-----Original Message-----
From: Larry Jellison

What gives?  I start from the assumption that everyone is reporting in
on what they hear in comparing the horns "before" and "after".  I have
a theory
that human beings hear sound differently from each other.  And
specifically,
some people hear the detail in a complex sound pattern and others
don't.

What other reason(s) could explain such divergence in opinion on such a
"clear
cut" issue?

Larry,

As a performer, I have played on many horns, both cut and uncut.

I have also cut the bells on several of my horns.

As a hornsmith, I have cut bells for many clients. Most of my clients
are professional performers and while their opinions on cutting bells
varies, most can tell a minor
difference after a bell is cut.

The difference is generally not a question of worse or better, but just
one of difference.

I don't believe that the difference is necessarily one of how the horn
sounds, but of how it responds to the player.

While I also don't believe that the result is necessarily negative in
cutting a bell, much depends on how well the bell is cut, how carefully
the rings are fitted and installed, and most importantly, how the bell
is reinstalled by the person who cuts it.

In the past year, I have redone at least six bells that were cut by
reputable techs. or makers who failed to fit the rings correctly /or
reinstalled the bell with tension in it that led to a degradation of
the horn's performance.

The reinstallation of the bell without tension is an essential criteria
in cutting a bell.

The fact that you are adding four ounces of metal to the bell generally
results in a slightly different  feel to the response, and a difference
in the residual resonance that the player hears.

With all that being said, I believe that your above statement about the
difference degrees of what people hear is absolutely right on.

And, here is another explanation for the divergence in
opinion:

Albert Einstein once remarked to the brilliant physicist, Werner
Heisenberg, "It is the theory which decides what we can observe."
The context in which he made this statement was that our conceptual
categories influence what we are observing, even when we honestly
believe we are being impartial, neutral, or "objective."

Cognitive psychology has produced a large body of research that
demonstrates that our raw perceptions are unknowingly modified,
filtered, and altered by our beliefs and preconceptions.


Paul Navarro
Lyric Opera of Chicago (ret.)
Navarro Custom Horns


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