That's not necessarily so. I think some European horns (not yours) are built 
deliberately with a sharp F-side G so that the Bb-side 1st valve G is in tune. 
On my Finke the G is solid on the F-side, but the perfect 4th from G to C is 
narrow. If I tune the C, the G on the F-side is sharp. Other players have also 
experienced this.

It's all in the taper.

Herb Foster




________________________________
From: Hans Pizka <[email protected]>
To: The Horn List <[email protected]>
Sent: Fri, January 28, 2011 8:27:10 AM
Subject: Re: [Hornlist] Horn Call

If you talk about a fine tuned Bb side on Alex103 & other horns, do you 
probably 
have in mind playing this g1
with 13  ? Using 1 instead makes it flat on most Bb-sides, while the same note 
played on the F-side is no issue at all.

If you tune any horn with concert "a" played on that instrument, the F-side 
might be sharp a bit, but the 

Bb-side sharper again. Why not trying to use c2 (2nd space) on the Bb-side & 
the 
F-side, played 

to the given concert "a" to get a better result ?

A horn with a weak or flat or sharp g1 on the F-side is just a roll-over-horn 
(remember Stan & Oliver).

########################################################################################


Am 28.01.2011 um 14:13 schrieb Chris Wilhjelm:

> 
> Funny thing about many 103s (and other horns with fine B flat sides)  the 
>second line G is often more secure and in tune on the B flat side 
>
> 
> c
> 
>>>> Ralph Hall <[email protected]> 1/28/2011 5:17 AM >>>
> 
> Ralph R. Hall
> [email protected]
> Ralph R. Hall
> http://www.brasshausmusic.com
> 
> 
> Was he playing on the sound track for 'Free Willy'?
> 
> And why does he not use the 'F' side for second line 'G'?
> 
> I'd like to know who the camera person was!
> 
> Ralph R. Hall
> 
> 
> 
> 
> 
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