Ds 
the school owns. We have 9, The oldest is from 1954, and the newest is from 
about 1962.  They are practically identical, but with slightly varying lead 
pipes, and on the one I was using, different valve levers.
However, this one 1955 Conn really sticks out from the rest.  I'll go from the 
leadpipe out to the bell with all the differences.
The lead pipe for one is quite a bit smaller bore wise than the other lead 
pipes.  It gives no more or less resistance, however.  The bracing that 
connects the lead pipe to the flair is also a whole inch and a half longer on 
each of its 'arms.' It's also thicker and more rounded.
On the main tuning slide, there are the last 3 digits of the serial number.  
This is only on one of the other horns.  It is engraved, but it looks like the 
engraver had Tourrette's or something like that because the numbers are 
erratically engraved and are even cleaved.
The curve right after the main slide that connects it to the Bb valve casing 
has an extra curve away from the valve casing.  It has a very strange S shape.
Each of the valve cylinders is quite strange.  For one, there is a "B" on each 
of them.  It's under the numbers 1 2 and 3 on each of the valves.  Under each 
of the valve caps, the B is also present.  Serial number is on the second 
valve, this is no different from the others.
The witness marks are off.  On the first valve, the marks line up when the 
valve is pressed, but not when it isn't.  It's off by about 20 degrees or so.  
This is about the standard on the other two valves as well.  The thumb valve 
has witness marks going the opposite direction than what I've seen as normal, 
facing towards the lead pipe.  The thumb's marks are the only ones that line up 
when the valve is pressed and it isn't.
The valve levers are strange.  For one, they're very light.  The metal is very 
different from the other horns.  For another, they're very quiet and fast.  The 
thumb valve uses a string linkage rather than the mechanical linkage I'm used 
to seeing on 8Ds.
The tubing that goes out from the third valve, which eventually turns into the 
top F horn tuning slide(not the F third valve slide) has a much wider curve 
than the others.  It goes out way farther as well.
All bracings are drastically different.  Instead of having a U shaped plate, a 
cylinder between them, and another U shaped plate, they have circular plates.
The last thing is the icon engraved on the bell throat.
On the other Conn's, It's a shield and banner with ornamental flames and 
whatnot under it.  It says C. G. Conn(r) on top then 8D in the banner, then 
U.S.A under that.
On this one, it says in really big letters, CONN(with no little r after it) 
then 8D under it in big letters. Under that it's USA.  The engraving is in a 
different lettering style as well.  It is also very inconsistent, as some lines 
are thick then thin, some lines are thin all the way, and some are thick all 
the way.  It's very random and inconsistent.  It's also slightly lopsided.

My question is, why is this one Conn so drastically different from the others 
from practically the same era?  It's even different from the other 1955 one, 
which is almost identical to the others.
It plays very well, but the fourth line D is occasionally stuffy on the Bb 
side.  It is much more responsive
What do the B's mean on the valves?
Why are there such inconsistencies and errors that make it seem thrown together?

Thanks
-John Stacy


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