You know, maybe I'm just bored sitting here snowed in, but I think a lot of 
crap is being talked about quarter tones.

Any good horn player with two ears capable of hearing a quarter tone difference 
in pitch will have no difficulty playing them using exactly the same techniques 
used to play a Mozart Horn Concerto or practice scales. You need to listen to 
what is coming out of the bell, and if its not in tune compensate!  I don't 
really see how tuning one side of the horn  or adding extra valves will help. 
In fact these methods will probably just get in the way and delude the insecure 
player into thinking he/she has "hit" the right note just because there is a 
quarter tone "button" to press!

As to a book of  "Etudes"  or Manuals, well if folks find it interesting and 
already plays so well they are constantly being booked by the  "fixer" then 
great.   Good luck to them.  However, the few times I need to play them I just 
use my ears if I think it matters and use my imagination if it doesn't! 

Francis




On 27 Dec 2010, at 23:34, Steve Haflich wrote:

> [email protected] wrote:
> 
>   I had thought of this before though. With quarter tones, wouldn't it be  
>   easier to set one side of the horn in pitch down slightly (say the F side) 
> and 
>    then use the Bb side primarily? Then you switch to the F side for quarter 
>   tones  and you're done.
> 
> Lowering the F horn a quarter step requires adding a little less than
> 4.5 inches of tubing.  I suppose many horns have 2.25 inches of extra F
> tuning slide, at least until you need play on a very hot day and that
> extra tuning slack is necessary just to get the horn down to pitch.
> 
> It's an interesting approach, though, and probably a lot easier to think
> about than remembering less familiar valve combinations.
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